Among the many treasures of the al-Sabah Collection, Kuwait, are hundreds of chess and other games pieces dating from the 7th to the 19th centuries ce. Intricately crafted in a rich variety of materials, including ivory, wood, ceramic, glass, jade and agate, these tiny objects are of enormous historical and artistic significance. They not only mark the evolution of familiar games into their modern forms, but also evoke the imperial palaces, military camps and herders' tents in which they were played over many centuries, from the Sasanian period through the Islamic era in Central Asia, Iran, present-day Iraq and northern India. The chess pieces include both early figural sets and the more abstract forms that later became popular throughout the Islamic world. Dice, pachesi sets and a medieval Arabic treatise on chess complete the collection.

Among the many treasures of the al-Sabah Collection, Kuwait, are hundreds of chess and other games pieces dating from the 7th to the 19th centuries ce. Intricately crafted in a rich variety of materials, including ivory, wood, ceramic, glass, jade and agate, these tiny objects are of enormous historical and artistic significance. They not only mark the evolution of familiar games into their modern forms, but also evoke the imperial palaces, military camps and herders' tents in which they were played over many centuries, from the Sasanian period through the Islamic era in Central Asia, Iran, present-day Iraq and northern India. The chess pieces include both early figural sets and the more abstract forms that later became popular throughout the Islamic world. Dice, pachesi sets and a medieval Arabic treatise on chess complete the collection.

World renowned for its collection of Islamic art, the al-Sabah Collection in Kuwait also houses an important collection of ancient art. Splendors of the Ancient East presents a selection of ancient artefacts from the al-Sabah Collection, most of them reproduced for the first time. This selection is united by the personal vision of Sheikh Nasser Sabah al-Ahmad al-Sabah and his wife, Sheikha Hussah Sabah al-Salem al-Sabah. This vision is informed by a love of the beauty of these objects and an interest in the material culture of this region, from which grew some of the distinctive forms and design vocabulary of Islamic art. Covering a time span of some 4,000 years, from the Bronze Age up to the dawn of the Islamic era, this book celebrates some of the beautiful objects created in the Near East and beyond including Central and South Asia.