Although beset by social, political, and economic instabilities, interwar Vienna was an exhilarating place, with pioneering developments in the arts and innovations in the social sphere. Research on the period long saw the city as a mere shadow of its former imperial self; more recently it has concentrated on high-profile individual figures or party politics. This volume of new essays widens the view, stretching disciplinary boundaries to consider the cultural and social movements that shaped the city. The collapse of the Austro-Hungarian Empire resulted not in an abandonment of the arts, but rather led to new forms of expression that were nevertheless conditioned by the legacies of earlier periods. The city's culture was caught between extremes, from neopositivism to cultural pessimism, Catholic mysticism to Austro-Marxism, late Enlightenment liberalism to rabid antisemitism. Concentrating on the paradoxes and often productive tensions that these created, the volume's twelve essays explore achievements and anxieties in fields ranging from modern dance, theater, music, film, and literature to economic, cultural, and racial policy. The volume will appeal to social, cultural, and political historians as well as to specialists in modern European literary and visual culture. Contributors: Andrea Amort, Andrew Barker, Alys X. George, Deborah Holmes, Jon Hughes, Birgit Lang, Wolfgang Maderthaner, Therese Muxeneder, Birgit Peter, Lisa Silverman, Edward Timms, Robert Vilain, John Warren, Paul Weindling. Deborah Holmes is Researcher at the Ludwig Boltzmann Institute for the History and Theory of Biography in Vienna. Lisa Silverman is Assistant Professor of History and Jewish Studies at the University of Wisconsin-Milwaukee.

This book compares and contrasts the ways in which the democratic system limits and defines press freedom in two nations known for an unfettered press-the United States and Great Britain. It illustrates the interaction between government and press in these nations.

Jealously guarded and frequently defended, the concept of freedom of the press is still subject to widely varying interpretations in different democratic systems. This book compares and contrasts the ways in which the system limits and defines press freedom in two nations known for an unfettered press-the United States and Great Britain. Examining

Italian writer and political activist Ignazio Silone spent fifteen years from 1929 to 1944 as a political exile in Switzerland. Focusing on this period, this book throws new light on Silone's complex biography and shows how his literary production influenced and was influenced by fellow antifascist German emigres and the Swiss socialist intelligentsia. Using previously unknown archival materials, letters, and diaries, and following a flexible chronological structure, the book examines the developing role Silone played in the intellectual life of Zurich. Its analysis of Silone's links with 'Bauhaus' circles, disciples of C.J. Jung, and Zurich's socialist city council offers an interdisciplinary and comparative perspective on Silone's exile that both questions and celebrates his status as an 'un-Italian' Italian author. Holmes also considers wider topics such as the functions of the engage writer in times of crisis, the dynamics of cultural transfer through translation, and the phenomenon of exile literature. Italian antifascist exile writing is an area of Italian literature that has never been explored as an entity. With its painstaking archival research and critical approach to the pioneering methods and results of German 'Exilforschung,' Ignazio Silone in Exile opens the way for further studies on this little known aspect of Italian emigration culture.

Italian writer and political activist Ignazio Silone spent fifteen years from 1929 to 1944 as a political exile in Switzerland. Focusing on this period, this book throws new light on Silone's complex biography and shows how his literary production influenced and was influenced by fellow antifascist German emigres and the Swiss socialist intelligentsia. Using previously unknown archival materials, letters, and diaries, and following a flexible chronological structure, the book examines the developing role Silone played in the intellectual life of Zurich. Its analysis of Silone's links with 'Bauhaus' circles, disciples of C.J. Jung, and Zurich's socialist city council offers an interdisciplinary and comparative perspective on Silone's exile that both questions and celebrates his status as an 'un-Italian' Italian author. Holmes also considers wider topics such as the functions of the engage writer in times of crisis, the dynamics of cultural transfer through translation, and the phenomenon of exile literature. Italian antifascist exile writing is an area of Italian literature that has never been explored as an entity. With its painstaking archival research and critical approach to the pioneering methods and results of German 'Exilforschung,' Ignazio Silone in Exile opens the way for further studies on this little known aspect of Italian emigration culture.

Situated on the cusp of West and East, between the foothills of the Alps and the mighty 'Blue Danube', Vienna has long presented authors with a wealth of material for stories that entertain and intrigue. The city's famous quality of life and rich variety of cultural offerings is apparent here at every turn, but so too is its darker side, whether it be the Viennese obsession with death and decay or the dramatic, tragic events of its twentieth-century history. In stories from the early to mid-nineteenth century in particular, the city stands for wine, women and song, for a laid-back - - perhaps somewhat lax?- - outlook on life that is invariably linked to its location as German culture's southernmost centre. In more recent tales, the theme of the good life and of Vienna's beauty continues, but there are very few authors who do not dwell on elements of darkness or melancholy. Indeed, from the mid-twentieth century onward, death itself seems to have become literature's preferred guide to the city. The collection concentrates on stories set at the city's margins. The tales are arranged geographically rather than chronologically, around and through the city from west to east and back again. We begin and end with Arthur Schnitzler and Joseph Roth, two authors already indelibly associated with Vienna, but represented here by little-known gems, translated for the first time. Other authors include stars of Vienna's nineteenth century feuilleton journalism - Heinrich Laube, Ferdinand Kurnberger, Adalbert Stifter - but also the most recent generation of Viennese writers, Doron Rabinovici, Eva Menasse, Dimitre Dinev, with tales as yet unknown in English.

Oh, what to cook? We are spoiled for choice when it comes to cooking-we have a multitude of fresh fruit and vegetables, herbs and spices and fresh meats of all types available to us. This book presents you with a range of tips to get the best out of whatever type and cut of meat you choose to cook. Savour the tastes of meat cooked to perfection for your friends and family. All the recipes in this little compedium of cooking are beautifully photographed so you will know just how they will appear on your plate. Whether you are a novice or an experienced cook, you will find all these recipes to be the perfect blend of simplicity of preparation and sophistication of flavor, and you will enjoy not only eating them but preparing them as well. Go to it-you will be so glad you did.

Although the Habsburg authorities did not organize a concerted war effort on the home front, contemporary commentators nevertheless made frequent reference to cultural mobilization among the civilian population of Austria-Hungary. The essays in this volume investigate ways in which the arts in particular were affected by or indeed participated in the conflict of 1914-1918. Reactions of avant-garde writers and artists to the war are considered alongside developments in more popular art forms such as the postcard, feuilleton and operetta. The volume also contributes to the debate on cultural retrenchment versus revolution during this period by examining changes within cultural institutions, especially but not exclusively in Vienna.