The Vocation of the Artist examines the historical role of the artist and presents a particular perspective, grounded in the author's experience as a practising artist and scholar, on the contemporary function of the artist as prophetic critic and visionary. Using specific interpretations of the words 'vocation', 'prophetic', and 'visionary', Deborah Haynes draws attention to the need for artists to assess critically the relationship of the past and present to the future. Bringing together a wide range of historical and theoretical sources in cultural history, art history and theory, and religion, this book is addressed to those interested in the complex interdisciplinary dialogue of the visual arts, religion, and ethics.

Bakhtin and the Visual Arts assesses the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. First published in the 1960s, Bakhtin's writings introduced the concepts of carnival and dialogue or dialogism, which have had significant impact in such diverse fields as literature and literary theory, philosophy, theology, biology and psychology. In his four early aesthetic essays, written between 1919 and 1926, and before he began to focus on linguistic and literary categories, Bakhtin worked on a larger philosophy of creativity, which was never completed. Deborah Haynes's in-depth 1995 study of his aesthetics, especially his theory of creativity, analyses its applicability to contemporary art theory and criticism. The author argues that Bakhtin, with such categories as answerability, outsideness and unfinalizability, offers a conceptual basis for interpreting the moral dimensions of creative activity.

Bakhtin and the Visual Arts assesses the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. First published in the 1960s, Bakhtin's writings introduced the concepts of carnival and dialogue or dialogism, which have had significant impact in such diverse fields as literature and literary theory, philosophy, theology, biology and psychology. In his four early aesthetic essays, written between 1919 and 1926, and before he began to focus on linguistic and literary categories, Bakhtin worked on a larger philosophy of creativity, which was never completed. Deborah Haynes's in-depth 1995 study of his aesthetics, especially his theory of creativity, analyses its applicability to contemporary art theory and criticism. The author argues that Bakhtin, with such categories as answerability, outsideness and unfinalizability, offers a conceptual basis for interpreting the moral dimensions of creative activity.

Spirituality and Growth on the Leadership Path: An Abecedary offers lessons not usually taught about leadership, lessons learned over the author's more than thirty years in higher education and nonprofit organizations. Few resources on leadership and administration attend to the inner life of a person in a leadership position. Many of this book's themes are therefore related to the inner moral and spiritual life. Some topics are prosaic, dealing with everyday activities. Throughout the book, "pith instructions" offer simple practical advice about the inner process and core values that may inform the leadership path. Haynes draws on the world's wisdom traditions--philosophy and religion, mysticism and theology, including indigenous beliefs and rituals--as rich resources for reconceiving leadership. This abecedary includes drawings by artist Michael Shernick, which are paired with entries from the "chronicles of experience," etymology and poetry, examples of contemplative practice and meditation, and metaphoric digressions. Common elements--such as lists and advice--mix with uncommon elements, including recipes. This primer will provide inspiration and insight for navigating the shoals, deep water, rocky coasts, wind, and sunny climes of the leadership journey.

Description: ""One of the great joys of the academic life is to pay homage in a Festschrift to a scholar who has influenced both colleagues and students over years of interaction and friendship both professional and personal. This volume honors a scholar and theologian of historical theology, a theorist and a practitioner of religion and the arts, and a keen analyst of cultural trends both ancient and modern. . . . "" Margaret R.] Miles's prodigious production as a scholar has legendary qualities. Her dozen-plus books alone explore history, patristics, ancient philosophy, art and art history, spiritual formation and religious practice, critical theory, film, ethics and values, personal growth, gender and women's studies, as well as her true academic loves, Augustine and Plotinus. . . . The breadth and depth of her own work and her influence upon others demands an expansive volume, which the editors of this Festschrift unfortunately had to restrict to four categories--Historical Theology, Religion and Culture, Religion and Gender, and Religion and the Visual Arts--in order to capture the heart of our appreciation for her."" --from the Introduction About the Contributor(s): Richard Valantasis is Professor of Asceticism and Christian Practice and the Director of the Anglican Studies Program at Candler School of Theology / Emory University. Among his numerous publications are The Gospel of Thomas, The New Q: Translation and Commentary, Third-Century Spiritual Guides, Centuries of Holiness, and The Beliefnet Guide to Gnosticism. He is also the editor of Religions of Late Antiquity in Practice and co-editor of Asceticism. An artist as well as a teacher and scholar, Deborah J. Haynes is Professor of Fine Arts at the University of Colorado at Boulder. James D. Smith III is Associate Professor of Church History at Bethel Seminary San Diego and Lecturer in Theology and Religious Studies at the University of San Diego. He also serves on the pastoral staff of College Avenue Baptist Church. After many years on staff at several scholarly and educational publishers, Janet F. Carlson is currently an independent editor and writer. She has been a friend and admirer of Margaret R. Miles for twenty-five years.

Visionary philosopher and literary critic Mikhail Bakhtin (1895-1975) was largely ignored during his lifetime yet his oeuvre has significantly impacted how we think about visual culture. His ideas renewed interest in the word-forming potential of the creative voice and he developed concepts which are bywords within poststructuralist and new historicist literary criticism and philosophy yet have been under-utilized by artists, art historians and art critics. Deborah J. Haynes aims to adapt Bakhtin's concepts, particularly those developed in his later works, to an analysis of visual culture and art practices, addressing the integral relationship of art with life, the artist as creator, reception and the audience, and context/intertextuality. This provides both a new conceptual vocabulary for those engaged in visual culture - ideas such as answerability, unfinalizability, heteroglossia, chronotope and the carnivalesque (defined in the glossary) - and a new, practical approach to historical analysis of generic breakdown and narrative re-emergence in contemporary art. Deborah J. Haynes uses Bakhtinian concepts to interpret a range of art from religious icons to post-Impressionist painters and Russian modernists to demonstrate how the application of his thought to visual culture can generate significant new insights. Rehabilitating some of Bakhtin's neglected ideas and reframing him as a philosopher of aesthetics, Bakhtin Reframed will be essential reading for the huge community of Bakhtin scholars as well as students and practitioners of visual culture.