The Book of Judith has aroused a great deal of scholarly interest in the last few decades.This volume, the first full length commentary on Judith to appear in over 25 years, includes a new translation and a detailed verse-by-verse commentary, which touches upon philological, literary, and historical questions. The extensive introduction discusses the work's date and historical background, and looks closely at the controversial question of the book's original language. Biblical influences on the book's setting, characters, plot, and language are investigated, and the heroine, Judith is viewed against the background of biblical women (and men). The influence of classical Greek writers such as Herodotus and Ctesias on the work is noted, as are the interesting differences between the Septuagint and Vulgate versions of Judith.

The source and nature of earliest speech and civilization are puzzles which have intrigued people for many centuries. This book surveys ancient Greek views on these questions. It discusses the harmonious language of the golden age, the means by which language was first invented, and some ancient 'linguists' described by Homer and Herodotus.

This book is a literary study of the Cyropaedia, Xenophon's fictional account of Cyrus the Great and the founding of his empire. The Cyropaedia is a complex blend of various literary forms, and this book examines several of its literary genres. General discussions of the works of Xenophon's predecessors and contemporaries, in particular Herodotus, Plato, and Ctesias, are combined with a detailed commentary on select passages. Socrates-his life, ideas, and techniques of argument, is an indirect presence in the work, and the Socratic tenor of several of the dialogues in it is the subject of one chapter. The lovely Panthea, the fairest woman in Asia, is Xenophon's most colourful heroine and her story, along with the dramatic tales of the eunuch Gadatas, bereaved Gobyras, and defeated Croesus, are the focus of another section; special attention is paid to the question of Xenophon's originality in fashioning these tales. The symposia of the Cyropaedia, an intricate blend of Greek and Persian elements, are also investigated at length. The book concludes with an examination of Xenophon's ambivalent attitude towards his hero, Cyrus the Great: the author argues that both Xenophon and his hero are more complex than they might seem.