Deborah Posel breaks new ground in exposing some of the crucial political processes and struggles which shaped the reciprocal development of Apartheid and capitalism in South Africa. Her analysis debunks the orthodoxy view which presents apartheid as the product of a single `grand plan', created by the State in response to the pressures of capital accumulation. Using as a case study influx control during the first phase of apartheid (1948-1961), she shows that apartheid arose from complex patterns of conflict and compromise within the State, in which white capitalists, the black working class, and popular movements exercised varying and uneven degrees of influence. Her book integrates a detailed empirical analysis of the capitalist State and its relationship to class interests.

From early department stores in Cape Town to gendered histories of sartorial success in urban Togo, contestations over expense accounts at an apartheid state enterprise, elite wealth and political corruption in Angola and Zambia, the role of popular religion in the political intransigence of Jacob Zuma, funerals of big men in Cameroon, youth cultures of consumption in Niger and South Africa, queer consumption in Cape Town, middle-class food consumption in Durban and the consumption of luxury handcrafted beads, this collection of essays explores the ways in which conspicuous consumption is foregrounded in various African contexts and historical moments.

In 1899, Thorstein Veblen coined the phrase `conspicuous consumption' to describe status-seeking in the obscenely unequal world of late-nineteenth century America. Many of the aspects he described in The Theory of the Leisure Class are still evident in our world today. While Veblen's crude denunciation of material extravagance finds echoes in media exposes about the lifestyles of the rich worldwide, it is particularly recognisable in reporting on Africa. Here, images of conspicuous consumption have long circulated in local and global media as indictments of political corruption and signs of moral depravity.

The essays in Conspicuous Consumption in Africa put Veblen's concept under robust critical scrutiny, drawing on theorists like Mbembe, Guyer and Bayart by way of critique or addition. They delve into the pleasures, stresses and challenges of consuming in its religious, generational, gendered and racialised aspects, revealing conspicuous consumption as a layered set of practices, textures and relations. The authors resist the trap of easy moralisation, pointing to more complex ethical and political registers of analysis and judgement. This volume shows how central and revealing conspicuous consumption can be to fathoming the history of Africa's projects of modernity, and their global lineages and legacies.

In its grounded, up-close case studies, it is likely to feed into current public debates on the nature and future of African societies - South African society in particular.

The book opens up a space of frank discussion about the often unsettling, messy realities of ethical decision-making in the thick of social research. All the contributors write in the first person about personal experiences of research. They expose tensions within professional codes of ethics, as well as a range of dilemmas that arose when personal ethical convictions jostled with disciplinary and institutional ethical imperatives. The book is unique in spanning a range of research scenarios, qualitative and quantitative, across different disciplines, fields of study and institutional settings. The book will be of interest to all social researchers - in universities, NGOs and other applied milieu working in fields of research structured by hierarchies of difference and conditions of inequality.