"The New Dictionary of Kleinian Thought provides a comprehensive and wholly accessible exposition of Kleinian ideas. Offering a thorough update of RD Hinshelwood's highly acclaimed original, this book draws on the twenty years of Kleinian theory and practice which have passed since its publication. The book first addresses twelve major themes of Kleinian psychoanalytic thinking in scholarly essays organised both historically and thematically. Themes discussed include: - Unconscious Phantasy, Child Analysis - the Paranoid Schizoid Position, the Oedipus Complex - Projective Identification, Symbol Formation. Following this, entries are listed alphabetically, allowing the reader to find out about a particular theme - from Karl Abraham to Whole Object - and to delve as lightly or as deeply as needed. As such this book will be essential reading for psychoanalysts, psychotherapists as well as all those with an interest in Kleinian thought"--Provided by publisher.

"The New Dictionary of Kleinian Thought provides a comprehensive and wholly accessible exposition of Kleinian ideas. Offering a thorough update of RD Hinshelwood's highly acclaimed original, this book draws on the twenty years of Kleinian theory and practice which have passed since its publication. The book first addresses twelve major themes of Kleinian psychoanalytic thinking in scholarly essays organised both historically and thematically. Themes discussed include: - Unconscious Phantasy, Child Analysis - the Paranoid Schizoid Position, the Oedipus Complex - Projective Identification, Symbol Formation. Following this, entries are listed alphabetically, allowing the reader to find out about a particular theme - from Karl Abraham to Whole Object - and to delve as lightly or as deeply as needed. As such this book will be essential reading for psychoanalysts, psychotherapists as well as all those with an interest in Kleinian thought"--Provided by publisher.

Books XVII and XVIII of the Odyssey feature, among other episodes, the disguised Odysseus' penetration of his home after an absence of twenty years and his first encounter with his wife. The commentary provides linguistic and syntactical guidance suitable for upper-level students along with detailed consideration of Homer's compositional and narrative techniques, his literary artistry and the poem's central themes. An extensive introduction considers questions of formulaic composition, the nature of the poem's audience and the context of its performance, and isolates the concerns most prominent in the poem's second half and in Books XVII and XVIII in particular. Here too are considered the roles of Penelope and Telemachus, questions of disguise and recognition, and the institution of hospitality flaunted by the suitors in Odysseus' halls. Brief sections also discuss Homeric metre and the transmission of the text.

Books XVII and XVIII of the Odyssey feature, among other episodes, the disguised Odysseus' penetration of his home after an absence of twenty years and his first encounter with his wife. The commentary provides linguistic and syntactical guidance suitable for upper-level students along with detailed consideration of Homer's compositional and narrative techniques, his literary artistry and the poem's central themes. An extensive introduction considers questions of formulaic composition, the nature of the poem's audience and the context of its performance, and isolates the concerns most prominent in the poem's second half and in Books XVII and XVIII in particular. Here too are considered the roles of Penelope and Telemachus, questions of disguise and recognition, and the institution of hospitality flaunted by the suitors in Odysseus' halls. Brief sections also discuss Homeric metre and the transmission of the text.

THE GREATEST ADVENTURE OF ALL TIME NOW WITH A NEW AFTERWORD. Homer s "Odyssey" has been called the first novel, the first expression of the mind in literary form, and the best story ever written. Whether fans of suspense, fantasy or human drama, readers of all ages thrill to Homer s vibrant picture of Odysseus on his decade-long journey, as he meets the lotus-eaters, cunningly flees Cyclops, angers his gods, resists the sexy Sirens, narrowly escapes Scylla and Charybdis, averts his eyes from Medusa, docks in exotic cities all the while struggling to make it home to his wife and son. Adventure on the high seas, legendary romance, tests of endurance, betrayal, heroism the saga has all these and more, imagined by the most famous bard of all time. But, as Aristotle pointed out, his greatness was that he himself was nowhere to be found in his story. His characters were everywhere. Blind and possibly illiterate, Homer has still in loftiness of thought surpass d * any storyteller since 900 B.C.E.