A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-French lineage.

Airship Shape & Bristol Fashion brings together tales from the light and dark sides of steampunk. Living ghosts, walking ferns and ingenious androids populate visions of the city of Bristol at once familiar and peculiar. Above them soar magnificent men, and women, in their flying machines. Whether they are seeking release, revenge or adventure, the characters in these stories will draw you down the side-streets of Bristol to the brass and steam-filled worlds you never dreamed were there. "As rich and varied as the true history of this great British city" - Gareth L. Powell

Airship Shape & Bristol Fashion brings together tales from the light and dark sides of steampunk. Living ghosts, walking ferns and ingenious androids populate visions of the city of Bristol at once familiar and peculiar. Above them soar magnificent men, and women, in their flying machines. Whether they are seeking release, revenge or adventure, the characters in these stories will draw you down the side-streets of Bristol to the brass and steam-filled worlds you never dreamed were there. "As rich and varied as the true history of this great British city" - Gareth L. Powell

This is the extraordinary true story of one family's faith in the face of crisis; a true testament of courage, determination, forgiveness, and love. Surviving a horrific motor vehicle accident, they can witness that God is found in the deepest valley. In the face of suffering and separation, they could choose to be overwhelmed by their problems or by faith, rise up above them. Three Times Dead but Still Alive is an inspirational story that will challenge you to think differently about your trials and strengthen your walk with God. All things are possible. Only believe.

French film noir has long been seen as a phenomenon distinct from its Hollywood counterpart. This book - an innovative departure from conventional noir scholarship - now adopts a biocultural approach to exploring the French genre through the years 1941-1959. Chapters reveal noir as a product of the social and cultural factors at play in occupied, liberated and post-war France: marked by malaise at military defeat, Nazi collaboration and the impact of industrialisation. Furthermore, the book uncovers the evolutionary mechanisms of sexuality and reproduction beneath the national context that drive gendered behaviour on screen. During this period, for example, the emerging urgent demand for population growth, coupled with the severe shortage of eligible males, rendered the mating game particularly perilous for traditional women beginning to enter the workplace. This explains the cynical yet seductive behaviour of the femme fatale. Deborah Walker-Morrison focuses on the dangerous, often deadly, desires of an array of male and female character-types: moving past the celebrated, fatal `femme' to tragic heroines, psychopathic narcissists, fatal `hommes' and gangster anti-heroes. The book re-examines productions by directors such as Henri-Georges Clouzot, Jacques Becker and Jules Dassin and pulls together strands of sociological, biological, psychological and evolutionary science to create an illuminating study of the intense human passions underlying the cut-throat world of noir.

French film noir has long been seen as a phenomenon distinct from its Hollywood counterpart. This book - an innovative departure from conventional noir scholarship - now adopts a biocultural approach to exploring the French genre through the years 1941-1959. Chapters reveal noir as a product of the social and cultural factors at play in occupied, liberated and post-war France: marked by malaise at military defeat, Nazi collaboration and the impact of industrialisation. Furthermore, the book uncovers the evolutionary mechanisms of sexuality and reproduction beneath the national context that drive gendered behaviour on screen. During this period, for example, the emerging urgent demand for population growth, coupled with the severe shortage of eligible males, rendered the mating game particularly perilous for traditional women beginning to enter the workplace. This explains the cynical yet seductive behaviour of the femme fatale. Deborah Walker-Morrison focuses on the dangerous, often deadly, desires of an array of male and female character-types: moving past the celebrated, fatal `femme' to tragic heroines, psychopathic narcissists, fatal `hommes' and gangster anti-heroes. The book re-examines productions by directors such as Henri-Georges Clouzot, Jacques Becker and Jules Dassin and pulls together strands of sociological, biological, psychological and evolutionary science to create an illuminating study of the cut-throat world of noir.

The landscape of cancer treatment is continually changing, with an increasing number of antineoplastic agents available. Beyond classical chemotherapy, treatment can involve multiple classes of therapies, such as immune check- point inhibitors, hormonal agents, small molecule inhibitors, and chimeric antigen receptor T-cell therapy. This fourth edition of Clinical Guide to Antineoplastic Therapy: A Chemotherapy Handbook provides a detailed overview of the mechanisms, side effects, and administration of myriad treatments to assist clinicians in providing comprehensive care to patients with cancer. In addition to an expanded section of more than 200 drug monographs, this book covers essential topics related to cancer treatment, including venous access devices, complementary and alternative therapies, common treatment regimens, survivorship care, and stem cell transplantation. This book is a must-have resource for clinicians in any care setting.

Nights of Storytelling is the first book to present and contextualize the founding texts of New Caledonia, a country sui generis in the relatively little-known French Pacific. Extracts from literary, ethnographic, and historical works in English translation introduce the many voices of a diverse culture as it moves toward "independence" or the "common destiny" framed by the 1998 Noumea Agreements. These texts reflect the coexistence of two major cultures, indigenous and European, shaped by the energies and shadows of empire and significantly influenced by one another. From the founding stories of Kanak oral tradition to the contradictory reports by Cook and d'Entrecasteaux, from the accounts of the French colony's difficult first destiny as a penal settlement to the construction of settler mythologies, the book investigates the nature of overlapping spaces created by cultural contact between Europe and the Pacific. The final section focuses on the literary effervescence of the contemporary period and its revisiting of colonial histories in the difficult movement toward a national identity. Historical romances describe the harshness of life for freed convicts, the impossibility of love between a liberated prisoner and a free settler. Sagas of late-nineteenth-century indentured laborers seeking a living on the nickel-rich main island speak similarly of physical struggle, sacrifice, and ultimately, of contribution to the country's development and the right to a place in the new land. Kanak texts disseminate that community's oral culture and largely silenced voice through the printed word. In a world still moving from colonial to postcolonial frames, the engagement of these works with vital contemporary questions of historical legacy, legitimacy, and cultural hybridity is intensely political. Aesthetics is a political ethics as the different communities of New Caledonia experiment with artistic and textual forms to write their distinctive place in the land. Nights of Storytelling is a collaborative work complemented by La nuit des contes, a subtitled DVD of images and text, which features key works read or spoken, generally in the original French. It provides visual and aural access for the book's Anglophone readers to the specific cultural, linguistic, and geographic contexts of these historical and literary works.