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From Chapter 1 November 17, 1989 Dear Cardinal Lustiger, Your Eminence: My name is Daniella Stonebrook Blue. I am-or was-by profession an astronomer. We are strangers to each other. Your name was given to me by a woman on a bus as we were traveling across New Mexico. Because of her insistence, I am writing to you about this dark period of my life. I need to speak to you about the matter of light. Light is the alphabet of God. I knew this when I was born and then I forgot. This is the first time I have understood it as an adult woman. Even as I prepared to write these words, I didn’t know what they implied until they appeared on the page.
Poetry arises from the search for sacred language that describes the awe and mystery of the real world. Deena Metzger is a contemporary poet who has aligned herself with this ancient tradition. This collection, that includes selections from her earlier books of poetry, Dark Milk, The Axis Mundi Poems, Looking For the Faces of God, A Sabbath Among the Ruins and Skin: Shadows/Silence, draws on her life's work, more than forty years of devotion to the word, and aligns itself with such a quest for meaning that has increasing urgency because of the spiritual and political ruins of our time. It is no longer sufficient, she believes, for the poet to be an unacknowledged legislator of the world, for the committed poet is called to engage with full heart in the continuous activity of restoration on behalf of beauty, wisdom and the natural world. Here we meet the articulate voices of the otherwise silenced, the voices of the animals, the land and the elementals, rain, wind fire and earth, and our responsibility to them. This book combines a searing look at the horrors that we permit, the anguish of human cruelty, brutality, and indulgence, but carrying the fierce determination to live, act, and write on behalf of the soul in all its manifestations. In this collection, despair is acknowledged but not indulged, as Metzger engages in the meticulous task of reconstructing a world, informed by the past and history as language demands, but, extracting ourselves from its violence and caprices, looking toward a viable future and all its unexpected possibilities.
Barbara Myerhoff's groundbreaking work in reflexivity and narrative ethnography broke with tradition by focusing not on the raw ethnographic data, but on her interaction with those she studied. Myerhoff's unfinished projects, including her final talks on storytelling, ritual, and the "culture of aging and Yiddishkeit," offer a magisterial summary of her life's work. "The beauty of "Stories as Equipment for Living" is the quality
of being a compilation of rescued fragments, bits and pieces of a
great master's writing and thinking that were coming towards
synthesis but had never reached a finished form prior to her death.
This collection is an examination of the place of narrative in
human life, the synthetic nature of culture and the constant search
for visibility particularly by those relegated for one reason or
another to the margins. A thought-provoking book worthy of extended
reflection." ""Stories as Equipment for Living" achieves a nice balance
between preserving Myerhoff's work in its original form and
reconstructed contexts, but presenting it in a manner relevant to
readers a generation after her death. The book documents Myerhoff's
growing involvement with Jewish culture, the actual process of
anthropological work through field notes, and the picture of how
she always was bouncing the fine details of this combined
professional and personal venture off the 'big questions' of
anthropology in its broadest sense." "These essays capture the rhythm of Barbara Myerhoff's words and
hervivid and distinctive train of thought, bringing the reader into
the classroom of one of anthropology's finest lecturers. As an
anthropologist with a poet's gift for language, she utilizes the
tools of ethnography and extraordinary powers of observation---a
remarkable 'ethnographic eye'---to explore the outward expressions
and inner lives of the Fairfax neighborhood of L.A. These stories
are not only glorious introductions to the study of culture, but
provide in their revelations a reason for studying it. They are
required reading for anyone passionate to know what an
anthropologist can teach us about communities and ultimately about
ourselves." "Master of the third voice, the voice of collaboration, Myerhoff
is at once a consummate listener and inspired storyteller. This
book offers a rare and luminous opening into the working process
and wisdom of one of the great anthropologists of the twentieth
century." "Myerhoff and her collaborators have given her 'Hasidim, ' her
disciples old and new, a final and precious gift." Barbara Myerhoff was a renowned anthropologist who did pioneering work in gerontology, Jewish studies, folklore, and narrative anthropology. She is best known for her ethnography of and personal involvement with a communityof elderly immigrant Jews in California. Her writings and lectures have had an enormous impact on all of these areas of study, and her books are widely celebrated, especially "Number Our Days," whose companion documentary film won an Academy Award. Marc Kaminsky is a psychotherapist, a poet, a writer, and the former codirector of the Institute on Humanities, Arts and Aging of the Brookdale Center on Aging. Mark Weiss is a writer, an editor, a translator, and a poet; his books include the widely praised "Across the Line/Al Otro Lado," Deena Metzger is a novelist, a poet, and the founding codirector (with Marc Kaminsky) of the Myerhoff Center. Thomas R. Cole is the Beth and Toby Grossman Professor and Director of the McGovern Center for Health, Humanities, and the Human Spirit at the University of Texas Health Science Center in Houston, and a Professor of Humanities in the Department of Religious Studies at Rice University; his expertise lies in the history of aging and humanistic gerontology.
In the tradition of Annie Dillard and Natalie Goldberg, this resource for writers and non-writers alike shows the act of writing to be a dynamic means of knowing, healing, and creating the body, mind, and spirit.
Though women have long felt kinship with animals, in the past, they seldom participated in the study of them. Now, as more women make animals the subject of their investigations, significant new ideas are emerging--based on the premise that animals are honored co-sharers of the earth. This unprecedented anthology features original stories, essays, meditations, and poems by a vast array of women nature writers and field scientists, including:
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