On the very same venue where the band has written rock history with the album “Made In Japan”, Deep Purple went on stage without nostalgia and with the attitude of a band that is physically led by the music, making playing a perfect show look as the most natural thing one could do. Song after song, Purple play a flawless show going back and forth in time.

Deep Purple's many sides are at their best here: the energy but also the groove, the great solo moments by Don Airey and Steve Morse. The soft sides and their energetic heavy counterparts.

Filmed by 12 HD cameras and recorded by a top mobile studio, the show offers one of the most magical performances of the NOW What?! tour. Every member of the band is in fantastic form, the band being strong from a full tour together, and the performance seems to be driving the band through the songs as if audience and band were suspended in time.

(Transcribed Score). A must for fans of these supreme arena rockers, this songbook contains every note and nuance from 9 DP classics transcribed note-for-note for every instrument and vocal that appears on the original recordings Songs: Black Night * Child in Time * Highway Star * Lazy * Smoke on the Water * Space Truckin' * Speed King * Strange Kind of Woman * Woman from Tokyo. Includes tab.

Perfect Strangers is the eleventh studio album by Deep Purple, released in October 1984. It represents the first album recorded by the reformed, and most successful and popular, 'Mark II' line-up.[1] It was the first Deep Purple album in nine years, and the first with the Mk II lineup for eleven years, the last being Who Do We Think We Are in 1973. Ritchie Blackmore and Roger Glover arrived from Rainbow, Ian Gillan from Black Sabbath, Jon Lord from Whitesnake, and Ian Paice from Gary Moore band.

Deep Purple is the third album by the band of the same name, recorded and released in 1969. The album is notable for featuring the longest track in the band's history - a 12-minute "April". It was also different from the band's first two releases in that it included almost entirely original material, the only cover being "Lalena", originally recorded by Donovan Leitch. This release saw the band heading into more progressive and hard rock direction, which was further developed on the next albums.