Learn how to persevere and pivot to achieve your goals from a celebrated Hollywood actor 10,000 NOs: How to Overcome Rejection on the Way to Your YES chronicles actor Matthew Del Negro's tough journey from humble beginnings, through a sea of rejections, on the way to his eventual rise to become a recognizable face on some of history's most acclaimed television shows. Along the way, he learned hard lessons about perseverance, persistence, and resilience. Teaching readers how to make it through the tough times and deal with massive uncertainty by retaining the flexibility to change course and pivot to follow your passion, Del Negro explains how to achieve success in even the most competitive industries. The book, which delves into his personal story from Division I athlete to his professional dream of becoming an actor without any show business connections, shares the wisdom and knowledge Del Negro has gained from both his failures and successes in one of America's most competitive industries: professional acting. Amidst his own stories from life and acting, Del Negro weaves anecdotes and quotes from interviews he has had with a wide range of inspirational people from all walks of life on his popular podcast, 10,000 NOs. The list of high-achievers includes professional athletes, bestselling authors, Forbes list entrepreneurs, cancer survivors, Hollywood elite, and more. His celebrated and top-ranked podcast in the U.S., Canada, and Australia, continues to inspire others to keep going even when their progress seems infinitesimally slow.

Intersectional Media: Representations of Marginalized Identities analyzes media depictions of a variety of intersecting identities. Through a study examining how components of identity such as race, class, ethnicity, age, ability, class, and sexuality mesh and form a unique worldview, contributors to this collection frame their understanding of media intersectionality as complex and multi-layered studies of identity. Rather than focusing on any one component of marginalized identity, this book broadens the scope of inquiry and encourages audiences to recognize the complexity of media analysis when a combination of marginalized identities is depicted. Contributors demonstrate their understanding of how different components of identity combine and create new, original components of identity, paving the way for new studies of both media and identity. Scholars of media studies, identity studies, cultural studies, minority studies, gender studies, race studies, and sociology will find this book particularly useful.

Women and the Media: Diverse Perspectives is an innovative collection of 19 descriptive and empirical articles examining media depictions and highlighting significant contributions. This anthology has a cultural focus and addresses issues of race, ethnicity, class, and sexuality. With this book, the editors initiate a global dialogue about women and the media, broaden an insular American perspective, and contribute to a growing body of scholarship.

Collection of 18 films and documentaries from acclaimed German director Werner Herzog, famed for his blending of documentary realism with heightened stylisation. In 'Aguirre, Wrath of God' (1972), a Spanish expedition led by Lope de Aguirre (Klaus Kinski) aims to cross the Peruvian Sierras in search of the legendary Inca city of El Dorado. 'The Enigma of Kaspar Hauser' (1974) stars Bruno Schleinstein as the title character, telling the true story of the German boy who spent the first two decades of his life chained up in a cellar. Set in 18th Century Bolivia, 'Heart of Glass' (1976) stars Josef Bierbichler as Hias, a man with supernatural foresight who predicts a fire that will destroy the town's glassblowing factory. 'Stroszek' (1977) stars Schleinstein as a Berlin street performer recently released from prison who tries to get his life back on track with the help of his prostitute friend Eva (Eva Mattes). 'Nosferatu, the Vampyre' (1979) stars Kinski as the infamous Count Dracula, a peculiarly pale man with a penchant for vampirism. 'Woyzeck' (1979) is a film adaptation of the play by George Büchner telling the story of a lowly soldier who works all the hours he can to provide for his illegitimate child. In 'Fitzcarraldo' (1982), a budding rubber baron sets about trying to transport a steamship over a hill that hides access to an area rich in rubber. The film is based on true events. 'Cobra Verde' (1987) is a drama based on the novel 'The Viceroy of Ouidah' by Bruce Chatwin which sees a dissolute Brazilian rancher who has resulted to working on a gold mine after his land was destroyed by a drought. Short films and documentaries also featured in this collection include 'The Unprecedented Defence of the Fortress Deutschkreuz' (1967), 'Last Words' (1968), 'Precautions Against Fanatics' (1969), 'Handicapped Future' (1970), 'Fata Morgana' (1971), 'Land of Silence and Darkness' (1971), 'The Great Ecstasy of Woodcarver Steiner' (1975), 'How Much Wood Would a Woodchuck Chuck' (1976), 'Huie's Sermon' (1980) and 'God's Angry Man' (1980).

Il poeta firmava la sua morte,nel suo ultimo libro,decisamente quale sia l'eredita'da raccogliere per chi scrive ovvero e' proprio nella realta' quotidiana, che si annida il valore della poesia, non nello scandalo di un altra sessualita',tragicamente vissuta,la disperazione,la solitudine ,il trascedentale ma anche la caduta psicologica nel suicidio,certo che varrebbe la pena di fare un epicedio del poeta usando i suoi versi migliori,la raccolta poetica di "un fiore colto e un fiore trovato" e "Il terzo occhio del mostro" e' un entrospezione psicoanalitica della fenomelogia onirico-fantastica, la ricerca di una chiave di volta sull' esoterismo che avvolge e sottrae alla realta', l'essenza delle cose poste in esse,il grido disperato e sofferto di fenomeni dalla perdizione personale con psicofarmaci,la divinizzazione del nulla e dell'assoluto,il gesto autolesionistico,il sangue la passione,l' eros e il divino sino all' atomizzazione quantistica e sciamanica del sentire Universale tramite il transfert-emoastrale.

In The Feminine Mystique, Jewish-raised Betty Friedan struck out against a postwar American culture that pressured women to play the role of subservient housewives. However, Friedan never acknowledged that many American women refused to retreat from public life during these years. Now, A Jewish Feminine Mystique? examines how Jewish women sought opportunities and created images that defied the stereotypes and prescriptive ideology of the "feminine mystique." As workers with or without pay, social justice activists, community builders, entertainers, and businesswomen, most Jewish women championed responsibilities outside their homes. Jewishness played a role in shaping their choices, shattering Friedan's assumptions about how middle-class women lived in the postwar years. Focusing on ordinary Jewish women as well as prominent figures such as Judy Holliday, Jennie Grossinger, and Herman Wouk's fictional Marjorie Morningstar, leading scholars from a variety of disciplines explore here the wide canvas upon which American Jewish women made their mark after the Second World War.

In The Feminine Mystique, Jewish-raised Betty Friedan struck out against a postwar American culture that pressured women to play the role of subservient housewives. However, Friedan never acknowledged that many American women refused to retreat from public life during these years. Now, A Jewish Feminine Mystique? examines how Jewish women sought opportunities and created images that defied the stereotypes and prescriptive ideology of the "feminine mystique." As workers with or without pay, social justice activists, community builders, entertainers, and businesswomen, most Jewish women championed responsibilities outside their homes. Jewishness played a role in shaping their choices, shattering Friedan's assumptions about how middle-class women lived in the postwar years. Focusing on ordinary Jewish women as well as prominent figures such as Judy Holliday, Jennie Grossinger, and Herman Wouk's fictional Marjorie Morningstar, leading scholars from a variety of disciplines explore here the wide canvas upon which American Jewish women made their mark after the Second World War.

The notion of "everyday life" is ubiquitous in the contemporary intellectual scene. While scholars frequently use this concept to signal a romantic return to the "common people," Berger and Del Negro are among the first to subject the term to theoretical scrutiny. This book explores how everyday life has been used in three intellectual traditions (American folklore, British cultural studies and French everyday life theory) and suggests a program for revitalizing anti-elitist approaches to culture.
The book draws on studies of performance from around the globe, including the authors' work on heavy metal in the U.S. and the Italian passeggiata (ritual promenade), to explore the term "identity." Moving beyond truisms that depict performance as a medium for the loss of self or folklore as means of expressing identity, the authors explore the interplay of culture and agency in performance to illuminate the complex dynamics of reflexivity, identity and self. This book will speak to anyone interested in power and aesthetics in performance.

Werner Herzog directs this study of megalomania, set in 16th Century Peru. In the year 1560, a Spanish expedition crosses the Peruvian Sierras in search of the legendary Inca city of El Dorado. A power struggle within the group leads to its deputy (Klaus Kinski) seizing control in bloody fashion, his desire to set up his own kingdom threatening to destroy them all. Cast and crew apparently endured hardships comparable to those suffered by the screen explorers.

Collection of 18 films and documentaries from acclaimed German director Werner Herzog, famed for his blending of documentary realism with heightened stylisation. In 'Aguirre, Wrath of God' (1972), a Spanish expedition led by Lope de Aguirre (Klaus Kinski) aims to cross the Peruvian Sierras in search of the legendary Inca city of El Dorado. 'The Enigma of Kaspar Hauser' (1974) stars Bruno Schleinstein as the title character, telling the true story of the German boy who spent the first two decades of his life chained up in a cellar. Set in 18th Century Bolivia, 'Heart of Glass' (1976) stars Josef Bierbichler as Hias, a man with supernatural foresight who predicts a fire that will destroy the town's glassblowing factory. 'Stroszek' (1977) stars Schleinstein as a Berlin street performer recently released from prison who tries to get his life back on track with the help of his prostitute friend Eva (Eva Mattes). 'Nosferatu, the Vampyre' (1979) stars Kinski as the infamous Count Dracula, a peculiarly pale man with a penchant for vampirism. 'Woyzeck' (1979) is a film adaptation of the play by George Büchner telling the story of a lowly soldier who works all the hours he can to provide for his illegitimate child. In 'Fitzcarraldo' (1982), a budding rubber baron sets about trying to transport a steamship over a hill that hides access to an area rich in rubber. The film is based on true events. 'Cobra Verde' (1987) is a drama based on the novel 'The Viceroy of Ouidah' by Bruce Chatwin which sees a dissolute Brazilian rancher who has resulted to working on a gold mine after his land was destroyed by a drought. Short films and documentaries also featured in this collection include 'The Unprecedented Defence of the Fortress Deutschkreuz' (1967), 'Last Words' (1968), 'Precautions Against Fanatics' (1969), 'Handicapped Future' (1970), 'Fata Morgana' (1971), 'Land of Silence and Darkness' (1971), 'The Great Ecstasy of Woodcarver Steiner' (1975), 'How Much Wood Would a Woodchuck Chuck' (1976), 'Huie's Sermon' (1980) and 'God's Angry Man' (1980).