What happens when adults are as lost as the children they're supposed to be protecting? From the author of the Richard and Judy Book Club Pick No and Me

'Packs a hefty emotional punch. It reminded me of Leila Slimani's terrific Lullaby' Bookseller

'Narrated with punch and pace. You're kept reading helplessly to the desperate cliffhanger finish' Daily Mail

Thirteen-year-old Théo and his friend Mathis have a secret.

Their teacher, Hélène, suspects something is not right with Théo and becomes obsessed with rescuing him, casting aside her professionalism to the point of no return.

Cécile, mother of Mathis, discovers something horrifying on her husband's computer that makes her question whether she has ever truly known him.

Respectable facades are peeled away as the four stories wind tighter and tighter together, pulling into a lean and darkly gripping novel of loneliness, lies and loyalties.

Overwhelmed by the huge success of her latest novel, exhausted and suffering from a crippling inability to write, Delphine meets L.

L. embodies everything Delphine admires; sophisticated and unusually intuitive, she slowly but deliberately carves herself a niche in the writer's life. However, as she makes herself indispensable to Delphine, the intensity of this unexpected friendship manifests itself in increasingly sinister ways. And as their lives become further entwined, L. begins to threaten Delphine's identity and her safety.

'One of the finest writers of psychological fiction in France today' FRANCE MAGAZINE 'The latest literary sensation' DAILY TELEGRAPH 'A cult sensation' i 'Dark, smart, strange, compelling - and tremendously French' HARRIET LANE Marie owes Michka more than she can say - but Michka is getting older, and can't look after herself any more. So Marie has moved her to a home where she’ll be safe. But Michka doesn’t feel any safer; she is haunted by strange figures who threaten to unearth her most secret, buried guilt, guilt that she’s carried since she was a little girl. And she is losing her words – grasping more desperately day by day for what once came easily to her. Jérôme is a speech therapist, dispatched to help the home’s ageing population snatch and hold tight onto the speech still afforded to them. But Michka is no ordinary client. Michka has been carrying an old debt she does not know how to repay – and as her words slide out of her grasp, time is running out. Delicately wrought and darkly gripping, Gratitude is about love, loss and redemption; about what we owe one another, and the redemptive power of showing thanks.

'Extraordinary ... The beating heart of this novel is the exquisite empathy it demonstrates ... There is a gentle magnificence at work in its pages' Irish Times 'Tender, poignant and heartfelt ... A generous novel that celebrates communication, connection and courage' Daily Mail Marie owes Michka more than she can say - but Michka is getting older, and can't look after herself any more. So Marie has moved her to a home where she'll be safe. But Michka doesn't feel any safer; she is haunted by strange figures who threaten to unearth her most secret, buried guilt, guilt that she's carried since she was a little girl. And she is losing her words - grasping more desperately day by day for what once came easily to her. Jerome is a speech therapist, dispatched to help the home's ageing population snatch and hold tight onto the speech still afforded to them. But Michka is no ordinary client. Michka has been carrying an old debt she does not know how to repay - and as her words slide out of her grasp, time is running out. Delicately wrought and darkly gripping, Gratitude is about love, loss and redemption; about what we owe one another, and the redemptive power of showing thanks.

In this moving autobiographical novel, the narrator's mother, Lucile, raises her two daughters largely alone. A former child model from a large Bohemian family, Lucile is younger and more glamorous than the other mothers: always in lipstick and stylishly dressed, wayward and wonderful. But as the years pass her occasional sadness gives way to overwhelming despair and delusion. This is a story of luminous beauty and rambunctious joy, of dark secrets and silences, revelations and, ultimately, the unknowability of even those closest to us. And in the face of the unknowable, personal history becomes fiction. Nothing Holds Back the Night is universally recognisable and singularly heartbreaking.

_______________ SHORTLISTED FOR THE GONCOURT PRIZE Translated from the French by George Miller _______________ ‘One of those books that grabs you and demands to be read' - Clare Morrall ‘Delphine de Vigan is a sensation' - Observer ‘Sympathetic, compelling, enjoyable' - Guardian _______________ Every day Mathilde takes the Metro, then the commuter train to the office of a large multi-national where she works in the marketing department. Every day, the same routine, the same trains. But something happened a while ago - she dared to voice a different opinion from her moody boss, Jacques. Bit by bit she finds herself frozen out of everything, with no work to do. Thibault is a paramedic. Every day he drives to the addresses he receives from his controller. The city spares him no grief: traffic jams, elusive parking spaces, delivery trucks blocking his route. He is well aware that he may be the only human being many of the people he visits will see for the entire day and is well acquainted with the symptomatic illnesses, the major disasters, the hustle and bustle and, of course, the immense, pervading loneliness of the city. Before one day in May, Mathilde and Thibault had never met. They were just two anonymous figures in a crowd, pushed and shoved and pressured continuously by the loveless, urban world. Underground Time is a novel of quiet violence - the violence of office-bullying, the violence of the brutality of the city - in which our two characters move towards an inevitable meeting. _______________ ‘Two solitary existences cross paths in this poignant chronicle, a new testimony to de Vigan's superb eloquence' - Lire ‘What's most startling about this novel is how de Vigan makes the mundane come alive. She's an expert in detail, charging even the most ordinary situation with emotion, which makes for a massively affecting read' - Psychologies Magazine