Michael Reed is a man going through the motions, numbed by the death of his wife and child. But when events force him to act as if he cares, he begins to find people who - against all expectation - help him through his private labyrinth. Poignant and beautiful, The Name of the World is a tour de force by one of the most astonishing writers at work today.

Translated by Denys Johnson-Davies
With a new introduction by Tayeb Salih

‘An Arabian Nights in reverse … Powerfully and poetically written’ 
Observer

When a young man returns to his village in the Sudan after many years studying in Europe, he finds that among the familiar faces there is now a stranger – the enigmatic Mustafa Sa’eed. As the two become friends, Mustafa tells the younger man the disturbing story of his own life in London after the First World War. Lionized by society and desired by women as an exotic novelty, Mustafa was driven to take brutal revenge on the decadent West and was, in turn, destroyed by it. Now the terrible legacy of his actions has come to haunt the small village at the bend of the Nile.

The story of a man undone by a culture that in part created him, Season of Migration to the North is a powerful and evocative examination of colonization in two vastly different worlds.

The most critically acclaimed, and first, of Denis Johnson's novels, Angels puts Jamie Mays -- a runaway wife toting along two kids -- and Bill Houston -- ex-Navy man, ex-husband, ex-con -- on a Greyhound Bus for a dark, wild ride cross country. Driven by restless souls, bad booze, and desperate needs, Jamie and Bill bounce from bus stations to cheap hotels as they ply the strange, fascinating, and dangerous fringe of American life. Their tickets may say Phoenix, but their inescapable destination is a last stop marked by stunning violence and mind-shattering surprise.

Denis Johnson, known for his portraits of America's dispossessed, sets off literary pyrotechnics on this highway odyssey, lighting the trek with wit and a personal metaphysics that defiantly takes on the world.

Provincetown, Cape Cod: the last outpost of civilisation, the end of the earth. In the confused aftermath of a failed suicide attempt, Leonard English - pursuing a vague vision of redemption and an even vaguer offer of employment - finds himself in a Cape resort populated by religious zealots and promiscuous transvestites. Taking a position as a part-time disc jockey-cum-private investigator, he falls hopelessly in love with a beautiful young gay woman. As winter approaches Leonard's anguish mounts, his search for an elusive artist proves as futile as his desire and his growing obsessions lead to a tragic discovery and unexpected personal satisfaction.

Love and death and the passage between entry into the world and exit from it are the focus of this collection of short stories. Buthaina Al Nasiri is an Iraqi author who has lived in Cairo since 1979. Despite this physical and temporal distance from her homeland, much of her material derives from it and many of the stories in this collection reflect her deeply felt nostalgia for Iraq. In contrast to many contemporary female writers, she confesses to being less interested in the position of women in society than in that of people in general and the sufferings they experience between birth and the end of life. Nonetheless, some of her best stories depict the many-colored relationships that exist between the sexes.Buthaina Al Nasiri's work has been widely translated into European languages, but this is the first volume of her stories to appear in English, for which renowned translator Denys Johnson-Davies has selected work from a career of short-story writing spanning some thirty years.To view a short video created by the author, go to www.youtube.com/watch?v=RDOedA9hQ8M.

Together with such figures as the scholar Taha Hussein, the playwright Tawfik al-Hakim, the short story writer Mahmoud Teymour and - of course - Naguib Mahfouz, Yahya Hakki belongs to that distinguished band of early writers who, midway through the last century, under the influence of Western literature, began to practice genres of creative writing that were new to the traditions of classical Arabic. In the first story in this volume, the very short 'Story in the Form of a Petition, ' Yahya Hakki demonstrates his ease with gentle humor, a form rare in Arabic writing. In the following two stories, 'Mother of the Destitute' and 'A Story from Prison, ' he describes with typical sympathy individuals who, less privileged than others, somehow manage to scrape through life's hardships. The latter story deals with the people of Upper Egypt, for whom the writer had a special understanding and affection. It is, however, for the title story (in fact, more of a novella) of this collection that the writer is best known. Recounting the difficulties faced by a young man who is sent to England to study medicine and who then returns to Egypt to pit his new ideals against tradition, 'The Lamp of Umm Hashim' was the first of several works in Arabic to deal with the way in which an individual tries to come to terms with two divergent cultures.

A "New York Times" Notable BookAn "Esquire" Best Book of 2011A "New Yorker" Favorite Book of 2011A "Los Angeles Times" Favorite Book of 2011 Denis Johnson's "Train Dreams" is an epic in miniature, one of his most evocative and poignant fictions. It is the story of Robert Grainier, a day laborer in the American West at the start of the twentieth century---an ordinary man in extraordinary times. Buffeted by the loss of his family, Grainer struggles to make sense of this strange new world. As his story unfolds, we witness both his shocking personal defeats and the radical changes that transform America in his lifetime. Suffused with the history and landscapes of the American West, this novella by the National Book Award--winning author of "Tree of Smoke" captures the disappearance of a distinctly American way of life.

An intense collection of interconnected stories that portray life through the eyes of a young man in a small Iowa town, by the author of Angels and Resuscitation of a Hanged Man. Each story's perception distinguishes Johnson's hauntingly beautiful vision of American life.

As with his earlier works, Mohamed El-Bisatie's novel is set in the Egyptian countryside, about which he writes with such understanding. Episodic in form, it deals with a family Zaghloul the layabout father, Sakeena the long-suffering wife, and two young boys. The central theme of the book is hunger: the hunger of not knowing where one's next meal is coming from, and the universal hunger for sex and love. Sakeena's life revolves round trying to provide her family with the necessary daily loaves of bread that will stave off starvation. Labor-shy Zaghloul works on and off at one of the village's cafes, but prefers to spend his time listening in on conversations about subjects such as politics, which he would have liked to know more about, if only he had been an educated man. He is also intrigued by the stories told by young university students about their sexual exploits. Eventually chance presents him with a new job: to keep company with an elderly and over-fat man and help him on and off the mule he has to use for getting about. After looking in turn at the lives of the husband and the wife, the novel finally focuses on their elder son, who, although lacking the advantages of any sort of education, nonetheless shows more initiative than his father, and discovers his own way of contributing to the family bread larder. Despite its bleak title, Hunger is told with a lightness of touch and the writer's trademark wry humor.

Short story writing in Egypt was still in its infancy when Denys Johnson-Davies, described by Edward Said as "the leading Arabic-English translator of our time," arrived in Cairo as a young man in the 1940s. Nevertheless, he was immediately impressed by such writing talents of the time as Mahmoud Teymour, Yahya Hakki, Yusuf Gohar, and the future Nobel literature laureate Naguib Mahfouz, and he set about translating their works for local English-language periodicals of the time.
He continued to translate over the decades, and sixty years later he brings together this remarkable overview of the work of several generations of Egypt's leading short story writers. This selection of some fifty stories represents not only a cross-section through time but also a spectrum of styles, and includes works by Teymour, Hakki, Gohar, and Mahfouz and later writers such as Mohamed El-Bisatie, Said el-Kafrawi, Bahaa Taher, and Radwa Ashour, as well as new young writers of today like Hamdy El-Gazzar, Mansoura Ez Eldin, and Youssef Rakha.

Naguib Mahfouz, the first and only writer of Arabic to be awarded the Nobel prize for literature, wrote prolifically from the 1930s until shortly before his death in 2006, in a variety of genres: novels, short stories, plays, screenplays, a regular weekly newspaper column, and in later life his intensely brief and evocative Dreams. His Cairo Trilogy achieved the status of a world classic, and the Swedish Academy of Letters in awarding him the 1988 Nobel prize for literature noted that Mahfouz "through works rich in nuance-now clear-sightedly realistic, now evocatively ambiguous-has formed an Arabic narrative art that applies to all mankind."Here Denys Johnson-Davies, described by Edward Said as "the leading Arabic-English translator of our time," makes an essential selection of short stories and extracts from novels and other writings, to present a cross-section through time of the very best of the work of Egypt's Nobel literature laureate.

A contemporary noir, Already Dead is the tangled story of Nelson Fairchild Jr., disenfranchised scion to a northern California land fortune. A relentless failure, Nelson has botched nearly every scheme he's attempted to pull off. Now his future lies in a potentially profitable marijuana patch hidden in the lush old-growth redwoods on the family land.

Nelson has some serious problems. His marriage has fallen apart, and he may lose his land, cash and crop in the divorce. What's more, in need of some quick cash, he had foolishly agreed to smuggle $90,000 worth of cocaine through customs for Harry Lally, a major player in a drug syndicate. Chickening out just before bringing the drugs through, he flushed the powder. Now Lally wants him dead, and two goons are hot on his trail. Desperate, terrified and alone, for Nelson, there may be only one way out.

This is Denis Johnson's biggest and most complex book to date, and it perfectly showcases his signature themes of fate, redemption and the unraveling of the fabric of today's society. Already Dead, with its masterful narrative of overlapping and entwined stories, will further fuel the acclaim that surrounds one of today's most fascinating writers.

The acclaimed author of Jesus' Son and Already Dead returns with a beautiful, haunting, and darkly comic novel. The Name of the World is a mesmerizing portrait of a professor at a Midwestern university who has been patient in his grief after an accident takes the lives of his wife and child and has permitted that grief to enlarge him.

Michael Reed is living a posthumous life. In spite of outward appearances -- he holds a respectable university teaching position; he is an articulate and attractive addition to local social life -- he's a dead man walking.

Nothing can touch Reed, nothing can move him, although he observes with a mordant clarity the lives whirling vigorously around him. Of his recent bereavement, nearly four years earlier, he observes, "I'm speaking as I'd speak of a change in the earth's climate, or the recent war."

Facing the unwelcome end of his temporary stint at the university, Reed finds himself forced "to act like somebody who cares what happens to him. " Tentatively he begins to let himself make contact with a host of characters in this small academic town, souls who seem to have in common a tentativeness of their own. In this atmosphere characterized, as he says, "by cynicism, occasional brilliance, and small, polite terror," he manages, against all his expectations, to find people to light his way through his private labyrinth.

Elegant and incisively observed, The Name of the World is Johnson at his best: poignant yet unsentimental, replete with the visionary imaginative detail for which his work is known. Here is a tour de force by one of the most astonishing writers at work today.

Part political inquiry, part travel journal, part-self exploration, "Seek" is a collection of essays by an award-winning novelist out to explore himself and his life in the company of those who live on the edges of society. Denis Johnson travels between the extremes of human behaviour, from a hippy convention in the Achoco Natinal Forest, to war-ravaged Liberia, where he is witness to horrifying acts of torture. Along the way he joins a "Bikers for Jesus" rally in Texas, hangs out with a gun-crazed militia group, finds himself stranded in Somalia, and swaps stories with the Taliban in Afghanistan.

Drawing on an intimate knowledge of modern Arabic writing, Denys Johnson-Davies brings together a colourful mosaic of life as lived and portrayed by Arabs from Morocco to Iraq. From a diverse area of the world with the common factor of a written language, these thirty stories tell of an old Moroccan peasant woman who kills snakes; an Iraqi soldier who returns home as a stranger after years as a prisoner-of-war; a repairer of lost virginities in a Tunisian village; a typically Mahfouzian start to a train journey; the steamy meeting of two women and a catat the height of an Iraqi summer; the ill-fated attraction of a boy to a magical bird in the Tuareg deserts of Libya; and a novel way of hunting ducks in the Nile Delta. The purveyors of this strange and delightful cornucopia of fictions include Naguib Mahfouz, Yusuf Idris and others.

After years of study in Europe, the young narrator of Season of Migration to the North returns to his village along the Nile in the Sudan. It is the 1960s, and he is eager to make a contribution to the new postcolonial life of his country. Back home, he discovers a stranger among the familiar faces of childhood—the enigmatic Mustafa Sa’eed. Mustafa takes the young man into his confidence, telling him the story of his own years in London, of his brilliant career as an economist, and of the series of fraught and deadly relationships with European women that led to a terrible public reckoning and his return to his native land.

But what is the meaning of Mustafa’s shocking confession? Mustafa disappears without explanation, leaving the young man—whom he has asked to look after his wife—in an unsettled and violent no-man’s-land between Europe and Africa, tradition and innovation, holiness and defilement, and man and woman, from which no one will escape unaltered or unharmed.

Season of Migration to the North is a rich and sensual work of deep honesty and incandescent lyricism. In 2001 it was selected by a panel of Arab writers and critics as the most important Arab novel of the twentieth century.

Part political disquisition, part travel journal, part self-exploration, Seek is a collection of essays and articles in which Denis Johnson essentially takes on the world. And not an obliging, easygoing world either; but rather one in which horror and beauty exist in such proximity that they might well be interchangeable. Where violence and poverty and moral transgression go unchecked, even unnoticed. A world of such wild, rocketing energy that, grasping it, anything at all is possible.

Whether traveling through war-ravaged Liberia, mingling with the crowds at a Christian Biker rally, exploring his own authority issues through the lens of this nation's militia groups, or attempting to unearth his inner resources while mining for gold in the wilds of Alaska, Johnson writes with a mixture of humility and humorous candor that is everywhere present.

With the breathtaking and often haunting lyricism for which his work is renowned, Johnson considers in these pieces our need for transcendence. And, as readers of his previous work know, Johnson's path to consecration frequently requires a limning of the darkest abyss. If the path to knowledge lies in experience, Seek is a fascinating record of Johnson's profoundly moving pilgrimage.

"The Goodly Word: Al-Kalim al-Tayyib"-written by the renowned fourteenth century jurist, Ahmad Ibn Taymiyya-is one of the most referred to works on prayer and the merits of prayer. Exclusively based on what the Prophet Muhammad himself said and did, "The Goodly Word" includes prayers for every moment of the Muslim's life. It is presented in a bi-lingual edition so that the exact prayers of the Prophet can be read in the original Arabic. "The Goodly Word" has been translated into English by the late Ezzeddin Ibrahim and Denys Johnson-Davies, two distinguished scholars who have also translated "An-Nawawi's Forty Hadith" and "Forty Hadith Qudsi", both published by the Islamic Texts Society.

Here, for the first time, is a volume of short stories from this commercially and culturally vital and vibrant center of the Arab world-a selective sampling of a burgeoning literary output since the 1970s by the leading Arabic-English translator. Life before oil in this region was harsh, and many of the stories in this collection-by both men and women from all corners of the country-tell of those times and the almost unbelievable changes that have come about in the space of two generations. Some tell of the struggles faced in the early days, while others bring the immediate past and the present together, revealing that the past, with all its difficulties and dangers, nonetheless possesses a certain nostalgia. The volume includes stories by Abdul Hamid Ahmed, Roda al-Baluchi, Hareb al-Dhaheri, Nasser Al-Dhaheri, Maryam Jumaa Faraj, Jumaa al-Fairuz, Nasser Jubran, Saleh Karama, Lamees Faris al-Marzuqi, Mohamed al-Mazroui, Ebtisam Abdullah Al-Mu'alla, Ibrahim Mubarak, Mohamed al-Murr, Sheikha al-Nakhy, Mariam Al Saedi, Omniyat Salem, Salma Matar Seif, Ali Abdul Aziz al-Sharhan, Muhsin Soleiman, and 'A'ishaa al-Za'aby.

"Al-Ghazali on the Manners Relating to Eating" is the eleventh chapter of the "Revival of the Religious Sciences" (Ihya Ulum al-Din), which is widely regarded as the greatest work of Muslim spirituality. In "Al-Ghazali on the Manners Relating to Eating", Abu Hamid al-Ghazali helps to bring to light the religious and spiritual dimensions of one of the most basic of human needs: eating and the conduct connected with it.---First, Ghazali discusses what a person must uphold when eating by himself: that the food is lawful, that both the person and the surroundings should be clean, that one must be content with what is available, and how the person should conduct himself while eating and after eating. Ghazali then proceeds to discuss eating in company and says that to all the above should be added the necessity of courtesy, conversation and the proper presentation of food. Finally, Ghazali expounds the virtues of hospitality and generosity and the conduct of the host as well as that of the guest. Other topics that are discussed are: abstention from food, fasting and general health. Whilst the focus of this chapter of the "Revival" is upon the question of eating, Ghazali also presents the importance of aligning every aspect of one's life with religion and spirituality. Referring extensively to the example of the Prophet and to that of the early Sufis, Ghazali illustrates how the simple activity of eating can encourage numerous virtues that are themselves necessary for the remainder of the spiritual life.---In this new edition, the Islamic Texts Society has included the translation of Abu Hamid al-Ghazali's own Introduction to the "Revival of the Religious Sciences" which gives the reasons that caused him to write the work, the structure of the whole of the "Revival" and places each of the chapters in the context of the others.

What will you get for your birthday this year? A chance to see into the future? Or a reminder of the imperfect past? In this enviable gathering, Haruki Murakami has chosen for his party some of the very best short story writers of recent years, each with their own birthday experiences, each story a snapshot of life on a single day. Including stories by Russell Banks, Ethan Canin, Raymond Carver, David Foster Wallace, Denis Johnson, Claire Keegan, Andrea Lee, Daniel Lyons, Lewis Robinson, Lynda Sexson, Paul Theroux, William Trevor and Haruki Murakami, this anthology captures a range of emotions evoked by advancing age and the passing of time, from events fondly recalled to the impact of appalling tragedy. Previously published in a Japanese translation by Haruki Murakami, this English edition contains a specially written introduction.

This collection of short stories admits the reader into a hidden private world, regulated by the call of the mosque. The book provides accounts of death, the lives of women in purdah and the frustrations of everyday life.

Yusuf Idris (1927-91), who belonged to the same generation of pioneering Egyptian writers as Naguib Mahfouz and Tawfiq al-Hakim, is widely celebrated as the father of the Arabic short story, just as Mahfouz is considered the father of the Arabic novel. Idris studied medicine and practiced as a doctor, but even as a student his interests were in politics and the support of the nationalist struggle, and in writing-and his writing, whether in his regular newspaper columns or in his fiction, often reflected his political convictions. He was nominated for the Nobel Prize for literature more than once, and when the prize went to Naguib Mahfouz in 1988, Idris felt that he had been passed over because of his outspoken views on Israel. In all, Yusuf Idris wrote some twelve collections of superbly crafted short stories, mainly about ordinary, poor people, many of which have been translated into English and are included in this collection of the best of his work. But although he is best known for his short stories, he also wrote nine plays and a number of novels and novellas, the best of which are also sampled here.