Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker. Silence was a much-lauded concept in the Middle Ages, particularly in the context of religious literature directed at women. Based on the Pauline prescription that women should neither preach nor teach, and should at all times keep speech to a minimum, the concept of silence lay at the forefront of many devotional texts, particularly those associated with various forms of women's religious enclosure. Following the example of the Virgin Mary, religious women were exhorted to speak seldom, and then only seriously and devoutly. However, as this volume shows, such gendered exhortations to silence were often more rhetorical than literal. The contributions range widely: they consider the English 'Wooing Group' texts and female-authored visionary writings from the Saxon nunnery of Helfta in the thirteenth century; works by Richard Rolle and the Dutch mystic Jan van Ruusbroec in the fourteenth century; Anglo-French treatises, and books housed in the library of the English noblewoman Cecily Neville in the fifteenth century; and the resonant poetics of women from non-Christian cultures. But all demonstrate the ways in which silence, rather than being a mere absence of speech, frequently comprised a form of gendered articulation and proto-feminist point of resistance. They thus provide an apt commemoration and celebration of the deeply innovative work of Catherine Innes-Parker (1956-2019), the respected feminist scholar and a pioneer of this important field of study.

This collection of essays by leading experts in manuscript studies sheds new light on ways to approach medieval texts in their manuscript context. Each contribution provides groundbreaking insight into the field of medieval textual culture, demonstrating the various interconnections between medieval material and literary traditions. The contributors' work aids reconstruction of the period's writing practices, as contextual factors surrounding the texts provide clues to the 'manuscript experience'. Topics such as scribal practice and textual providence, glosses, rubrics, page lay-out, and even page ruling, are addressed in a manner illustrative and suggestive of textual practice of the time, while the volume further considers the interface between the manuscript and early textual communities. Looking at medieval inventories of books no longer extant, and addressing questions such as ownership, reading practices and textual production, Medieval Texts in Context addresses the fundamental interpretative issue of how scribe-editors worked with an eye to their intended audience. An understanding of the world inhabited by the scribal community is made use of to illuminate the rationale behind the manufacture of devotional texts. The combination of approaches to the medieval vernacular manuscript presented in this volume is unique, marking a major, innovative contribution to manuscript studies.

This collection of essays by leading experts in manuscript studies sheds new light on ways to approach medieval texts in their manuscript context. Each contribution provides groundbreaking insight into the field of medieval textual culture, demonstrating the various interconnections between medieval material and literary traditions. The contributors' work aids reconstruction of the period's writing practices, as contextual factors surrounding the texts provide clues to the 'manuscript experience'. Topics such as scribal practice and textual providence, glosses, rubrics, page lay-out, and even page ruling, are addressed in a manner illustrative and suggestive of textual practice of the time, while the volume further considers the interface between the manuscript and early textual communities. Looking at medieval inventories of books no longer extant, and addressing questions such as ownership, reading practices and textual production, Medieval Texts in Context addresses the fundamental interpretative issue of how scribe-editors worked with an eye to their intended audience. An understanding of the world inhabited by the scribal community is made use of to illuminate the rationale behind the manufacture of devotional texts. The combination of approaches to the medieval vernacular manuscript presented in this volume is unique, marking a major, innovative contribution to manuscript studies.

New approaches to religious texts from the Middle Ages, highlighting their diversity and sophistication. From the great age of pastoral expansion in the thirteenth century, to the revolutionary paroxysms of the English Reformation, England's religious writings, cultures, and practices defy easy analysis. The diverse currents of practice and belief which interact and conflict across the period - orthodox and heterodox, popular and learned, mystical and pragmatic, conservative and reforming - are defined on the one hand by differences as nuanced as the apophatic and cataphatic approaches to understanding the divine, and on the other by developments as profound and concrete as the persecution of declared heretics, the banning and destruction of books, and the emergence of printing. The essays presented in this volume respond to and build upon the hugely influential work of Vincent Gillespie in these fields, offering a variety of approaches, spiritual and literary, bibliographical and critical, across the Middle Ages to the Protestant Reformation and beyond. Topics addressed include the Wycliffite Bible; the Assumption of the Virgin as represented in medieval English culture; Nicholas Love and Reginald Pecock; and the survival of latemedieval piety in early modern England. LAURA ASHE is Professor of English Literature and Tutorial Fellow, Worcester College, Oxford; RALPH HANNA is Professor of Palaeography (emeritus), Keble College, Oxford. Contributors: Tamara Atkin, James Carley, Alexandra da Costa, Anne Hudson, Ian Johnson, Daniel Orton, Susan Powell, Denis Renevey, Michael G. Sargent, Annie Sutherland, Nicholas Watson, Barry Windeatt.

An exploration of the relations between medical and religious discourse and practice in medieval culture, focussing on how they are affected by gender. Current preoccupations with the body have led to a growing interest in the intersections between religion, literature and the history of medicine, and, more specifically, how they converge within a given culture. This collection of essays explores the ways in which aspects of medieval culture were predicated upon an interaction between medical and religious discourses, particularly those inflected by contemporary gendered ideologies. The essays interrogatethis convergence broadly in a number of different ways: textually, conceptually, historically, socially and culturally. They argue for an inextricable relationship between the physical and spiritual in accounts of health, illness and disability, and demonstrate how medical, religious and gender discourses were integrated in medieval culture. Naoe Kukita Yoshikawa is Professor of English in the Faculty of Humanities and Social Sciences at Shizuoka University. Contributors: Louise M. Bishop, Elma Brenner, Joy Hawkins, Roberta Magnani, Takami Matsuda, Liz Herbert McAvoy, Irina Metzler, Denis Renevey, Patricia Skinner, Juliette Vuille, Diane Watt, Naoe Kukita Yoshikawa.

The Doctrine of the Hert was the fifteenth-century English translation of De doctrina cordis, the thirteenth-century Latin devotional treatise addressed to nuns. The text progressively pairs the seven gifts of the Holy Spirit with seven key actions of the heart, leading readers toward contemplative unity with God. The text was a religious bestseller. It circulated widely throughout Europe between the thirteenth and fifteenth centuries and was translated into numerous vernacular versions. This book consists of ten essays from an international group of scholars of medieval religion discussing the Middle English text alongside its Latin forebear, and other European vernacular translations (French, German, Spanish and Middle Dutch). Despite its medieval popularity, The Doctrine of the Hert has largely escaped the attention of scholars until recently. Yet it has much to offer regarding our understanding of late medieval female spirituality. University of Exeter Press's new edition (published June 2009) opens up the field by providing access to the text, and this companion further establishes scholarship on this text.

This volume makes readily available for the first time a critical edition of The Doctrine of the Hert, the fifteenth-century English translation of De doctrina cordis, a thirteenth-century Latin devotional treatise addressed to nuns. A religious bestseller, the Doctrina circulated throughout Europe between the thirteenth and fifteenth centuries and was translated into six different languages. The Doctrina progressively pairs the seven gifts of the Holy Spirit with seven key actions of the heart, leading readers toward contemplative unity with God. Despite its medieval popularity, the Doctrina has largely escaped the attention of scholars until recently. Exeter's edition offers a full textual commentary, while its introduction not only examines current thinking upon the Doctrina's authorship and envisaged primary audience, but also takes advantage of recent scholarly breakthroughs in the understanding of late medieval female spirituality.

Essays suggesting new ways of studying the crucial but sometimes difficult range of medieval mystical material. This volume seeks to explore the origins, context and content of the anchoritic and mystical texts produced in England during the Middle Ages and to examine the ways in which these texts may be studied and taught today. It foregrounds issues of context and interaction, seeking both to position medieval spiritual writings against a surprisingly wide range of contemporary contexts and to face the challenge of making these texts accessible to a wider readership. The contributions, by leading scholars in the field, incorporate historical, literary and theological perspectives and offer critical approaches and background material which will inform both research and teaching. The approaches to Middle English anchoritic and mystical texts suggested in this volume are many and varied. In this they reflect the richness and complexity of the contexts from which these writings emerged. These essays are offered aspart of an ongoing exploration of aspects of medieval spirituality which, while posing a considerable challenge to modern readers, also offer invaluable insights into the interaction between medieval culture and belief. Contributors: E.A. Jones, Dee Dyas, Valerie Edden, Santha Bhattachariji, Denis Renevey, A.C. Spearing, Thomas Bestul, Liz Herbert McAvoy, Barry A. Windeatt, Alexandra Barratt, R.S. Allen, Roger Ellis, Ann M. Hutchison, Marion Glasscoe, Catherine Innes-Parker

Interdisciplinary studies on medieval mystics and their cultural background. Contemplative life in the middle ages has been the focus of much recent critical attention. The Symposium papers collected in this volume illuminate the mystical tradition through examination of written texts and material culturein the medieval period. A particular focus is on Celtic modes of witnessing to comtemplative vision from Ireland and Wales: an eighth-century account of voyages to wonders beyond the known world of Irish monasticism, and the workof Christian bards in medieval Wales. Distinctions within the mystical tradition in England are also explored both within differing Religious Orders and bewtween individuals engaged with the contemplative life. Dr MARION GLASSCOE teaches in the School of English and American Studies at the University of Exeter. Contributors: THOMAS O'LOUGHLIN, OLIVER DAVIES, R. IESTYN DANIEL, RUTH SMITH, VALERIE EDDEN, DENISE N. BAKER, DENIS RENEVEY, E.A. JONES, RICHARD LAWES, NAOE KUKITA YOSHIKAWA, C. ANNETTE GRISE, JAMES HOGG

Essays on the ways in which the mystical writers of the fourteenth and fifteenth century responded to and influenced each other. Without the theologians of the eleventh and twelfth centuries, without the anchoritic writings of the thirteenth century, Richard Rolle, Julian of Norwich, Walter Hilton, Margery Kempe could not have written as they did. Likewise,those who followed them - the Wycliffites, the Bridgeittines, the writers of religious lyrics -responded to those who had gone before. The articles presented here identify major themes and the web of influence that links them; new but solid interpretations are offered of the key figures and their background, and the emphasis is on the rich variety of mysticism these authors and texts embody. WILLIAM F. POLLARD is Professor of English at Huntingdon College; ROBERT BOENIG is Associate Professor of English at Texas A & M University. Contributors: THOMAS H. BESTUL, ROBERT BOENIG, RITAMARY BRADLEY, SUSAN DICKMAN, DOUGLAS GRAY, ROGER ELLIS, MICHAEL P. KUCZYNSKI, WILLIAM F. POLLARD, DENIS RENEVEY, ELLEN M. ROSS, ANNE SAVAGE, RENE TIXIER.

Language, Self and Love offers a unique insight into the development of the language of interiority in the medieval literature inspired by the Song of Songs and its commentaries. It traces the evolution of a medieval identity in the process of self-fashioning and, in showing the importance of mystical writing for understanding medieval subjectivity, suggests that the 'self' is not the early modern invention it is often claimed to be. Denis Renevey discusses the correspondences between the discourse of love in the Song of Songs and the language of mysticism in the writings of William of St Thierry and Richard Rolle, where the self is described in its attempts at establishing a direct relationship with God. He also shows how the textual strategies offered in mystical writing for the use of female recipients engage with questions of misogyny and the relationship between Latin and vernacular cultures.