Looking at the globalization, urban regeneration, arts events and cultural spectacles, this book considers a city not until now included in the global city debate. Divided into five parts, each preceded by an editorial introduction, this book is an interdisciplinary study of an iconic city, a city facing conflicting social, political and cultural pressures in its search for a place in Europe and on the world stage in the twenty-first century.

Looking at the globalization, urban regeneration, arts events and cultural spectacles, this book considers a city not until now included in the global city debate. Divided into five parts, each preceded by an editorial introduction, this book is an interdisciplinary study of an iconic city, a city facing conflicting social, political and cultural pressures in its search for a place in Europe and on the world stage in the twenty-first century.

This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Bela Balazs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.

""Germany in Transit" is a much-needed sourcebook that vividly represents the crucial debates about the integration of 'foreigners' in Germany. Written for all levels of readers, from school teachers and college students to general readers."--Werner Sollors, author of "Beyond Ethnicity: Consent and Descent in American Culture"
"This book is first-rate: historically accurate, thickly textured, and methodologically cutting-edge. Even experts in migration studies and German studies will be inspired by the astonishing range of materials gathered in this important yet readily accessible book."--Leslie A. Adelson, author of "The Turkish Turn in Contemporary German Literature: Toward a New Critical Grammar of Migration"
"A path-breaking book about postwar Germany on its way to Europe and the modern world. Precisely researched and creatively organized, this is indispensable reading for anyone who wishes to take part in the conversation about cultural diversity. It is perhaps telling that no such book has yet been published in Germany; the perspective from abroad opens new horizons."--Zafer [enocak, author of "Atlas of a Tropical Germany: Essays on Politics and Culture, 1990-1998"
"This striking assembly of texts tells the real story of postwar normalization. For the German lands have always bid welcome and, after the monochrome years of the Third Reich and its immediate aftermath, once again host a multiplicity of ethnics, cultures, and religions. Read and see for yourself what contemporary Germany is all about."--Michael Geyer, author of "The Power of Intellectuals in Contemporary Germany"

This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Bela Balazs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.