What is the precise relationship between the writer of a text and the reader? Contributions to reader-response theory have suggested that the reader is relatively passive. In this 1987 text, Professor Foster argues that the relationship is more complex than that: readers enter into complicity with writers and create the illusion of the writer's mastery over meaning in order to imagine themselves as masters and become writers in their own place. This dynamic model of the reading process is revealed most tellingly in 'confessional' narratives and so Professor Foster explores the complex patterns of the reader/writer symbiosis in texts by Augustine, Kierkegaard, Henry James, Hawthorne, Faulkner, and Beckett. What emerges is a fresh theory of reading literature: the engagement between writer and reader as a struggle for power in which the reader is actively complicit and self-conscious in his or her interpretations.

Linking classic American literature to contemporary popular culture, Sublime Enjoyment argues that the rational systems of normal social life are motivated and sustained by "perverse" desires. This perversity arises from the failure of symbolic satisfaction--love, work, success--to make us happy, and from our refusal to accept that failure. Examining the ways in which this inadvertence is represented in American literature and culture, Dennis Foster identifies ways that longings are linked to social forces.

What is the precise relationship between the writer of a text and the reader? Contributions to reader-response theory have suggested that the reader is relatively passive. In this 1987 text, Professor Foster argues that the relationship is more complex than that: readers enter into complicity with writers and create the illusion of the writer's mastery over meaning in order to imagine themselves as masters and become writers in their own place. This dynamic model of the reading process is revealed most tellingly in 'confessional' narratives and so Professor Foster explores the complex patterns of the reader/writer symbiosis in texts by Augustine, Kierkegaard, Henry James, Hawthorne, Faulkner, and Beckett. What emerges is a fresh theory of reading literature: the engagement between writer and reader as a struggle for power in which the reader is actively complicit and self-conscious in his or her interpretations.

Linking classic American literature to contemporary popular culture, Sublime Enjoyment argues that the rational systems of normal social life are motivated and sustained by 'perverse' desires. This perversity arises from the failure of symbolic satisfactions - love, work, success - to make us happy, and from our refusal to accept that failure. Hoping to achieve satisfaction, we respond ultimately to situations that evoke older, more primary drives and their attendant emotions. But while a conventional pervert knows exactly what to want, the healthy pervert must find enjoyment inadvertently: in the object of the sublime, in duty and reason, and in the obligations of a 'fun morality'. Examining the ways in which this inadvertence is represented in American literature and culture, Dennis Foster identifies ways in which longings are linked to social forces.

The masochist, the voyeur, the sadist, the sodomite, the fetishist, the pedophile, and the necrophiliac all expose hidden but essential elements of the social relation. Arguing that the concept of perversion, usually stigmatized, ought rather to be understood as a necessary stage in the development of all non-psychotic subjects, the essays in "Perversion and the Social Relation" consider the usefulness of the category of the perverse for exploring how social relations are formed, maintained, and transformed.

By focusing on perversion as a psychic structure rather than as aberrant behavior, the contributors provide an alternative to models of social interpretation based on classical Oedipal models of maturation and desire. At the same time, they critique claims that the perverse is necessarily subversive or liberating. In their lucid introduction, the editors explain that while fixation at the stage of the perverse can result in considerable suffering for the individual and others, perversion motivates social relations by providing pleasure and fulfilling the psychological need to put something in the place of the Father. The contributors draw on a variety of psychoanalytic perspectives--Freudian and Lacanian--as well as anthropology, history, literature, and film. From Slavoj Zižek's meditation on "the politics of masochism" in David Fincher's movie "Fight Club" through readings of works including William Styron's "The Confessions of Nat Turner, " Don DeLillo's "White Noise," and William Burroughs's "Cities of the Red Night," the essays collected here illuminate perversion's necessary role in social relations.
"Contributors. "Michael P. Bibler, Dennis A. Foster, Bruce Fink, Octave Mannoni, E. L. McCallum, James Penney, Molly Anne Rothenberg, Nina Schwartz, Slavoj Zižek