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First Published in 1993. Routledge is an imprint of Taylor &
Francis, an informa company.
The work of Raymond Williams has inspired radical intellectuals
engaged in cultural politics and influenced many academic
disciplines across the social sciences and humanities. This book
examines the assumptions and limitations of Williams's political
vision and commitments. In the spirit of appreciative criticism,
this international collection of essays analyzes the neglected yet
central tensions in Williams's thought. The contributors explore
the implications of his work for a wide range of disciplines
including education, cultural studies, history, literature, mass
communication, and drama. The first section, "Culture is Ordinary"
examines Williams's deconstruction of the false division between
what he considers "common culture" and a "whole way of life". The
second part, "Education From Below", explores Williams's conception
of meaningful democratic participation in cultural institutions
such as schools, taking into account the dilemmas that Leftist and
feminist educators experience in the varied national and regional
contexts of neo-conservatism. The final section is entitled
"Culture's Others: Culture or Cultural Imperialism".
The clash between Britain and Ireland--and between Catholics and
Protestants within Ireland--is among the oldest and most enduring
nationalist, ethnic, and religious conflicts in the modern world,
rooted in the colonization of Ireland by English and Scottish
Protestants in the sixteenth and seventeenth centuries. Through
fifty-six original sources, many of which have never been
reprinted, this volume traces the origins and development of the
conflict during the years of the legislative union between Britain
and Ireland--years shaped by the rise of, and British and Irish
Unionist responses to, Irish nationalism. Dworkin's Introduction
provides both a history of the conflict and a discussion of its
causes; headnotes and footnotes set each selection in historical,
political, and cultural context, and identify those terms and names
that may be unfamiliar to modern readers. A map, a glossary, a
chronology of events, and a select bibliography are included, as
are an index and several contemporary illustrations.
The clash between Britain and Ireland--and between Catholics and
Protestants within Ireland--is among the oldest and most enduring
nationalist, ethnic, and religious conflicts in the modern world,
rooted in the colonization of Ireland by English and Scottish
Protestants in the sixteenth and seventeenth centuries. Through
fifty-six original sources, many of which have never been
reprinted, this volume traces the origins and development of the
conflict during the years of the legislative union between Britain
and Ireland--years shaped by the rise of, and British and Irish
Unionist responses to, Irish nationalism. Dworkin's Introduction
provides both a history of the conflict and a discussion of its
causes; headnotes and footnotes set each selection in historical,
political, and cultural context, and identify those terms and names
that may be unfamiliar to modern readers. A map, a glossary, a
chronology of events, and a select bibliography are included, as
are an index and several contemporary illustrations.
In this intellectual history of British cultural Marxism, Dennis
Dworkin explores one of the most influential bodies of contemporary
thought. Tracing its development from beginnings in postwar
Britain, through its various transformations in the 1960s and
1970s, to the emergence of British cultural studies at Birmingham,
and up to the advent of Thatcherism, Dworkin shows this history to
be one of a coherent intellectual tradition, a tradition that
represents an implicit and explicit theoretical effort to resolve
the crisis of the postwar British Left. Limited to neither a single
discipline nor a particular intellectual figure, this book
comprehensively views British cultural Marxism in terms of the
dialogue between historians and the originators of cultural studies
and in its relationship to the new left and feminist movements.
From the contributions of Eric Hobsbawm, Christopher Hill, Rodney
Hilton, Sheila Rowbotham, Catherine Hall, and E. P. Thompson to
those of Perry Anderson, Barbara Taylor, Raymond Williams, Dick
Hebdige, and Stuart Hall, Dworkin examines the debates over issues
of culture and society, structure and agency, experience and
ideology, and theory and practice. The rise, demise, and
reorganization of journals such as The Reasoner, The New Reasoner,
Universities and Left Review, New Left Review, Past and Present,
are also part of the history told in this volume. In every
instance, the focus of Dworkin's attention is the intellectual work
seen in its political context. Cultural Marxism in Postwar Britain
captures the excitement and commitment that more than one
generation of historians, literary critics, art historians,
philosophers, and cultural theorists have felt about an unorthodox
and critical tradition of Marxist theory.
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