Animated road trip adventure. Kate (voiced by Hayden Panettiere) and Humphrey (Justin Long) are two young wolves from a National Park in Canada who find themselves shipped halfway across the country by the park's rangers. While Humphrey is a streetwise, fun-loving Omega wolf, Kate is a sleek and sophisticated Alpha wolf and considers herself Humphrey's superior. Thrown together in a foreign land, and faced with a journey of over a thousand miles to get back home and restore peace on their warring home turf, the two must overcome their differences and learn to look out for each other.

Rocky Morton and Annabel Jankel direct this family adventure based on the Super Mario Bros. characters. When Mario (Bob Hoskins) and Luigi (John Leguizamo), plumbers from New York, are called in to help out with a flood at a dinosaur excavation site by the beautiful Daisy (Samantha Mathis), they become embroiled in a struggle with a parallel reptilian universe, ruled by Koopa (Dennis Hopper), a leader who wants to merge it with Earth.

Luke (an Oscar-nominated Paul Newman) is sent to a Deep South chain gang after smashing up some parking meters. Convict boss Dragline (an Oscar-winning George Kennedy) tries to crack the new inmate's spirit but Luke refuses to be broken. Reformed safecracker Donn Pearce based his novel and screenplay on his own experiences of imprisonment.

A local biker-gang leader (Mickey Rourke), despite reforming his ways, is still the hero of local adolescents. His younger brother (Matt Dillon) idolises him, even though his mentor strives to persuade him that he has done nothing to be proud of. Shot in black and white (with occasional touches of colour), this is an atmospheric rites-of-passage tale with a musical score by Stewart Copeland and featuring many members of the so-called eighties 'Brat Pack'.

A local biker-gang leader (Mickey Rourke), despite reforming his ways, is still the hero of local adolescents. His younger brother (Matt Dillon) idolises him, even though his mentor strives to persuade him that he has done nothing to be proud of. Shot in black and white (with occasional touches of colour), this is an atmospheric rites-of-passage tale with a musical score by Stewart Copeland and featuring many members of the so-called eighties 'Brat Pack'.

David Lynch directs this cult 1980s classic starring Dennis Hopper and Kyle MacLachlan. When college student Jeffrey Beaumont (MacLachlan) returns home to look after his dad's store while he's in hospital, a short stroll through a seemingly peaceful field sees him stumbling upon a severed ear. As Jeffrey reports the crime to the police he finds himself being sucked into a world of murder, voyeurism and sado-masochism.

Francis Ford Coppola began to film 'Apocalypse Now' in February 1976. After 238 days in the jungle, filming was complete and millions of dollars had been spent (Marlon Brando was on set for three weeks at a million dollars a week). Actors had been replaced (Harvey Keitel by Martin Sheen). They had all gone a bit insane (according to Coppola) and the whole thing was documented on film by his wife, Eleanor.

Luke (an Oscar-nominated Paul Newman) is sent to a Deep South chain gang after smashing up some parking meters. Convict boss Dragline (an Oscar-winning George Kennedy) tries to crack the new inmate's spirit but Luke refuses to be broken. Reformed safecracker Donn Pearce based his novel and screenplay on his own experiences of imprisonment.

In this enduring tale of strength and weakness, love and betrayal, Samson is played by Eric Thal and the duplicitous Delilah is Elizabeth Hurley.

As Samson successfully leads the Israelites, the Philistine rulers grow increasingly worried and frustrated and hatch a devious plan of seduction and temptation using the King's niece, Delilah, to discover the secret of Samson's legendary strength.

This sumptuous, epic production features an all-star cast including the great stage actors Michael Gambon as King Hanun and Diana Rigg as Samson's mother Mara, as well as the renowned Dennis Hopper as the scheming General Tariq.

In one of moviedom's most influential roles, James Dean plays Jim Stark, the new kid in town whose loneliness, frustration and anger mirrored those of post-war teens - and reverberate ' more than 40 years later. Natalie Wood (as Jim's girlfriend Judy) and Sal Mineo (in his screen debut as Jim's tag-along pal Plato) were Academy Award nominees for their achingly true performances. Director Nicholas Ray was also an Oscar nominee for this landmark film chosen as one of the Top-100 American Films by the American Film Institute.

Rebel Without A Cause has been digitally mastered from newly restored elements, so this DVD offers the movie's picture and sound in its most optimal presentation since its original theatrical release.

Jack Traven (Keanu Reeves), an LAPD cop on SWAT detail, has a fearless nature and a keen understanding of the criminal mind, but he is also rather reckless. Together with partner Harry (Jeff Daniels), they rescue a dozen hostages from a booby-trapped elevator rigged by a psychotic ex-cop (Dennis Hopper). With his plans foiled by Jack, the bomber makes alternative arrangements - rigging a city bus to explode if the speedometer drops below 50 mph. It's then up to Jack to save the passengers, including feisty Annie (Sandra Bullock), the passenger who is forced to take the driving wheel after the driver is shot.

During the 1960s, Dennis Hopper carried a camera everywhere-on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade's cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama. From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi, this extensive volume, finally back in print in a new edition, distills the essence of Hopper's prodigious photographic career. Also included are introductory essays by Shafrazi and legendary West Coast art pioneer Walter Hopps, as well as an extensive biography and new afterword by journalist Jessica Hundley. With excerpts from Victor Bockris's interviews of Hopper's famous subjects, friends, and family, this volume revives an unprecedented exploration of the life and mind of one of America's most fascinating personalities.

Animated road trip adventure. Kate (voiced by Hayden Panettiere) and Humphrey (Justin Long) are two young wolves from a National Park in Canada who find themselves shipped halfway across the country by the park's rangers. While Humphrey is a streetwise, fun-loving Omega wolf, Kate is a sleek and sophisticated Alpha wolf and considers herself Humphrey's superior. Thrown together in a foreign land, and faced with a journey of over a thousand miles to get back home and restore peace on their warring home turf, the two must overcome their differences and learn to look out for each other.

Bikers Captain America (Peter Fonda) and Billy (Dennis Hopper, who also directs) set off across America on the proceeds of a cocaine deal. En route to the New Orleans Mardi Gras festival they stop off at a hippy commune, before being arrested in Texas for joining a street parade without a licence. In jail they meet boozy civil rights lawyer George Hanson (Jack Nicholson), who decides to join them on their odyssey. Made on a shoestring budget, 'Easy Rider' was a huge hit upon its release, and this success proved instrumental in persuading the big Hollywood studios to invest in more films from young directors.

Keanu Reeves, Dennis Hopper and Crispin Glover star in this American crime drama. Teenager John Tollett (Daniel Roebuck) strangles his girlfriend, Jamie (Danyi Deats), and leaves her body beside the river. As word gets out among the young people of the town, some are torn between keeping faith with their peers or exposing the crime and risking retribution. Matt (Reeves) and Clarissa (Ione Skye) are uncomfortable keeping silent, while speed freak Layne (Glover) believes that as John's friends they should help him cover-up the murder. Layne and John turn to Feck (Hopper) for advice, the local drug dealer and himself a murderer.

An FBI agent engages in a battle of minds with a woman she suspects of multiple murders in this thriller from director Bob Rafelson. Investigator Alexandra Barnes (Debra Winger) becomes obsessed with proving glamorous socialite Catharine Petersen (Theresa Russell) is a murderess responsible for the deaths of several millionaires who died suspiciously soon after marrying. Believing her to have assumed a new identity each time, Agent Barnes sets out to prove her suspicions are true, but soon finds that she too is falling under the Black Widow's spell.

In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper’s personal vision as an artist by tracing the threads of Hopper’s life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper’s iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper’s photographic output was especially concentrated in the ‘60s, a period in which his film career had cooled off. During these years Hopper’s primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him ‘the tourist.’ While In Dreams, which references Roy Orbison’s song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper’s peripatetic life and his everyday use of the camera. Hopper was very much an insider — at ease with celebrities and artists of his day — but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it’s this unique duality that allowed Hopper to view the world in his unique way.