The goal of this collection is to bring the powerful insights of Continental philosophy to bear on some of the most challenging difficulties of ethical life. The present historical juncture is a moment when philosophy is being radically transformed by questions of how to live well. What does such a way of life mean? How are we to understand the meaning of ethicality? What are the obstacles to ethical livings? And should we assume that an ethical life is a "better" life? The movement of history and the developments of culture and knowledge seem to have outstripped the capacity of traditional forms of reflection upon ethical life to understand how we might answer these questions. Ranging from existentialism to deconstruction, phenomenology to psychoanalytic theory, and hermeneutics to post-structuralism, the twelve essays in this volume take up a wide, but clearly connected set of issues relevant to living ethically: race, responsibility, religion, terror, torture, technology, deception, and even the very possibility of an ethical life. Some of the questions addressed are specific to our times; some are ancient questions but with quite contemporary twists. The concern in each case is to ask about the philosophical significance of ongoing historical, cultural, and political transformations to ethical living and thinking.

The essays collected in this volume take a new look at the role of language in the thought of Martin Heidegger to reassess its significance for contemporary philosophy. They consider such topics as Heidegger's engagement with the Greeks, expression in language, poetry, the language of art and politics, and the question of truth. Heidegger left his unique stamp on language, giving it its own force and shape, especially with reference to concepts such as Dasein, understanding, and attunement, which have a distinctive place in his philosophy. -- Indiana University Press

Engagement with the image has played a decisive role in the formulation of the very idea of philosophy since Plato. Identifying pivotal moments in the history of philosophy, Dennis J. Schmidt develops the question of philosophy's regard of the image in thinking by considering painting-where the image most clearly calls attention to itself as an image. Focusing on Heidegger and the work of Paul Klee, Schmidt pursues larger issues in the relationship between word, image, and truth. As he investigates alternative ways of thinking about truth through word and image, Schmidt shows how the form of art can indeed possess the capacity to change its viewers. -- Indiana University Press

What are the assumptions and tasks hidden in contemporary calls to "overcome" the metaphysical tradition? Reflecting upon the internal contradictions of the notions of "tradition" and "finiteness," Dennis J. Schmidt offers novel insights into how philosophy must relate to its traditions if it is to retain a vital sense of the plurality of "edges" that constitute its finiteness. He does this through a close examination of issues found in the work of Hegel and Heidegger, two philosophers who made the ideas of both tradition and finiteness the center of their concern.Schmidt begins by asking how Heidegger can claim to have destroyed metaphysics despite Hegel's claim to have perfected its possibilities. Systematically following the development of Heidegger's critique of Hegel, Schmidt generates a dialogue between them. The topic of that dialogue is the nature of finiteness as it is articulated in time, nothing, the dialectical and hermeneutical circles, and in the notions of experience, work, technology, history, and preSocratic thought.Beginning with Heidegger's critique of Hegel in Being and Time, Schmidt's strategy is to disclose the complexities of philosophical discourse about the finite by drawing out the proximities between Hegel and Heidegger. The dialogue that results presents novel portraits of both philosophers. It also reveals that Heidegger's early, unacknowledged failure to separate himself from the Hegelian dialectic is the motive behind many of the turns and decisions of his later career.In concluding, Schmidt offers an interpretation of the wider significance of the results of that dialogue, and connects his study to other contemporary discussions of postmodernism. He expands upon the idea of the plurality of edges opened by finiteness, arguing that philosophy only understands its own past and future once it recognizes the meaning of its own finiteness.Dennis J. Schmidt is Associate Professor of Philosophy at the State University of New York at Binghamton. The Ubiquity of the Finite is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.

On Germans and Other Greeks
Tragedy and Ethical Life

Dennis J. Schmidt

What Greek tragedy and German philosophy reveal about the meaning of art for ethical life.

"Schmidt s investigation of tragedy is a highly significant, powerful work, one with far-reaching consequences. It bears on our understanding of the role of the arts and of philosophical thinking in our culture."
Rodolphe Gasche

In this illuminating work, Dennis J. Schmidt examines tragedy as one of the highest forms of human expression for both the ancients and the moderns. While uncovering the specifically Greek nature of tragedy as an exploration of how to live an ethical life, Schmidt s elegant and penetrating readings of Greek texts show that it was the beauty of Greek tragic art that led Kant and other German thinkers to appreciate the relationship between tragedy and ethics. The Germans, however, gave this relationship a distinctly German interpretation. Through the Greeks, the Germans reflected on the enigmas of ethical life and asked innovative questions about how to live an ethical life outside of the typical assumptions and restrictions of traditional Western metaphysics. Schmidt s engagements with Schelling, Hegel, Holderlin, Nietzsche, and Heidegger show how German philosophical appropriations of Greek tragedy conceived of ethics as moving beyond the struggle between good and evil toward the discovery of community truths. Enlisting a wide range of literary and philosophical texts, some translated into English for the first time, Schmidt reveals that contemporary notions of tragedy, art, ethics, and truth are intimately linked to the Greeks.

Dennis J. Schmidt is Professor of Philosophy at Villanova University. He is author of The Ubiquity of the Finite and translator of Ernst Bloch s Natural Law and Human Dignity.

Studies in Continental Thought John Sallis, general editor May 2001
432 pages, 6 1/8 x 9 1/4, bibl., index
cloth 0-253-33868-9 $49.95 L / 38.00
paper 0-253-21443-2 $24.95 s / 18.95"