Of the many innovative approaches to emerge during the twenty-first century, one of the most productive has been the interdisciplinary nexus of theories and methodologies broadly defined as "the study of emotions." While this conceptual toolkit has generated significant insights, it has overwhelmingly focused on emotions as linguistic and semantic phenomena. This edited volume looks instead to the material aspects of emotion in German culture, encompassing the body, literature, photography, aesthetics, and a variety of other themes.

The most significant European poet of the second half of the twentieth century, Paul Celan, viewed poetry as 'the language of an individual that has become form,' an individual that is constructed through the act of observation in the poem. In Poetry as Individuality: The Discourse of Observation in Paul Celan, Derek Hillard argues that individuality is the crux of poetry for Celan because the Holocaust effectively eviscerated the individual. Hillard investigates the core figures of individuality in Celan's poetry and prose: semblance, madness, and the wound. Celan's enigmatic poetry of a depopulated textual universe has perplexed critics. This book argues that the poetry's figures have a common source--the discourse of observation from the fields of appearance, perception, and the mind.