The Poetry of Derek Walcott 1948-2013 draws from every stage of the poet's storied career. Here are examples of his very earliest work, like 'In My Eighteenth Year', published when the poet himself was still a teenager; his first widely celebrated verse, like 'A Far Cry from Africa', which speaks of violence, of loyalties divided in one's very blood; his mature work, like 'The Schooner Flight' from The Star-Apple Kingdom; and his late masterpieces, like the tender 'Sixty Years After', from the 2010 collection White Egrets.

Across sixty-five years, Walcott has grappled with the themes that have defined his work as they have defined his life: the unsolvable riddle of identity; the painful legacy of colonialism on his native Caribbean island of St Lucia; the mysteries of faith and love; the trauma of growing old, of losing friends, family, one's own memory. This collection, selected by Walcott's friend the poet Glyn Maxwell, will prove as enduring as the questions, the passions, that have driven Walcott to write for more than half a century.

This new Selected Poems offers an ordered retrospective of the fertile career of Derek Walcott, spanning six decades and drawing on twelve collections. Winner of the Nobel Prize for Literature in 1992, Walcott has, in the words of Seamus Heaney, 'moved with gradually deepening confidence to found his own poetic domain, independent of the tradition he inherited yet not altogether orphaned from it'.

A poem in five books, of circular narrative design, titled with the Greek name for Homer, which simultaneously charts two currents of history: the visible history charted in events - the tribal losses of the American Indian, the tragedy of African enslavement - and the interior, unwritten epic fashioned from the suffering of the individual in exile.

A magnificent, semi-autobiographical sequence from a Nobel Prize-winning poet, Tiepolo's Hound joins the quests of two Caribbean men: Camille Pissarro - a Sephardic Jew born in 1830 who leaves his native St. Thomas to become a painter in Paris - and the poet himself, who longs to rediscover the detail of a painting encountered on an early visit from St. Lucia to New York. Published with 25 full-colour reproductions of Derek Walcott's own paintings, the poem is at once the spiritual biography of a great artist in self-imposed exile, a history in verse of Impressionist painting, and a memoir of the poet's desire to catch the visual world in more than words.

A DAZZLING NEW COLLECTION FROM ONE OF THE MOST IMPORTANT POETS OF THE TWENTIETH CENTURY
In "White Egrets," Derek Walcott treats the characteristic subjects of his career--the Caribbean's complex colonial legacy, his love of the Western literary tradition, the wisdom that comes through the passing of time, the always strange joys of new love, and the sometimes terrifying beauty of the natural world--with an intensity and drive that recall his greatest work. Through the mesmerizing repetition of theme and imagery, Walcott creates an almost surflike cadence, broadening the possibilities of rhyme and meter, poetic form and language.
"White Egrets "is a moving new collection from one of the most important poets of the twentieth century--a celebration of the life and language of the West Indies. It is also a triumphant paean to beauty, love, art, and--perhaps most surprisingly--getting older.

This is the first collection of essays and critical writings by the winner of the Nobel Prize in Literature of 1992 and the Caribbean's greatest poet. Derek Walcott has long held a unique position in the world of Caribbean letters and - beyond that - in the literary consciousness of Great Britain, the United States and the rest of the world. He is one of the most accomplished poets of his generation and a profound thinker on the artistic and political questions which impinge on his mind - and ours. Among the subjects which come under his consideration in this collection are the examples of his poetic mentors and confreres, Robert Lowell, Joseph Brodsky and Seamus Heaney, and the political issues raised by the writings of his fellow-Caribbeans V.S. Naipaul and Patrick Chamoiseau. The intellectual passion and metaphorical vigour which heighten Derek Walcott's poetry are plainly apparent in his prose as well.