Long Time, No See introduces us to the unforgettable world of Mister Psyche . In the isolated coastal townland of Ballintra in the Northwest of Ireland Recent school-leaver, occasional worker, full-time companion and Malibu-provider to Uncle Joe-Joe and his friend, The Blackbird, Psyche is a boy on the cusp of adulthood, undone by a recent traumatic event. Hanging out with men some forty-plus years his senior proves hazardous for Mister Psyche when the appearance of a bullet-hole in Uncle Joe-Joe's window draws him into a series of (mis)-adventures which unsettle and bemuse. Perhaps The Blackbird is losing it? Or perhaps The General has decided to act on a decades-old grudge? Whichever way, as the paranoia grabs a creeping hold of Uncle Joe-Joe, his fragile world threatens to collapse. And it is Mister Psyche who must digest this and acknowledge the new world taking shape in the old ...An epic in miniature peopled by a cast of innocents and broken misfits, Long Time, No See's lyrical power casts a miraculous literary spell.

Jack Ferris, playwright, drunk, is mired in contemplative misery in a fisherman's cottage on the windy bleak west coast of Ireland. Mourning his love affair with Catherine Adams, an actress and Protestant from the North, he summons her instead in his imagination. In doing so, he tells the story of her father Jonathan, failed parson and retired RUC man, shamed into exile by a moment of violence in Derry years ago. Masterly, elegiac, A Goat's Song conjures the contrasting landscapes and opposing myths of a nation divided.

Set in rural Ireland, against the background of the on-course gambling operating at the many local race meetings held throughout the country, this book combines the photographs of Bruce Gilden with the story-telling of Dermot Healy. It seeks to create a portrait of this aspect of rural Irish life.

One day, years after he's moved away from his childhood home in rural Ireland, Dermot Healy returns to care for his ailing mother. Out of the blue she hands him the forgotten diary he had kept as a fifteen-year-old. He is amazed to find the makings of the writer he has become, as well as taken aback at the changes his memory has wrought. The silhouettes who have haunted his past come back to inhabit his pages: his father, a kind policeman who plays cards and drinks stout with his cronies; his mother, whose stories young Dermot has heard so often that he believes they are his own; or Aunt Maisie, whose early disappointment in love has left her both dreamy and cynical. Funny, direct and moving, The Bend For Home is a family portrait like no other, and a hugely engaging account of a childhood in small-town Ireland.

Initially published in 1984, Dermot Healy's stunning first novel, Fighting with Shadows, returns to print after almost thirty years. Largely set in the border village of Fanacross, Co. Fermanagh, as Ireland stumbles clumsily toward modernity, the Allen family negotiate a bitter and troubled terrain. Fighting with Shadows offers extraordinary and poetic glimpses of the compelling lives of ordinary people. The novel's landscape is of borderlands, of in-between spaces; it tells of violently sundered geographical borders, of maddening religious differences, of the anguished gaps between people as they struggle to find each other, and of how the dead reside among its inhabitants long after they've passed. At once realist account and nightmarish magic realist fable, Fighting with Shadows occupies a truly important position in the history of modern Irish fiction.

Ollie Ewing is barely surviving. Back home in Sligo after 'a few experiences' in London, he collects trolleys in a supermarket car park and lives in a run-down house with a group of art students. Tormented by old regrets and terrible fears -- vague recollections of his brother's violent demise, and his best friend's grisly end as a pile of charred bones in the back of a lorry -- he decides at last to confront his demons.

For over three years, photographer Heike Thiele and writer Winifred McNulty have captured images and stories from the last traditional shops in the North West of Ireland. Their journey - across Donegal, Leitrim, Tyrone, Fermanagh, Sligo and Cavan -has taken them through an Aladdin's Cave of drapery and hardware, to abandoned creameries and shops where empty shelves are filled only with the stories of different times. Based on a series of highly successful exhibitions across the North West, this book is a highly visual record of the stories of changing face of rural Ireland.

From "Ireland's finest living novelist" (Roddy Doyle)--a funny, moving, exquisitely written novel about a community on the cusp of change Acclaimed Irish author Dermot Healy's first novel in more than ten years is a rich, beguiling, and wonderfully funny story about community, family, love, and bonds across generations, an epic in miniature that features an unforgettable cast of innocents and broken eccentrics. The novel presents the bemusing and unsettling misadventures of Philip Feeney, known to one and all as Mister Psyche, a teenager haunted by a recent traumatic event who takes up with two men some fifty years his senior. Its still, lyrical power casts a miraculous literary spell and will appeal to readers of William Trevor, Roddy Doyle, John McGahern, and Anne Enright.

Authors like Annie Proulx, John Banville, Derek Mahon, Dermot Healy, and Higgins himself, represented by a previously uncollected essay, offer a variety of critical and creative commentaries, while scholars such as Keith Hopper, Peter van de Kamp, George O Brien, and Gerry Dukes contribute exciting new perspectives on all aspects of Higgins s writing, including his radio plays, his critical work, and the Harold Pinter film adaptation of Langrishe, Go Down. Langrishe too is revisited, while convincing cases are made for the major significance of later novels such as Bornholm Night-Ferry and Lions of the Grunewald, as well as Higgins s unorthodox trilogy of autobiographies. This collection confirms the enduring significance of Aidan Higgins as one of the major writers of our time, and also offers testament that Higgins s work is being rediscovered by a new generation of critics and writers.