Derrick Jensen takes no prisoners in The Culture of Make Believe, his brilliant and eagerly awaited follow-up to his powerful and lyrical A Language Older Than Words. What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today's death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believe is a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.

The long-awaited companion piece to Derrick Jensen's immensely popular and highly acclaimed works A Language Older Than Words and The Culture of Make Believe. Accepting the increasingly widespread belief that industrialized culture inevitably erodes the natural world, Endgame sets out to explore how this relationship impels us towards a revolutionary and as-yet undiscovered shift in strategy. Building on a series of simple but increasingly provocative premises, Jensen leaves us hoping for what may be inevitable: a return to agrarian communal life via the disintegration of civilization itself.

A serial killer stalks the streets of Spokane, acting out a misogynist script from the dark heart of this culture. Across town, a writer named Derrick has spent his life tracking the reasons--political, psychological, spiritual--for the sadism of modern civilization. And through the grim nights, Nika, a trafficked woman, tries to survive the grinding violence of prostitution. Their lives, and the forces propelling them, are about to collide. Derrick's current project is a book called Possession, which asks the ontological question of who is responsible for the culture of domination that's destroying the earth. Who actually benefits from a dead planet, the endgame that's fast approaching? What if the answer is something way bigger than humans? Meanwhile, with motivations opposite to Derrick's, the serial killer is asking much the same question of the women he kidnaps as his final act of possession--and Nika is next. Derrick's metaphysical explorations suddenly take on more urgency as visions both terrifying and sacred begin to intrude, and past and future collapse without warning. All Derrick knows is Nika's name and her impending death. The only person who believes him is his partner Allison, a woman with both strengths and scars, whose past has led her to a commitment to justice no matter what the cost. As the visions intensify and the killer draws nearer, Derrick and Allison are compelled to act, making themselves the next targets. Derrick must learn to negotiate a world of spirits and demons, living and dead, before it's too late. And what hangs in the balance is not just their lives, but also the fate of life on earth. With Songs of the Dead, Derrick Jensen has written more than a thriller. This is a story lush with rage and tenderness on its way to being a weapon.

'Deep Green Resistance' starts where the environmental movement leaves off: industrial civilisation is incompatible with life. To save this planet, a serious resistance movement is needed, one that can bring down the industrial economy.

Derrick Jensen has spent years on the front lines resisting environmental devastation with one acclaimed work after another. Now, newcomers and die-hard fans alike can find his most electrifying writings in this single volume that spans his celebrated career.

Putting corporate disregard for ecology on trial, this novel follows Vexcorp, a wealthy corporation that, at a safe distance, counts both the lives of others and the health of the environment as expenses on a balance sheet--but that distance is about to collapse. Malia is an activist who has lost faith in systemic reform, and Dujuan is a street thug torn by grief at his younger sister's death. When Dujuan mugs Malia, she compares him to Vexcorp, triggering a storm inside him. That storm only clears when he identifies the real agent of his pain: Larry Gordon, Vexcorp's CEO. Injury requires justice, so Dujuan kidnaps Gordon and presents him to Malia for judgment. As bystanders become involved and time runs out, Malia is forced to make grueling moral decisions between survival and loyalty, safety and courage, and agency and despair.