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In contrast to the romantic aesthetic of originality, this analysis of the texts of "Genesis 26" and its co-texts proceeds from an aesthetic of valuing repetitions and "doubling". After presenting the concept of interpretation based on a reception aesthetic, the study reconstructs the process of reading "Genesis 12:10-20", "Genesis 20" and "Genesis 26", considering not only Christian secondary literature, but also making extensive use of Jewish exegeses.
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