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This book analyses cultural questions related to representations of
the body in South Asian traditions, human perceptions and attitudes
toward the body in religious and cultural contexts, as well as the
processes of interpreting notions of the body in religious and
literary texts. Utilising an interdisciplinary perspective by means
of textual study and ideological analysis, anthropological
analysis, and phenomenological analysis, the book explores both
insider- and outsider perspectives and issues related to the body
from the 2nd century CE up to the present-day. Chapters assess
various aspects of the body including processes of embodiment and
questions of mythologizing the divine body and othering the human
body, as revealed in the literatures and cultures of South Asia.
The book analyses notions of mythologizing and "othering" of the
body as a powerful ideological discourse, which empowers or
marginalizes at all levels of the human condition. Offering a deep
insight into the study of religion and issues of the body in South
Asian literature, religion and culture, this book will be of
interest to academics in the fields of South Asian studies, South
Asian religions, South Asian literatures, cultural studies,
philosophy and comparative literature.
This book analyses cultural questions related to representations of
the body in South Asian traditions, human perceptions and attitudes
toward the body in religious and cultural contexts, as well as the
processes of interpreting notions of the body in religious and
literary texts. Utilising an interdisciplinary perspective by means
of textual study and ideological analysis, anthropological
analysis, and phenomenological analysis, the book explores both
insider- and outsider perspectives and issues related to the body
from the 2nd century CE up to the present-day. Chapters assess
various aspects of the body including processes of embodiment and
questions of mythologizing the divine body and othering the human
body, as revealed in the literatures and cultures of South Asia.
The book analyses notions of mythologizing and "othering" of the
body as a powerful ideological discourse, which empowers or
marginalizes at all levels of the human condition. Offering a deep
insight into the study of religion and issues of the body in South
Asian literature, religion and culture, this book will be of
interest to academics in the fields of South Asian studies, South
Asian religions, South Asian literatures, cultural studies,
philosophy and comparative literature.
The issue of divinizing in South Asian traditions has not been
examined before as a process involving various methods to affect
the socio-cultural cognition of the community. It is therefore
essential to consider the context of "divinizing" and to analyse
what groups, institutions or individuals define the discourse, what
are the ideological positions that they represent, and who or what
is being divinized. This book deals with the issue of divinizing in
South Asian traditions. It aims at studying cultural questions
related to the representations and the mythologizing of the divine.
It also explores the human relations to the "divine other." It
studies the interpretations of the divine in religious texts and
the embodiment of the "divine other" in ritual practices. The focus
is on studying the phenomenon of divinizing in its religious,
cultural, and ideological implications. The book comprises eight
chapters that explore the question of divinizing from the 2nd
century CE up to present-day in North and South India. The chapters
discuss the issue both from insider and outsider perspectives,
within the framework of textual study as well as ideological and
anthropological analysis. All articles explore various aspects of
the cultural phenomenon of being in relation to the divine other,
of the process of interpreting and embodying the divine, and of the
representation of the divinizing process, as revealed in the
literatures and cultures of South Asia. Applying theoretical models
of religious and cultural studies to discuss texts written in South
Asian languages and engage in critical dialogue with current
scholarship, this book is an indispensable study of literary,
religious and cultural production in South Asia. It will be of
interest to academics in the fields of South Asian studies, Asian
Studies, religious and cultural studies as well as comparative
religion.
This book brings together several important essays examining the
interface between identity, culture, and literature within the
issue of cultural identity in South Asian literature. The book
explores how one imagines national identity and how this concept is
revealed in the narratives of the nation and the production of
various cultural discourses. The collection of essays examines
questions related to the interpretation of the Indian past and
present, the meanings of ancient and venerated cultural symbols in
ancient times and modern, while discussing the ideological
implications of the interpretation of identity and "Indianness" and
how they reflect and influence the power-structures of contemporary
societies in South Asia. Thus, the book studies the various aspects
of the on-going process of constructing, imagining, re-imagining,
and narrating "Indianness", as revealed in the literatures and
cultures of India.
The issue of divinizing in South Asian traditions has not been
examined before as a process involving various methods to affect
the socio-cultural cognition of the community. It is therefore
essential to consider the context of "divinizing" and to analyse
what groups, institutions or individuals define the discourse, what
are the ideological positions that they represent, and who or what
is being divinized. This book deals with the issue of divinizing in
South Asian traditions. It aims at studying cultural questions
related to the representations and the mythologizing of the divine.
It also explores the human relations to the "divine other." It
studies the interpretations of the divine in religious texts and
the embodiment of the "divine other" in ritual practices. The focus
is on studying the phenomenon of divinizing in its religious,
cultural, and ideological implications. The book comprises eight
chapters that explore the question of divinizing from the 2nd
century CE up to present-day in North and South India. The chapters
discuss the issue both from insider and outsider perspectives,
within the framework of textual study as well as ideological and
anthropological analysis. All articles explore various aspects of
the cultural phenomenon of being in relation to the divine other,
of the process of interpreting and embodying the divine, and of the
representation of the divinizing process, as revealed in the
literatures and cultures of South Asia. Applying theoretical models
of religious and cultural studies to discuss texts written in South
Asian languages and engage in critical dialogue with current
scholarship, this book is an indispensable study of literary,
religious and cultural production in South Asia. It will be of
interest to academics in the fields of South Asian studies, Asian
Studies, religious and cultural studies as well as comparative
religion.
This book introduces the term "otherism" and looks at the discourse
of otherism and the issue of otherness in South Asian religion,
literature and film. It examines cultural questions related to the
human condition of being the "other," of the process of "othering"
and of the representation of "otherness" and its religious,
cultural and ideological implications. The book applies the
perspectives of ideological criticism, theories of hybridity,
orientalism, nationalism, and gender and queer studies to gain new
insights into the literature, film and culture of South Asia. It
looks at the different ways of interpreting "otherness" today. The
book goes on to analyze the ideological implications of the
creation of "otherness" with regard to religious and cultural
identity and the legitimation of power, as well as how the
representation of "otherness" reflects the power structures of
contemporary societies in South Asia. Offering a well-thought-out
reflection on important cultural questions as well as a deep
insight into the study of religion and "otherness" in South Asian
literature and film, this book is a pioneering project that is of
interest to scholars of South Asian Studies and South Asian
religions, literatures and cultures.
This book introduces the term "otherism" and looks at the discourse
of otherism and the issue of otherness in South Asian religion,
literature and film. It examines cultural questions related to the
human condition of being the "other," of the process of "othering"
and of the representation of "otherness" and its religious,
cultural and ideological implications. The book applies the
perspectives of ideological criticism, theories of hybridity,
orientalism, nationalism, and gender and queer studies to gain new
insights into the literature, film and culture of South Asia. It
looks at the different ways of interpreting "otherness" today. The
book goes on to analyze the ideological implications of the
creation of "otherness" with regard to religious and cultural
identity and the legitimation of power, as well as how the
representation of "otherness" reflects the power structures of
contemporary societies in South Asia. Offering a well-thought-out
reflection on important cultural questions as well as a deep
insight into the study of religion and "otherness" in South Asian
literature and film, this book is a pioneering project that is of
interest to scholars of South Asian Studies and South Asian
religions, literatures and cultures.
This book explores the representation of Hinduism through myth and
discourse in urban Hindi theatre in the period 1880-1960. It
discusses representative works of seven influential playwrights and
looks into the ways they have imagined and re-imagined Hindu
traditions. Diana Dimitrova examines the intersections of Hinduism
and Hindi theatre, emphasizing the important role that both myth
and discourse play in the representation of Hindu traditions in the
works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan
Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and
Mohan Rakesh. Dimitrova'a analysis suggests either a traditionalist
or a more modernist stance toward religious issues. She emphasizes
the absence of Hindi-speaking authors who deal with issues implicit
to the Muslim or Sikh or Jain, etc. traditions. This prompts her to
suggest that Hindi theatre of the period 1880-1960, as represented
in the works of the seven dramatists discussed, should be seen as
truly 'Hindu-Hindi' theatre.
This book brings together several important essays examining the
interface between identity, culture, and literature within the
issue of cultural identity in South Asian literature. The book
explores how one imagines national identity and how this concept is
revealed in the narratives of the nation and the production of
various cultural discourses. The collection of essays examines
questions related to the interpretation of the Indian past and
present, the meanings of ancient and venerated cultural symbols in
ancient times and modern, while discussing the ideological
implications of the interpretation of identity and "Indianness" and
how they reflect and influence the power-structures of contemporary
societies in South Asia. Thus, the book studies the various aspects
of the on-going process of constructing, imagining, re-imagining,
and narrating "Indianness", as revealed in the literatures and
cultures of India.
This book explores the representation of Hinduism through myth and
discourse in urban Hindi theatre in the period 1880-1960. It
discusses representative works of seven influential playwrights and
looks into the ways they have imagined and re-imagined Hindu
traditions. Diana Dimitrova examines the intersections of Hinduism
and Hindi theatre, emphasizing the important role that both myth
and discourse play in the representation of Hindu traditions in the
works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan
Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and
Mohan Rakesh. Dimitrova'a analysis suggests either a traditionalist
or a more modernist stance toward religious issues. She emphasizes
the absence of Hindi-speaking authors who deal with issues implicit
to the Muslim or Sikh or Jain, etc. traditions. This prompts her to
suggest that Hindi theatre of the period 1880-1960, as represented
in the works of the seven dramatists discussed, should be seen as
truly 'Hindu-Hindi' theatre.
This book deals with the interface between identity, culture and
literature. It aims at studying questions of cultural identity and
gender in Hindi plays of the 19th- and 20th- centuries and the
interplay of poetics and politics, as revealed in the work of
several influential playwrights. The book explores questions
related to the ways in which seven representative playwrights
imagine India and its identity and the ways, in which this concept
is revealed in the "narratives of the nation", its postcolonial
contentions and the politics of identity, as revealed in the
production of various cultural discourses. The chapters explore
various aspects of the ongoing process of constructing and
narrating culture, gender, the nation and identity. There has been
no monograph on the questions of cultural identity in Hindi drama.
This is a pioneering project and a desideratum in the field of
Hindi literature, South Asian Studies, and broadly, in the study of
theatre of India and of South Asian cultures and literatures.
This book offers conceptual analyses, highlights issues, proposes
solutions, and discusses practices regarding privacy and data
protection in transitional times. It is one of the results of the
15th annual International Conference on Computers, Privacy and Data
Protection (CPDP), which was held in Brussels in May 2022. We are
in a time of transition. Artificial Intelligence is making
significant breakthroughs in how humans use data and information,
and is changing our lives in virtually all aspects. The pandemic
has pushed society to adopt changes in how, when, why, and the
media through which, we interact. A new generation of European
digital regulations - such as the AI Act, Digital Services Act,
Digital Markets Act, Data Governance Act, and Data Act - is on the
horizon. This raises difficult questions as to which rights we
should have, the degree to which these rights should be balanced
against other poignant social interests, and how these rights
should be enforced in light of the fluidity and uncertainty of
circumstances. The book covers a range of topics, including: data
protection risks in European retail banks; data protection, privacy
legislation, and litigation in China; synthetic data generation as
a privacy-preserving technique for the training of machine learning
models; effectiveness of privacy consent dialogues; legal analysis
of the role of individuals in data protection law; and the role of
data subject rights in the platform economy. This interdisciplinary
book has been written at a time when the scale and impact of data
processing on society - on individuals as well as on social systems
- is becoming ever more important. It discusses open issues as well
as daring and prospective approaches and is an insightful resource
for readers with an interest in computers, privacy and data
protection.
Nichts ist so stabil wie der Wandel wird haufig behauptet und mit
dieser A- sage impliziert, dass es Wandel stets gegeben habe. Ohne
Frage ist dies richtig. Untersucht man allerdings die
Geschwindigkeit des Wandels, so kann kaum - zweifelt werden, dass
dieser sich bestandig und zwar primar in einer von den Menschen
selbst zu verantwortenden Weise beschleunigt. Die Grunde sind
vielfaltig; sie lassen sich aus der Globalisierung, aus dem
gesellschaftlichen und technologischen Wandel, spezifisch auch aus
veranderten Werten und gesteig- ten Anspruchen von Kunden etc.
ableiten. Fur Menschen, die in Organisationen Leistungen zu
erbringen haben, ist dies eine Herausforderung und vielfach auch
ein kaum zu bewaltigendes Problem. Beruflich relevantes Wissen, das
sie je nach Art ihrer Erwerbstatigkeit in der Lehre, in Fach- oder
Fachhochschulen oder gar an Universitaten erworben haben, veraltet
rasch. Die Halbwertszeit des Wissens sinkt bestandig; jene
Wissensbestandteile und Erfahrungen, die gestern den Weg zum Erfolg
ebneten, werden morgen angesichts veranderter Bed- gungen
Weichenstellungen in den Misserfolg sein. Daraus ergibt sich nun
schlussig der Ruf nach einem lebenslangen Lernen . An der hohen
Bedeutung dieser Forderung kann nicht gezweifelt werden."
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