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Alma Moodie's letters from 1918 to 1943 span two of the most
tumultuous decades of modern German history. They document the
responses of an individual professional musician to the
vicissitudes of her public and private life: the challenges of
post-war economic and political instability in the Weimar Republic,
the impact of the Great Depression, the exclusionist cultural
policies of the Third Reich and the perils of war. Australian-born,
Moodie gives voice to the vulnerabilities of her position, living
alone and constantly on tour as an unaccompanied, female virtuoso.
She describes the profound satisfactions of her career triumphs,
the joys and tensions of her marriage and her deep love for her
children. Weaving through the narrative is the miracle of her
ability as a virtuoso violinist, an ability that commanded the
admiration and respect of many of the leading cultural figures of
the day. Famous conductors, prominent musicians, contemporary
composers, writers and art connoisseurs all fell under the spell of
her sensational playing and lively personality. Originally written
in three languages, the letters are made available here for the
first time in English translation. Extensive annotations place the
letters in their historical context while short essays by
specialists in their fields reflect on particular themes.
About 9,000 Jewish refugees from Nazi Germany settled in Australia
between 1933 and 1945, a small fraction of the hundreds of
thousands who fled. Although initially greeted with a mixed
reception as "enemy aliens", some of these refugees remained and
made a significant impact on multicultural Australia. This book
traces the difficult journey of the orchestral performers, virtuoso
soloists, singers, conductors and composers who sought refuge on a
distant continent. A few were famous artists who toured Australia
and stayed, most notably the piano virtuoso Jascha Spivakovsky and
the members of the Weintraubs Syncopators, one of the most
successful jazz bands of the Weimar Republic. Drawing on extensive
primary sources - including correspondence, travel documents and
interviews with the refugees themselves or their descendants - the
author depicts in vivid detail the lives of nearly a hundred
displaced musicians. Available for the first time in English, this
volume brings to light a wealth of Jewish, exilic and musical
history that was hitherto unknown.
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