Henry Levin directs this classic British musical drama starring Vera-Ellen and Tony Martin. Vera-Ellen plays Canadian dancer Jeannie MacLean who travels to Scotland to trace her family's roots. On her journey over the Atlantic she meets businessman Stanley Smith (Martin) and a romance soon blossoms between the pair. However, Stanley's interest in another woman and Jeannie's burgeoning friendship with Lord McNairn (Robert Flemyng) drives a wedge between them...

Philip Leacock directs this 1960s British film exploring a childhood friendship threatened by a religious divide. Michael O'Malley (Philip Needs), a young Catholic boy, and Rachel Mathias (Loretta Parry), a young Jewish girl, become friends when the former rescues the latter from schoolyard bullies. With both considered outsiders in Protestant England, a strong basis exists for a bond between the pair. However, in their innocence, Michael and Rachel become friends in spite of, rather than because of, their family backgrounds. Distraught when Rachel's parents declare that they are moving away, the pair set off on an adventure that may well change their lives forever...

At the age of 29, Diana Hill fell under a London train. In 7 seconds the tall, glamorous businesswoman went from busy woman of the world with everything to live for to double-leg amputee, her life in ruins. Then it got worse. A few days after her accident, as she lay in hospital, traumatised and heavily sedated, she learnt via a newspaper article that the railway's Transport Police were to interview "The Fall Girl", as the Press had labelled her, with a view to prosecution. She had boarded a moving train, they said, and trespassed onto their railway line. Her fight for justice took five years and was, she declares with no hesitation, a more harrowing experience than having both of her legs 'stolen' from her. As any young, single woman would be, Diana was shocked to the core by the sudden, catastrophic change in her body image. What man would ever love her now? The issues surrounding sexuality, amputation and disability are explored here with stark honesty as she recalls her complicated love life, the High Court dramas, and the rawness of her pain amidst a turmoil of emotion, all told with tremendous humour, charm and heart. For Diana loves to tell stories. Especially true ones. A brutally honest, heartwarming memoir that shocks and delights in equal measure - when you're not crying for her you're laughing with her

Double bill of 1940s classics from Ealing Studios. In 'The Foreman Went to France' (1941), after his bosses have sold three machines for making fighter cannons to a French company, an English factory foreman (Clifford Evans) travels to France in 1940 in order to engineer the smuggling of the vital machinery out of the country before the invading Germans can get their hands on it. Whilst in France he meets two British soldiers (Tommy Trinder and Gordon Jackson) who agree to help him as it soon becomes a race against time. In 'Fiddlers Three' (1944), a couple of sailors (Trinder and Sonnie Hale) are on shore leave and decide to visit Stonehenge. Whilst there they rescue a damsel in distress (Frances Day) and all three get struck by lightning at midnight. This transports them back in time to ancient Rome and they find themselves slaves who very soon are on their way to the arena and the mouth of a lion.