Does the mind reflect or dictate what the body sees and feels? What is the language of emotion? Is memory a function of our imaginations? Are we all just out of our minds?

In this ambitious and enlightening work, Diane Ackerman combines an artist's eye with a scientist's erudition to illuminate the magic and mysteries of the human brain. With "An Alchemy of Mind, " she offers an unprecedented exploration of the mental fantasia in which we spend our days. In addition to explaining memory, thought, emotion, dreams, and language acquisition, Ackerman reports on the latest discoveries in neuroscience and addresses such controversial subjects as the effects of trauma, nature versus nurture, and male versus female brains. In prose that is not simply accessible but also beautiful and electric, Ackerman distills the hard, objective truths of science in order to yield vivid, anecdotal explanations about a range of existential questions regarding consciousness and the nature of identity.

After their zoo was bombed, Polish zookeepers Jan and Antonina Zabinski managed to save over three hundred people from the Nazis by hiding refugees in the empty animal cages. With animal names for these "guests," and human names for the animals, it's no wonder that the zoo's code name became "The House Under a Crazy Star." Best-selling naturalist and acclaimed storyteller Diane Ackerman combines extensive research and an exuberant writing style to re-create this fascinating, true-life story sharing Antonina's life as "the zookeeper's wife," while examining the disturbing obsessions at the core of Nazism. Winner of the 2008 Orion Award."

Diane Ackerman's lusciously written grand tour of the realm of the senses includes conversations with an iceberg in Antarctica and a professional nose in New York, along with dissertations on kisses and tattoos, sadistic cuisine and the music played by the planet Earth. "Delightful . . . gives the reader the richest possible feeling of the worlds the senses take in."--The New York Times. (Literature--Classics & Contemporary)

Ackerman journeys in search of monarch butterflies and short-tailed albatrosses, monk seals and golden lion tamarin monkeys: the world's rarest creatures and their vanishing habitats. She delivers a rapturous celebration of other species that is also a warning to our own. Traveling from the Amazon rain forest to a forbidding island off the coast of Japan, enduring everything from broken ribs to a beating by an irate seal, Ackerman reveals her subjects in all their splendid particularity. She shows us how they feed, mate, and migrate. She eavesdrops on their class and courtship dances. She pays tribute to the men and women hwo have deoted their lives to saving them.

In A Natural History of the Senses Diane Ackerman revealed herself as a naturalist who writes with the sensuous immediately of a great poet. Now Jaguar of Sweet Laughter presents the work of a poet with the precise and wondering eye of a gifted naturalist.

Ackermans's Olympian vision records and transforms landscapes from Amazonia to Antarctica, while her imaginative empathy penetrates the otherness of hummingbirds, deer, and trilobites. But even as they draw readers into the wild heart of nature, Ackerman's poems are indelible reminders of what it is to be a human being -- the "jaguar of sweet laughter" that, according to Mayan mythology, astonished the world because it was the first animal to speak.

'Our relationship with nature has changed . . . radically, irreversibly, but by no means all for the bad. Our new epoch is laced with invention. Our mistakes are legion, but our talent is immeasurable.' In The Human Age award-winning nature writer Diane Ackerman confronts the fact that the human race is now the single dominant force of change on the planet. Humans have 'subdued 75 per cent of the land surface, concocted a wizardry of industrial and medical marvels, strung lights all across the darkness'. We now collect the DNA of vanishing species in a 'frozen ark', equip orang-utans with iPads, create wearable technologies and synthetic species that might one day outsmart us. Ackerman takes us on an exciting journey to understand this bewildering new reality, introducing us to many of the people and ideas now creating - perhaps saving - the future. The Human Age is a surprising, optimistic engagement with the dramatic transformations that have shaped, and continue to alter, our world, our relationship with nature and our prospects for the future. Diane Ackerman is one of our most lyrical, insightful and compelling writers on the natural world and The Human Age is a landmark book.

In a rare blend of scientific fact and poetic truth, the acclaimed author of A Natural History of the Senses explores the activities of whales, penguins, bats, and crocodilians, plunging headlong into nature and coming up with highly entertaining treasures.

In an eye-opening sequence of personal meditations through the cycle of seasons, one of our most celebrated storyteller-poet-naturalists awakens us to the world at dawn. Diane Ackerman draws from sources as diverse as meteorology, world religion, etymology, art history, and poetry in order to celebrate that moment in which the deepest arcades of life and matter become visible. From spring in Ithaca, New York, to winter in Palm Beach, Florida, Dawn Light is an impassioned call to revel in our numbered days on a turning earth. A Los Angeles Times Favorite Book, Booklist Editors Choice Award, Spirituality and Practice Best of 2009, Library Corner Best of List, and San Francisco Chronicle Best Book of 2009.

In her first new book of poetry since Jaguar of Sweet Laughter, poet and naturalist Diane Ackerman combines her deep understanding of the world with her immense passion for language to craft richly sensual poems that "honor all life/wherever and in whatever form/it may deal."

Imbued with ravishing imagery, these exuberant and lyrical explorations of aging, longing, and death demonstrate Ackerman's full engagement with every aspect of life's process. Ackerman muses on the confines of therapy sessions, where she intersects "twice a week/in a painstaking hide-and-seek/making do with half-light, half-speak"; relishes the succulent pleasure of eating an apricot, with its "gush of taboo sweetness"; and imagines the "unupholstered voice, a life in outline" in her stunning elegy to C. S. Lewis. Whimsical, organic, and wise, the poems in I Praise My Destroyer affirm Ackerman's place as one of the most enchanting poets writing today.

The bestselling author of A Natural History of the Senses now explores the allure of adultery, the appeal of aphrodisiacs, and the cult of the kiss. Enchantingly written and stunningly informed, this "audaciously brilliant romp through the world of romantic love" (Washington Post Book World) is the next best thing to love itself.

Culled from love letters, poetry, fiction, personal essays, and memoirs, this lavish and fascinating anthology celebrates humankind's grandest pastime and obsession: love.

How do we define love? "It feels like hunger pains, and we use the same word. Pang. Perhaps this is why Cupid is depicted with a quiver of arrows, because love feels at times like being pierced in the chest. It is a wholesome violence. . . . People search for love as if it were a city lost beneath the desert dunes, where pleasure is the law, the streets are lined with brocade cushions, and the sun never sets." So writes Diane Ackerman in her insightful introduction.

Here is a panorama of fine writing about love's many moods and majesties, from all the veils of flirtation, seduction, and marriage to the tempests of suspicion, jealousy, and heartache. Here is a treasury of more than two hundred selectionsfrom Andrew Marvell's "To His Coy Mistress" to Elizabeth Barrett Browning's "How Do I Love Thee?" There are excerpts from Romeo and Juliet, Madame Bovary, Justine, The Odyssey, Lady Chatterley's Lover, as well as the letters from Baudelaire to Sabatier, George Eliot to Herbert Spencer, and Henry Miller to Anaïs Nin.

General readers and scholars alike will delight in this anthology's mix of the contemporary and the classic.