Since the late 60's radical feminists have laboured to articulate a vision of the world in which all women would be safe, and all women acknowledged as human beings in their own right. Their projects included establishing women's refuges, rape crisis centres, health centres, organizing against pornography and developing courses in Women's Studies. Their practice and the theory of radical feminism is often misrepresented or unknown. This book features 70 writers from every continent discussing their ideas and practice of contemporary feminism.

Virtually all anthropologists undertaking fieldwork experience emotional difficulties in relating their own personal culture to the field culture. The issue of gender arises because ethnographers do fieldwork by establishing relationships, and this is done as a person of a particular age, sexual orientation, belief, educational background, ethnic identity and class. In particular it is done as men and women. Gendered Fields examines and explores the progress of feminist anthropology, the gendered nature of fieldwork itself, and the articulation of gender with other aspects of the self of the ethnographer.

"Namawi rawul-inyeri thulun-ar: Our footprints [come] from the past. From our ancestors to us, we are the traditional owners, still guiding our young ones, connecting the Stolen Generations back to family and country, standing strong in our history and culture and heritage", announce these remarkable Ngarrindjeri miminar. Ngarrindjeri came to prominence in the 1990s with the Hindmarsh Island Bridge affair. Labelled "liars" in 1995 by a South Australian Royal Commission then vindicated in the Federal Court in 2001 as "truth-tellers", these Ngarrindjeri miminar have much to be angry about. But, they also have stories to tell about their lives and their visions for the future. Here they take us into their world of caring for their country, their families and their nation. What are our needs? What do we want to address our needs? Where are we going? What does the future hold for us, our children, our grandchildren, our young women? Their stories will charm and delight and their stories will jar and shock. They ask that you Kungun, listen, to their Yunnan, speaking.

'Sex, silence and sin', this is what newly appointed professor, Dee P Scrutari, writes in her notebook as she turns her anthropological gaze on the tribe of 'non-reproducing males' who dominate St Jude's, a prestigious Jesuit liberal arts college in the north east of the US. Something is awry. What happened to the previous occupant of her newly painted office? Professor Scrutari's fieldwork begins. Her notebooks fill. The mystery mounts: disturbing odours, turbulent faculty meetings, a strange ginger cat, tenure politics and intrigue. The mix is enriched by secret student alliances, predatory priests, the end of a marriage and a new love, a faction-ridden Religious Studies department, a radical mass and a dissident feminist liturgy. The determined anthropologist doodles and decodes the symbols and signs of evil as she teams up with a band of colleagues marginalised by the department -- a liberation theology nun, a gay priest, and a Jew -- and three feisty women students. They strategize and sleuth as they attempt to solve a number of campus mysteries. "Evil", Dee declares, "is visceral, pervasive, subtle, not an abstract conceit at all." Evil is about now. 'Evil' is a novel full of vivid characters you know, or want to know. At once funny, witty, sobering, profound and provocative, full of affection for the academic world Diane Bell so lovingly describes, and is concerned to nurture against the darker forces she seeks to identify and expose.

An outstanding study of Aboriginal women's lives. Living in the community, developing friendships which spanned decades, Diane Bell shines a light on the importance of women's role in Australian Aboriginal desert culture. As maintainers of land, ritual and culture, indigenous women of central Australia share the patterns of their lives in this remarkable and enduring book. Diane Bell was controversial in the 1970s, 1980s, 1990s and remains so today. Not everyone agrees with her but she demands to be read.