A powerful, empowering book about witchcraft, and the women, and sometimes men, accused of practising it across the world

Discover the spellbinding history of witches.
Travel through time and across the globe to discover bewitching tales of historical witch trials, folklore, and potions. Featuring immersive storytelling from author Hazel Atkinson and enchanting illustrations from Camelia Pham, this book covers everything from the origin of the word "witch" to the modem-day beliefs of Wiccans. Meet magical women, and hear about different forms of magic, from Ancient Egyptian Heke to South American Brujeria.

This book delves into the ways women have been unfairly treated throughout history. Subjects such as witch hunts and trials are covered sensitively and appropriately for the age group. With magic, mystery and a whole lot of history at your fingertips, this book will leave readers totally charmed.

- Hazel Atkinson is a British writer with a background in History and Classics. Her work draws on folklore and classical myth. She's been placed in competitions including the VS Pritchett Memorial prize and HG Wells Short Story Competition.
- Professor Diane Purkiss is an Australian historian who is Professor of English Literature at Oxford. Her interests include the supernatural, especially witchcraft, children's literature, folklore, and fairytale.
- Camelia Pham is a Vietnamese illustrator and art director based in Hanoi. She has won numerous prizes for her illustrations, including the Batsford Prize 2018.

ACADEMIC AUTHOR AND CONSULTANT: Author Hazel Atkinson, with consultant Oxford fellow Professor Diane Purkiss, tells stories in an academically rigorous, age-appropriate, and captivating way
AWARD-WINNING ILLUSTRATOR: Vietnam-based illustrator Camelia Pham is the winner of the Batsford Prize and the Computer Arts Magazine's cover design contest
INTERNATIONAL APPROACH: Looking at the history of witchcraft across the globe and through the ages, this book has huge international appeal
EMPOWERING WOMEN: A fresh perspective on how the word "witch" has been used to persecute powerful, talented women through the ages

In the West we tend to think of witches in terms of the witch trials, when fear, ignorance and religious fervour brought the poor to heel, and fostered suspicion of those who dared to be different, or knowledgeable, or independent of mind. Witches and wizards are often associated with pre-Christian societies, Celtic in particular, (and therefore popular in tales of fantasy), but the nature of their wisdom can be found in so many fascinating cultures across the world. Ancient societies, particularly where natural religions with many gods abound, often highlight the power of an elder, or a seer, a healer or a wise friend. Tales of wizards and witches reach across traditions as folk try to explain natural phenomena and engage with the world around them. Those who understood the properties of healing in plants, or could make a prediction of weather events to rescue crops, became worshipped as elders, as keepers of knowledge. In tribal African societies, Polynesian cultures and East Asian traditions there are tales of those with great knowledge who are often described as witches or wizards. The Baba Yaga of Eastern Europe, Bokwewa, the humpback magician of the Chippewa, Merlin and Morgana la Faye of Arthurian Legend and the fox witches of Japan are but a few of the many examples. Some work for good, others with ill-intent, but all become the focus of folkloric legend, collected here in this new book of myths and tales.

First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

Building on recent critical work, this volume offers a comprehensive consideration of the nature and forms of medieval and early modern childhoods, viewed through literary cultures. Its five groups of thematic essays range across a spectrum of disciplines, periods, and locations, from cultural anthropology and folklore to performance studies and the history of science, and from Anglo-Saxon burial sites to colonial America. Contributors include several renowned writers for children. The opening group of essays, Educating Children, explores what is perhaps the most powerful social engine for the shaping of a child. Performing Childhood addresses children at work and the role of play in the development of social imitation and learning. Literatures of Childhood examines texts written for children that reveal alternative conceptions of parent/child relations. In Legacies of Childhood, expressions of grief at the loss of a child offer a window into the family's conceptions and values. Finally, Fictionalizing Literary Cultures for Children considers the real, material child versus the fantasy of the child as a subject.

Histories of witchcraft continue to fascinate us in the late twentieth century. Looking at texts from colonial narratvies to court masques, trial records to folktales, and Shakespeare to Sylvia Plath, this book shows how the witch acts as a carrier for the fears, desires and fantasies of women and men both now and in the early modern period.
Among other topics, The Witch in History discusses:
* the way the fantasy body of the witch, viewed as both hard and boundless, represents fear of the maternal body;
* how Macbeth and other Renaissance dramas are exploitative and sensationalist representations of witchcraft;
* how the representations of witchcraft in Europe were influenced by encounters in the New World with Native American religion, and vice versa;
* how radical feminists, modern witches and academic historians have appropriated the figure of the witch to construct their own identities. This extraordinary and fascinating study goes beyond the exploration of the figure of the witch, comprising an innovative contribution to all early modern studies.

Related link: Reviews in History
eBook available with sample pages: 0203359720

The shared aim of these important new critical interventions into the early modern period is to make fresh feminist attempts to uncover the writings of Elizabethan and Jacobean women. Subject to silence, censorship and manipulation in the terms of overriding political concerns of the day, the feminist history of the early modern period is still a largely unwritten story. New feminist analysis can expose the conditions of production in which the history of the period was constructed: this revealing collection thereby exposes the untold stories which underpin the official texts. By beginning to explore this period from women's point of view, "Women, Texts and Histories" shows the crucial and fascinating ways in which women's writing may undermine many of the received assumptions on which the history of the period has depended. This book should be of interest to students and lecturers in English literature, history and women's studies.

Whether on top of the Christmas tree, at the bottom of the garden, or in school plays, today fairies are considered sweet, dainty creatures with wands and butterfly wings. But, as Diane Purkiss shows, they have far more wicked origins as troublemakers, child snatchers, seducers, and changelings, representing society's deepest fears and desires regarding birth, sex, and death. From these dangerous beings of ancient myths and medieval folklore to the sanitized "wingy thingies" of Shakespeare and the Victorians, and even modern myths of alien abduction, this is a riveting chronicle of the need to believe in fairies.

From Macbeth to The Wizard of Oz, from the hysteria of witch trials to emblems of 20th-century female empowerment, no matter how she is portrayed, the witch is an enduring source of fear and fascination. In this study, Diane Purkiss investigates the diverse interpretations and meanings attributed to the figure of the witch, encompassing a wide range of cultural norms which include Canonical literature, such as Shelley and Yeats, visual arts, fairy tales, folklore and real-life witch stories. Also considered are pornography and sado-masochism, film, from the classic Swedish Haxan to The Witches of Eastwick, and the stage, including Shakespeare and Jonson.

In this remarkable and original book, Diane Purkiss invites readers on a unique journey through England's history, told through the food on its tables. Food has a universality that unites humankind across the globe today, and can also connect us to our ancestors. Yet the impact of food on history, and history on food, has long been neglected. In her compelling new book, Diane Purkiss, author of The English Civil War traces the foods from our meals to their historical sources - from bacon and eggs at breakfast to chicken vindaloo for dinner. She explores the development of the coffee trade and the birth of London's coffee houses, where views were exchanged on politics, art and literature. She introduces the first breeders of British beef, and reveals how cattle triggered the terrible massacre at Glencoe, where the Macdonalds were attacked by the Campbells. She takes us for tea, visiting the town bakery, the pantry and the bee hive, and to the very first ice houses, from where we witness the rise of commercial English ice-cream. When we return to the table, our meals will never be the same again.

Building on recent critical work, this volume offers a comprehensive consideration of the nature and forms of medieval and early modern childhoods, viewed through literary cultures. Its five groups of thematic essays range across a spectrum of disciplines, periods, and locations, from cultural anthropology and folklore to performance studies and the history of science, and from Anglo-Saxon burial sites to colonial America. Contributors include several renowned writers for children. The opening group of essays, Educating Children, explores what is perhaps the most powerful social engine for the shaping of a child. Performing Childhood addresses children at work and the role of play in the development of social imitation and learning. Literatures of Childhood examines texts written for children that reveal alternative conceptions of parent/child relations. In Legacies of Childhood, expressions of grief at the loss of a child offer a window into the family's conceptions and values. Finally, Fictionalizing Literary Cultures for Children considers the real, material child versus the fantasy of the child as a subject.

This is a remarkable popular history of the English Civil War, from the perspectives of those involved in this most significant turning point in British history. This compelling history, culminating in the execution of Charles I, brings to life the people who fought in it, died in it, and in doing so changed the history of the world forever. In an excitingly fresh approach to the period, Diane Purkiss tells the story of this critical era not just in terms of the battle of ideas, but as the histories of the people who conceived them. The English Civil War builds a gripping narrative of the individuals involved and their motives, from those whose reputations were made on the back of this violent and brutal war, such as Oliver Cromwell and Lady Eleanor Davies, to witchfinders and revolutionaries; and ultimately, the ordinary men who fought and the women who lived with tragedy, finding their political voice for the first time. The consequences of ten years of bloody revolution were to stretch from the cities to the villages to the grand houses, form Ulster to East Anglia to the outer reaches of Cornwall.The tales uncovered by Diane Purkiss paint a picture of a world turned upside down, where madness and prophesy play their part, and where normal life and times are suspended. This important book uncovers forgotten lives and illustrates incisively the critical contribution of this extraordinary period in English history to contemporary politics and society.

In this innovative study, first published in 2005, Diane Purkiss illuminates the role of gender in the English Civil War by focusing on ideas of masculinity, rather than on the role of women, which has hitherto received more attention. Historians have tended to emphasise a model of human action in the Civil War based on the idea of the human self as rational animal. Purkiss reveals the irrational ideological forces governing the way seventeenth-century writers understood the state, the monarchy, the battlefield and the epic hero in relation to contested contemporary ideas of masculinity. She analyses the writings of Marvell, Waller, Herrick and the Caroline elegists, as well as in newsbooks and pamphlets, and pays particular attention to Milton's complex responses to the dilemmas of male identity. This study will appeal to scholars of seventeenth-century literature as well as those working in intellectual history and the history of gender.

In this innovative study, Diane Purkiss illuminates the role of gender in the English Civil War by focusing on ideas of masculinity, rather than on the role of women, which has hitherto received more attention. Historians have tended to emphasise a model of human action in the Civil War based on the idea of the human self as rational animal. Purkiss reveals the irrational ideological forces governing the way seventeenth-century writers understood the state, the monarchy, the battlefield and the epic hero in relation to contested contemporary ideas of masculinity. She analyses representations of masculinity in the writings of Marvell, Waller, Herrick and the Caroline elegists, as well as in newsbooks and pamphlets, and pays particular attention to Milton's complex responses to the dilemmas of male identity. This study will appeal to scholars of seventeenth-century literature as well as those working in intellectual history and the history of gender.