Sex was God's idea. Yet many Christians seem to think the more spiritual they are, the less sexual they will be. Dr. Ted and Diane Roberts help readers learn why men and women see sex differently, what the greatest aphrodisiac is, and how to avoid the most lethal killer to a great sex life. They also explore men's and women's sexual needs and why they are so different, sex from God's perspective, and the differences between male and female sexual response cycles. End-of-chapter questions encourage couples to apply the book's principles at home.

Literature and a love of the English countryside are natural companions. Walking the Literary Landscape by Ian Hamilton and Diane Roberts brings the two together in a collection of 20 circular routes in the north of England, all between 3 and 9 miles (5 and 15 kilometres) in length. The walks explore the physical settings that inspired some of our greatest literature. Walk in the footsteps of writers like Arthur Ransome, who drew inspiration from the Lake District for his classic children's adventure Swallows and Amazons, or the Bronte sisters whose love of the moors around Haworth echoes through the centuries. See Chatsworth, the Peak District house that thrilled Jane Austen, and tread carefully in Whitby, the Yorkshire seaside town where Bram Stoker set his most famous creation Dracula. Each route introduces you to a landscape familiar to some of our greatest writers, and is accompanied by clear and easy-to-use Ordnance Survey 1:25,000 maps, straightforward directions, and information on each area's literary links, refreshment stops and local amenities. Everything you need for a great literary walk.

The Myth of Aunt Jemima is a bold and exciting look at the way three centuries of white women writers have tackled the subject of race in both Britain and America. Diane Roberts challenges the widely-held belief that white women writers have simply acquiesed in majority cultural inscriptions of race. The Myth of Aunt Jemima shows how 'the mythic spheres of race, of the separation of black and white into low and high, other and originary, tainted and pure, remain to trouble a society struggling still to free itself from debilitating racial representations.'
Beautifully written with a powerful series of textual readings, The Myth of Aunt Jemima pushes at the boundaries of thought around the issues of race and gender. An important and innovative book.

The Myth of Aunt Jemima is a bold and exciting look at the way three centuries of white women writers have tackled the subject of race in both Britain and America. Diane Roberts challenges the widely-held belief that white women writers have simply acquiesed in majority cultural inscriptions of race. The Myth of Aunt Jemima shows how 'the mythic spheres of race, of the separation of black and white into low and high, other and originary, tainted and pure, remain to trouble a society struggling still to free itself from debilitating racial representations.'
Beautifully written with a powerful series of textual readings, The Myth of Aunt Jemima pushes at the boundaries of thought around the issues of race and gender. An important and innovative book.

In Faulkner and Southern Womanhood, Diane Roberts examines the vexed and contradictory responses of the South's most celebrated novelist to the traditional representations of women that were bequeathed to him by his culture. The very mention of "the South", Roberts observes, conjures up a crazy quilt of images - from the romantic to the violent, from the gracious and glamorous to the backward and racist. The phrase "southern woman" likewise evokes a whole range of stock characters and stereotypes. Tracing the ways in which William Faulkner characterized women in his fiction, Roberts posits six familiar representations - the Confederate woman, the mammy, the tragic mulatta, the new belle, the spinster, and the mother - and, through close feminist readings, shown how the writer reactivated and reimagined them. In so doing, Roberts sees Faulkner as both a product and a producer of that multi-faceted place - and metaphor - called the South. "As a southerner", she writes, "Faulkner inherited the images, icons, and demons of his culture. They are part of the matter of the region with which he engages, sometimes accepting, sometimes rejecting". Drawing on extensive research into southern popular culture and the findings and interpretations of historians, Roberts demonstrates how Faulkner's greatest fiction, published during the 1920s and 1930s, grew out of his reactions to the South's attempts to redefine and solidify its hierarchical conceptions of race, gender, and class. During the era in which Faulkner's psyche was formed, the South's efforts to maintain its cultural stability included everything from lynching to erecting Confederate monuments and apotheosizing Gone with the Wind.Struggling to understand his region, Roberts says, Faulkner exposed the South's self-conceptions as quite precarious, with women slipping toward masculinity, men slipping toward femininity, and white identity slipping toward black. At their best, according to Roberts, Faulkner's novels reveal the South's failure to reassert the boundaries of race, gender, and class by which it traditionally sustained itself. Earlier studies of female characters in Faulkner's novels have charged the writer with unrelenting misogyny or have read these characters as mythic embodiments of "the life force". Offering a richer view befitting the writer's complexities and contradictions, Faulkner and Southern Womanhood revises, reimagines, and reinvigorates our understanding of Faulkner the artist and Faulkner the southerner. It reveals, fully and contentiously, the challenge Faulkner poses to the South's most sacred icons.

Cast into a timeless dimension of life, never knowing who is alive or dead, Dr. Laura Atwell Caldwell's life is transformed. As each suspenseful, mysterious event unfolds Laura discovers her spiritual identity, sexual passion and realizes ...we are all one.

Cast into a timeless dimension of life, never knowing who is alive or dead, Dr. Laura Atwell Caldwell's life is transformed. As each suspenseful, mysterious event unfolds Laura discovers her spiritual identity, sexual passion and realizes ...we are all one.

Mild traumatic brain injury is one of the most commonly misdiagnosed problems in the United States today. Symptoms can mimic those of a stroke, depression, or chronic fatigue syndrome. Authors Stoler and Hill offer clear information on the different types of brain injury, as well as the treatment options available.