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This impressive edited collection investigates the relationship
between British Pop Art pioneer Eduardo Paolozzi and the
philosopher Ludwig Wittgenstein. At this time, when Paolozzi's
oeuvre is in the process of being rediscovered, his long-time
fascination with Wittgenstein requires thorough exploration, as it
discloses a deeper understanding of his artistic production,
further helping to reassess the philosopher's actual impact on
visual arts and its theory in the second half of the 20th century.
With 13 diverse and comprehensive chapters, bringing together
philosophers and art historians, this volume aims at retracing and
pondering the influence of Wittgenstein on the idea of art in
Paolozzi, thus giving an unprecedented insight into Wittgenstein's
philosophy as employed by contemporary artists.
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