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This volume features a set of thought-provoking and long overdue
approaches to situating Stanley Kubrick's films in contemporary
debates around gender, race, and age - with a focus on women's
representations Offering new historical and critical perspectives
on Kubrick's cinema, the book asks how his work should be viewed
bearing in mind issues of gender equality, sexual harassment, and
abuse The authors tackle issues such as Kubrick's at times
questionable relationships with his actresses and former wives, the
dynamics of power, misogyny and miscegenation in his films, and
auteur 'apologism', among others The selection discusses these
complex issues in Kubrick's work by drawing on archival sources,
engaging in close readings of specific films, and exploring Kubrick
through unorthodox venture points With an interdisciplinary scope
and social justice-centered focus, this book offers new
perspectives on a well-established area of study It will appeal to
scholars and upper-level students of film studies, media studies,
gender studies, and visual culture, as well as to fans of Stanley
Kubrick's cinema interested in revisiting his work with a new
perspective
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