For many years Ruskin has seemed, at best, a conservative thinker on gender roles. At worst, his lecture On Queens' Gardens fromSesame and Lilies was read as alocus classicus of Victorian patriarchal oppression. These essays challenge such assumptions, presenting a wide-ranging revaluation of Ruskin's place in relation to gender, and offering new perspectives on continuing debates on issues of gender - in the Victorian period, and in our own.

This interdisciplinary collection of original essays reconsiders John Ruskin's legacy, suggesting that the vigour and vitality of his late work played an important role in shaping the twentieth-century mind. The eight contributors together expose the extraordinarily pervasive influence that Ruskin's work had on central cultural debates of the late Victorian era. Moreover, they overturn received assumptions about Ruskin's significance in the dawning of the modern sensibility.

For many years Ruskin has seemed, at best, a conservative thinker on gender roles. At worst, his lecture On Queens' Gardens from Sesame and Lilies was read as a locus classicus of Victorian patriarchal oppression. These essays challenge such assumptions, presenting a wide-ranging revaluation of Ruskin's place in relation to gender, and offering new perspectives on continuing debates on issues of gender - in the Victorian period, and in our own.

'A man ... is so in the way in the house!' A vivid and affectionate portrait of a provincial town in early Victorian England, Elizabeth Gaskell's Cranford describes a community dominated by its independent and refined women. Undaunted by poverty, but dismayed by changes brought by the railway and by new commercial practices, the ladies of Cranford respond to disruption with both suspicion and courage. Miss Matty and her sister Deborah uphold standards and survive personal tragedy and everyday dramas; innovation may bring loss, but it also brings growth, and welcome freedoms. Cranford suggests that representatives of different and apparently hostile social worlds, their minds opened by sympathy and suffering, can learn from each other. Its social comedy develops into a study of generous reconciliation, of a kind that will value the past as it actively shapes the future. This edition includes two related short pieces by Gaskell, 'The Last Generation in England' and 'The Cage at Cranford', as well as a selection from the diverse literary and social contexts in which the Cranford tales take their place. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Oxford Companion to English Literature has long been established as the leading reference resource for students, teachers, scholars, and general readers of English literature. It provides unrivalled coverage of all aspects of English literature - from writers, their works, and the historical and cultural context in which they wrote, to critics, literary theory, and allusions.
For the seventh edition, the Companion has been thoroughly revised and updated to meet the needs and concerns of today's students and general readers. Over 1,000 new entries have been added, ranging from new writers - Chimamanda Ngozi Adichie, Patrick Marber, David Mitchell, Arundhati Roy - to increased coverage of writers and literary movements from around the world. Coverage of American literature has been substantially increased, with new entries on writers such as Cormac McCarthy and Amy Tan and on movements and publications. Contextual and historical coverage has also been expanded, with new entries on European history and culture, post-colonial literature, as well as writers and literary movements from around the world that have influenced English literature.
The Companion has always been a quick and dependable source of reference for students, and the new edition confirms its pre-eminent role as the go-to resource of first choice. All entries have been reviewed, and details of new works, biographies, and criticism have been brought up to date. So also has coverage of the themes, approaches and concepts encountered by students today, from terms to articles on literary theory and theorists. There is increased coverage of writers from around the world, as well as from Ireland, Scotland, and Wales, and of contextual topics, including film and television, music, and art. Cross-referencing has been thoroughly updated, with stronger linking from writers to thematic and conceptual entries. Meanwhile coverage of popular genres such as children's literature, science fiction, biography, reportage, crime fiction, fantasy or travel literature has been increased substantially, with new entries on writers from Philip Pullman to Anne Frank and from Anais Nin to Douglas Adams.
The seventh edition of this classic Companion - now under the editorship of Dinah Birch, assisted by a team of 28 distinguished associate editors, and over 150 contributors - ensures that it retains its status as the most authoritative, informative, and accessible guide to literature available.

'She loved him much, and admired him even more than she loved him...Would that he had some faults!' Alice Vavasor is torn between a risky marriage with her ambitious cousin George and the safer prospect of a union with the formidably correct John Grey. Her indecision is reflected in the dilemmas of her friend Lady Glencora, confined in the proprieties of her life with Plantagenet Palliser but tempted to escape with her penniless lover Burgo Fitzgerald, and of her aunt, the irreverent widow Mrs Greenow, who must choose between a solid farmer and an untrustworthy soldier as her next husband. Each woman finds her choice bound up with the cold realities of money, and the tension between public expectation and private inclination. Can You Forgive Her? is the first of Trollope's six Palliser novels, and its focus on the exercise of power, whether in the masculine world of parliament and the professions, or within the domesticities of friendship, courtship, and marriage, signals a new breadth and diversity of interest in his fiction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Based on the bestselling Oxford Companion to English Literature, this is an indispensable, compact guide to all aspects of English literature. Over 5,500 new and revised alphabetical entries give unrivaled coverage of writers, works, historical context, literary theory, allusions, characters, and plot summaries. The entries range from brief identifications of fictional characters to fascinating and informative articles that cover such topics as major authors, key literary works, and major genres in fiction, including science fiction, fantasy, biography, and crime fiction.
For this fourth edition, the dictionary has been fully revised and updated to include expanded coverage of postcolonial, African, black British, and children's literature, as well as improved representation in the areas of science fiction, biography, travel literature, women's writing, gay and lesbian writing, and American literature. The appendices listing literary prize winners--including the Nobel, Man Booker, and Pulitzer prizes--have all been updated and there is also a timeline, chronicling the development of English literature from c. 1000 to the present day. Many entries feature recommended web links, which are listed and regularly updated on a dedicated companion website.
Written originally by a team of more than 140 distinguished authors and extensively updated for this new edition, this book provides an essential point of reference for English students, teachers, and all other readers of literature in English.

'She had resolved to trust in everything, and, having so trusted, she would not provide for herself any possibility of retreat.' Lively and attractive, Lily Dale lives with her mother and sister at the Small House at Allington. She falls passionately in love with the urbane Adolphus Crosbie, and is devastated when he abandons her for the aristocratic Lady Alexandrina de Courcy. But Lily has another suitor, Johnny Eames, who has been devoted to her since boyhood. Perhaps she can find renewed happiness in Johnny's courtship? The Small House at Allington was among the most successful of Trollope's Barsetshire novels, and has retained its popularity among modern readers. Lily Dale's stubborn constancy is a troubling reflection of Trollope's divided feelings about the need for progress and reform in the context of liberal thought and politics. Her story is a subtle exploration of loyalty and ambition, and the pressure for change in a rapidly evolving world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'To be taught to write or to speak - but what is the use of speaking, if you have nothing to say? To be taught to think - nay, what is the use of being able to think, if you have nothing to think of? But to be taught to see is to gain word and thought at once, and both true.' Ruskin was the most powerful and influential critic of the nineteenth century. He wrote about nature, art, architecture, politics, history, myth, and much besides; all his work is characterized by a clarity of vision as unsettling and intense now as it was for his first readers. This new selection draws on the whole range of his astonishingly varied output, from the passionate celebration of J. M. W. Turner's painting in the first volume of Modern Painters (1843) to Praeterita (1885-9), the elegiac autobiography of his later years. The introduction outlines Ruskin's life and thought, and shows why he remains such a rewarding writer today. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Duke's Children is the last of Trollope's six Palliser novels and concludes the story of Plantagenet Palliser, former Prime Minister and latterly Duke of Omnium. Lady Glencora is dead and the Duke, widowed and grieving, is left with the responsibility of three difficult children. His sons are sent down from university in disgrace and the Duke is further dismayed when his daughter Lady Mary and his eldest son Silverbridge both propose to marry out of the English nobility. One by one the Duke's dearest wishes are thwarted, yet at the same time he discovers how parents can learn from their children, and is rescued from his own inflexible pride and snobbery by the strength of his private affections. As Birch remarks in her introduction, 'of all the many late developers in Trollope's fiction, Palliser is the most impressive'. The Duke's Children (1880) is resonant with the memories of the Duke of Omnium who had come to be more than a fiction to Trollope, 'so much do I love the man whose character I had endeavoured to portray'.