Literary Nonfiction. Writing Reference. Unmatched in its focus on a concise and popular emerging genre, THE ROSE METAL PRESS FIELD GUIDE TO WRITING FLASH NONFICTION features 26 eminent writers, editors, and teachers offering expert analysis, focused exercises, and helpful examples of what make the brief essay form such a perfect medium for experimentation, insight, and illumination. With a comprehensive introduction to the genre and book by editor Dinty W. Moore, this guide is perfect for both the classroom and the individual writer's desk--an essential handbook for anyone interested in the scintillating and succinct flash nonfiction form. How many words does it take to tell a compelling true story? The answer might surprise you.Featuring essays from: Barrie Jean Borich, Jenny Boully, Norma Elia Cantu, Rigoberto Gonzalez, Carol Guess, Jeff Gundy, Philip Graham, Robin Hemley, Barbara Hurd, Judith Kitchen, Eric LeMay, Dinah Lenney, Bret Lott, Patrick Madden, Lee Martin, Maggie McKnight, Brenda Miller, Kyle Minor, Aimee Nezhukumatathil, Anne Panning, Lia Purpura, Sue William Silverman, Jennifer Sinor, Peggy Shumaker, Ira Sukrungruang, and Nicole Walker."THE ROSE METAL PRESS FIELD GUIDE TO WRITING FLASH NONFICTION, edited by the invaluable Dinty W. Moore, is a lot more than flashy. These thoughtful, thought-provoking essays and exercises have the paradoxical effect of slowing down our attention and encouraging an expansion of the moment, while seeming to be saving writing and reading time. A very useful compilation."--Phillip Lopate, author of Art of the Personal Essay"Flash-in-the-pan? Hardly. The flash nonfiction genre has staying power, and THE ROSE METAL PRESS FIELD GUIDE TO WRITING FLASH NONFICTION will show you why. Opening with a thorough and informative history of the genre, renowned writer, editor, and teacher Dinty W. Moore assembles a cast of writers who share their expertise, suggest writing exercises, and provide exemplary models of the best flash nonfiction being written today. This book is required reading for any writer, editor, or teacher of the brief nonfiction form."--Rebecca McClanahan, author of The Riddle Song and Other Rememberings and Word Painting

2019 Foreword INDIES Award, Gold for Anthologies "Medicine still contains an oral tradition, passed down in stories: the stories patients tell us, the ones we tell them, and the ones we tell ourselves," writes contributor Madaline Harrison. Bodies of Truth continues this tradition through a variety of narrative approaches by writers representing all facets of health care. And, since all of us have been or will be touched by illness or disability-our own or that of a loved one-at some point in our lives, any reader of this anthology can relate to the challenges, frustrations, and pain-both physical and emotional-that the contributors have experienced. Bodies of Truth offers perspectives on a wide array of issues, from food allergies, cancer, and neurology to mental health, autoimmune disorders, and therapeutic music. These experiences are recounted by patients, nurses, doctors, parents, children, caregivers, and others who attempt to articulate the intangible human and emotional factors that surround life when it intersects with the medical field.

Dante published his ambitious and unusual poem, Divine Comedy, more than seven hundred years ago. In the ensuing centuries countless retellings, innumerable adaptations, tens of thousands of fiery sermons from Catholic bishops and Baptist preachers, all those New Yorker cartoons, and masterpieces of European art have afforded Dante's fictional apparition of hell unending attention and credibility. Dinty W. Moore did not buy in. Moore started questioning religion at a young age, quizzing the nuns in his Catholic school, and has been questioning it ever since. Yet after years of Catholic school, religious guilt, and persistent cultural conditioning, Moore still can't shake the feelings of inadequacy, and asks: What would the world be like if eternal damnation was not hanging constantly over our sheepish heads? Why do we persist in believing a myth that merely makes us miserable? In To Hell with It, Moore reflects on and pokes fun at the over-seriousness of religion in various texts, combining narratives of his everyday life, reflections on his childhood, and religion's influence on contemporary culture and society.

From Dinty W. Moore, founding editor of the popular journal Brevity and prolific and pioneering author of several books of creative nonfiction, including Between Panic and Desire, Dear Mister Essay Writer Guy, and Crafting the Personal Essay, and Tom Hazuka, editor of the anthology Flash Fiction Funny, comes a new book that will make you laugh out loud in 750 words or less! Flash Nonfiction Funny explores the exploding form of very short creative writing and offers an accessible anthology that’s perfect for individual entertainment or in a classroom setting. Teachers are increasingly embracing the very short form because it lets them use brief pieces to illustrate various styles and structures. The anthology includes work from both new and established writers from all over the world. It’s like they always say: It’s funny because it’s true!

A Choice Significant University Press Title for Undergraduates, 2010-11. Ranked "Outstanding" in the 2012 University Press Books for Public and Secondary School Libraries listing. Lit from Within offers creative writers a window into the minds of some of America's most celebrated contemporary authors. Witty, direct, and thought-provoking, these essays offer something to creative writers of all backgrounds and experience. With contributions from fiction writers, poets, and nonfiction writers, this is a collection of unusual breadth and quality.

"Insouciant" and "irreverent" are the sort of words that come up in reviews of Dinty W. Moore's books-and, invariably, "hilarious." Between Panic and Desire, named after two towns in Pennsylvania, finds Moore at the top of his astutely funny form. A book that could be named after one of its chapters, "A Post-Nixon, Post-panic, Post-modern, Post-mortem," this collection is an unconventional memoir of one man and his culture, which also happens to be our own. Blending narrative and quizzes, memory and numerology, and imagined interviews and conversations with dead presidents on TV, the book dizzily documents the disorienting experience of growing up in a postmodern world. Here we see how the major events in the author's early life-the Kennedy assassination, Nixon's resignation, watching Father Knows Best, and dropping acid atop the World Trade Center, to name a few-shaped the way he sees events both global and personal today. More to the point, we see how these events shaped, and possibly even distorted, today's world for all of us who spent our formative years in the '50s, '60s, and '70s. A curious meditation on family and bereavement, longing and fear, self-loathing and desire, Between Panic and Desire unfolds in kaleidoscopic forms-a coroner's report, a TV movie script, a Zen koan-aptly reflecting the emergence of a fractured virtual America.