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Why do women architects still not receive the recognition their
work deserves? Frauen in der Architektur is a manifesto for the
great achievements of women in architecture. The voices of
thirty-six internationally active women architects are heard
through their own projects. This diverse panorama is supplemented
by essays on pioneering female architects, and analyses that get to
the bottom of the structural discrimination against women
architects. With Mona Bayr, Odile Decq, Elke Delugan-Meissl, Julie
Eizenberg, Manuelle Gautrand, Annette Gigon, Silvia Gmur, Cristina
Guedes, Melkan Gursel, Itsuko Hasegawa, Anna Heringer, Fabienne
Hoelzel, Helle Juul, Karla Kowalski, Anupama Kundoo, Anne Lacaton,
Regine Leibinger, Dorte Mandrup, Rozana Montiel, Kathrin Moore,
Farshid Moussavi, Carme Pinos, Nili Portugali, Paula Santos, Kazuyo
Sejima, Annabelle Selldorf, Pavitra Sriprakash, Siv Helene
Stangeland, Brigitte Sunder-Plassmann, Lene Tranberg, Billie Tsien,
Elisa Valero, Natalie de Vries, Andrea Wandel, Helena Weber, and Lu
Wenyu.
The voices of thirty-six internationally active women architects
are heard through their own projects. This diverse panorama is
supplemented by essays on pioneering female architects, and
analyses that get to the bottom of the structural discrimination
against women architects. With Mona Bayr, Odile Decq, Elke
Delugan-Meissl, Julie Eizenberg, Manuelle Gautrand, Annette Gigon,
Silvia Gmür, Cristina Guedes, Melkan Gürsel, Itsuko Hasegawa,
Anna Heringer, Fabienne Hoelzel, Helle Juul, Karla Kowalski,
Anupama Kundoo, Anne Lacaton, Regine Leibinger, Dorte Mandrup,
Rozana Montiel, Kathrin Moore, Farshid Moussavi, Carme Pinós, Nili
Portugali, Paula Santos, Kazuyo Sejima, Annabelle Selldorf, Pavitra
Sriprakash, Siv Helene Stangeland, Brigitte Sunder-Plassmann, Lene
Tranberg, Billie Tsien, Elisa Valero, Natalie de Vries, Andrea
Wandel, Helena Weber, and Lu Wenyu.
To see, hear, and feel art is one thing—to know how art is
distributed, traded, and appreciated is the other side of the coin.
Whether on the stock exchange or the museum floor, both share a
closely interwoven history. The experienced art dealer and mediator
Dirk Boll tells it with the help of a fascinating constant: every
ten years, the art and business market undergoes a profound shock
or transformation. Whether the economic crises of 1990 or 2010, the
bursting of the first Internet bubble in 2000, or the coronavirus
crisis— every decade leads to a completely different assessment
of art. This is especially true in the context of digital
developments, from the virtual viewing room to new distribution
opportunities, which are currently causing the art world to undergo
its most lasting changes. So, it is high time to take stock and see
art with new eyes.
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