This the first book to focus specifically on serial killers motivated by monetary gain. Serial Killing for Profit: Multiple Murder for Money addresses a gap in the existing literature by documenting one dozen of the most notorious perpetrators of commercial serial murder-murderers who kill to secure inheritances and pensions, to sell possessions or even the body itself, or as murderers-for-hire. In these pages, readers will encounter some of the nation's most infamous and disturbing criminals, including "America's first serial killer," Herman Mudgett; Raymond Fernandez and Martha Beck, the "Honeymoon Killers;" Los Angeles's "Night Stalker," Richard Ramirez; the "black widow" Blanche Taylor Moore; and Dana Sue Gray, who killed three women for shopping money. Author Dirk Gibson gets to the twisted heart of each case, meticulously detailing the crimes, the victims, the hunt for the killers, the distinctive variations on the motive of "killing for money," and the lessons learned by investigators in each instance. Everyone from professional investigators to true crime aficionados will be riveted by these stunning accounts. Profiles 12 cases of serial murder motivated by profit Provides ten tables of data that collectively describe salient dimensions of the sample of murderers examined in the book, and quantify their commercial motivation Includes a selective bibliography of the resources used by the author to write the book Offers a comprehensive index covering all aspects of the murderers, their crimes, and the profit motive behind them

Covering figures ranging from Catherine Monvoisin to Vlad the Impaler, and describing murders committed in ancient aristocracies to those attributed to vampires, witches, and werewolves, this book documents the historic reality of serial murder. The majority of serial murder studies support the consensus that serial murder is essentially an American crime-a flawed assumption, as the United States has existed for less than 250 years. What is far more likely is that the perverse urge to repeatedly and intentionally kill has existed throughout human history, and that a substantial percentage of serial murders throughout ancient times, the middle ages, and the pre-modern era were attributed to imaginative surrogate explanations: dragons, demons, vampires, werewolves, and witches. Legends, Monsters, or Serial Murderers? The Real Story Behind an Ancient Crime dispels the interrelated misconceptions that serial murder is an American crime and a relatively recent phenomenon, making the novel argument that serial murder is a historic reality-an unrecognized fact in ancient times. Noted serial murderers such as the Roman Locuta (The Poisoner); Gilles De Rais of France, a prolific serial killer of children; Andres Bichel of Bavaria; and Chinese aristocratic serial killer T'zu-Hsi are spotlighted. This book provides a unique perspective that integrates supernatural interpretations of serial killing with the history of true crime, reanimating mythic entities of horror stories and presenting them as real criminals.

The Axman of New Orleans specialized in killing grocers of Italian descent in the 1910s, apparently to promote "jazz" music. Dorothea Puente was a little old landlady who murdered her tenants, but kept cashing their government checks. The Manson Family terrorized California in the 1960s, as did the Hillside Stranglers a decade later. Twelve serial murder cases, occurring in eight decades between the 1890s and 1990s, had one thing in common: significant presence of the mass media. This book examines these specific cases of serial murder, and the way the media became involved in the investigations and trials of each. Gibson argues that the American media plays a multidimensional and integral role in serial killings and their investigation--and that this role is not generally a positive one. Serial murder cases motivate the media in unfortunate ways, and the result is that even typically respectable media organizations can be involved in such things as document theft, or in interfering with the capture of serial murderers on the run. This link between multiple murderers and mass communication is not accidental or coincidental; rather, the relationship between the press and serial killers is one of extraordinary importance to both parties. Gibson examines the role of the media in serial murder cases; the body of knowledge on serial murder as seen through the lens of mass communication; the effectiveness of law enforcement responses to serial murderers and how they might be improved if the mass communication influence was better understood; the magnitude of the serial murder problem; and the interaction between the media, the killers, and serial murder investigations. Specific examples andnumerous quotes are provided throughout to illustrate this strange and detrimental "relationship" between media and serial murderers.

Serial killers come from different backgrounds, attain different levels of education, and hold various types of jobs. However, many serial killers do have at least one thing in common: the desire to communicate regarding their crimes. Killers from Jack the Ripper to the Son of Sam often provide clues to their identities, their motives--even their future targets--through crime scene notes, letters to the media, calls to police, messages scrawled on victims, and, increasingly, email and other technology. Here, Gibson takes a look at ten notorious serial killers, their crimes, their victims, and their communications to uncover the hidden clues into the minds of these unusual and dangerous people. What compels a serial killer to leave a crime scene message or to call the police to discuss their crimes? What are the purposes of the messages themselves? What do they say about the individuals? How can investigators use such communications to track down these elusive killers? How do killers use these communications to attract new victims? Through a careful examination of messages from such killers as the D.C. Snipers, the BTK Killer, the Zodiac Killer, Jack the Ripper, the Black Dahlia Avenger and others, Gibson reveals aspects of their communications that give us a window into the psyches of these criminals.