Anglophone Verse Novels as Gutter Texts draws on the notion of the ‘gutter’ in graphic narratives – the gap between panels that a reader has to imaginatively fill to generate narrative sequence – to analyse the largely overlooked literary form of the verse novel. Marked at all levels by the tense constellation of segment and sequence, and a conspicuously 'gappy' texture, verse novels offer productive alternatives to the dominant prose novel in contemporary fiction, where a similar ‘gappiness’ has become a hallmark, as illustrated by the loosely interlaced multi-strand plot structures of influential ‘world novels’ (Bolaño, Mitchell, Powers). The verse novel is a form particularly prolific in the postcolonial world and among diasporic or minoritarian writers in the Global North. This study concentrates on two of the most prominent areas in which verse novels distinguish themselves from the prose novel to read texts by Derek Walcott, Anne Carson, Bernadine Evaristo, Patience Agbabi and others: In ‘planetary’ verse novels from the Caribbean, Canada, Samoa and Hawai’i, the central trope of the volcano evokes a world in constant un/making; while post-national verse novels, particularly in Britain, modify the established paradigms of imagined communities. Dirk Wiemann's study speculates whether the resurgence of verse novels correlates with the apprehension of inhabiting a world that has become unpredictable and dangerous but also promising: a ‘post-prosaic’ world.

"Genres of Modernity" maps the conjunctures of critical theory and literary production in contemporary India. The volume situates a sample of representative novels in the discursive environment of the ongoing critical debate on modernity in India, and offers for the first time a rigorous attempt to hold together the stimulating impulses of postcolonial theory, subaltern studies and the boom of Indian fiction in English. In opposition to the entrenched narrative of modernity as a single, universally valid formation originating in the West, the theoretical and literary texts under discussion engage in a shared project of refiguring the present as a site of heterogeneous genres of modernity. The book traces these figurative efforts with particular attention to the treatment of two privileged metonymies of modernity: the issues of "time" and "home" in Indian fiction. Combining close readings of literary texts from Salman Rushdie to Kiran Nagarkar with a wide range of philosophical, sociological and historiographic reflections, "Genres of Modernity" is of interest not only for students of postcolonial literatures but for academics in the fields of Cultural Studies at large.

While the world seems to be getting ever smaller and globalization has become the ubiquitous buzz-word, regionalism and fragmentation also abound. This might be due to the fact that, far from being the alleged production of cultural homogeneity, the global is constantly re-defined and altered through the local. This tension, pervading much of contemporary culture, has an obvious special relevance for the new varieties of English and the literature published in English world-wide. Postcolonial literatures exist at the interface of English as a hegemonic medium and its many national, regional and local competitors that transform it in the new English literatures. Thus any exploration of a globalization of cultures has to take into account the fact that culture is a complex field characterized by hybridization, plurality, and difference. But while global or transnational cultures may allow for a new cosmopolitanism that produces ever-changing, fluid identities, they do not give rise to an egalitarian 'global village' - an asymmetry between centre and periphery remains largely intact, albeit along new parameters. The essays collected in this volume offer readings of literary, theoretical, and filmic texts from the postcolonial world. These texts are read as attempts to articulate the global with the local from a perspective of immersion in the actual diversity of life-worlds, focusing on such issues as consumption, identity-politics, and modes of affiliation. In this sense, they are global fragments: locally refractured figurations of an experience of world-wide interconnectedness.

European Contexts for English Republicanism offers new perspectives on early modern English republicanism through its focus on the Continental reception of and engagement with seventeenth-century English thinkers and political events. Looking both at political ideas and at the people that shaped them, the collection examines English republican thought in its wider European context during the later seventeenth and eighteenth century. In a number of case studies, the contributors assess the different ways in which English republican ideas were not only shaped by the thought of the ancients, but also by contemporary authors from all over Europe, such as Hugo Grotius or Christoph Besold. They demonstrate that English republican thinkers did not only act in dialogue with Continental authors and scholars, their ideas in turn also left a long-lasting legacy in Europe as they were received, transformed and put to new uses by thinkers in France, Italy, the Netherlands, Germany and Poland. Far from being an exclusively transatlantic affair, as much of the established scholarship suggests, English republican thought also left its legacy on the European Continent, finding its way into wider debates about the rights and wrongs of the English Civil War and the nature of government, while later translations of English republican works also influenced the key thinkers of the French Revolution and the liberals of the nineteenth century. Bringing together a range of fresh and original essays by British and European scholars in the field of early modern intellectual history and English studies, this collection of essays revises a one-sided approach to English republicanism and widens the scope of study beyond linguistic and national boundaries by looking at English republicans and their continental networks and legacy.

Perspectives on English Revolutionary Republicanism takes stock of developments in the scholarship of seventeenth-century English republicanism by looking at the movements and schools of thought that have shaped the field over the decades: the linguistic turn, the cultural turn and the religious turn. While scholars of seventeenth-century republicanism share their enthusiasm for their field, they have approached their subject in diverse ways. The contributors to the present volume have taken the opportunity to bring these approaches together in a number of case studies covering republican language, republican literary and political culture, and republican religion, to paint a lively picture of the state of the art in republican scholarship. The volume begins with three chapters influenced by the theory and methodology of the linguistic turn, before moving on to address cultural history approaches to English republicanism, including both literary culture and (practical) political culture. The final section of the volume looks at how religion intersected with ideas of republican thought. Taken together the essays demonstrate the vitality and diversity of what was once regarded as a narrow topic of political research.

European Contexts for English Republicanism offers new perspectives on early modern English republicanism through its focus on the Continental reception of and engagement with seventeenth-century English thinkers and political events. Looking both at political ideas and at the people that shaped them, the collection examines English republican thought in its wider European context during the later seventeenth and eighteenth century. In a number of case studies, the contributors assess the different ways in which English republican ideas were not only shaped by the thought of the ancients, but also by contemporary authors from all over Europe, such as Hugo Grotius or Christoph Besold. They demonstrate that English republican thinkers did not only act in dialogue with Continental authors and scholars, their ideas in turn also left a long-lasting legacy in Europe as they were received, transformed and put to new uses by thinkers in France, Italy, the Netherlands, Germany and Poland. Far from being an exclusively transatlantic affair, as much of the established scholarship suggests, English republican thought also left its legacy on the European Continent, finding its way into wider debates about the rights and wrongs of the English Civil War and the nature of government, while later translations of English republican works also influenced the key thinkers of the French Revolution and the liberals of the nineteenth century. Bringing together a range of fresh and original essays by British and European scholars in the field of early modern intellectual history and English studies, this collection of essays revises a one-sided approach to English republicanism and widens the scope of study beyond linguistic and national boundaries by looking at English republicans and their continental networks and legacy.

The demise of the modern self-centred subject does not engender a waning but a politicisation of affect: The site of passion is now no longer the individual's interiority but the contact zone of intersubjective encounters. The public and political status of the emotions thus becomes apparent, making visible how affects are embedded in and shaped by discursive regimes. Neither spontaneous nor overdetermined, passion is therefore not the "other" of reason but a deeply social energy that fuels political, cultural and everyday practices. The Politics of Passion combines theoretical reframings of affect and emotion in global modernity with analyses of concrete instances of politics of passion from above or from below. By including debates and struggles in Western, Asian and African contexts, the volume attends to the actual plurality of affective rationalities and politics beyond a Eurocentric framework.

Das Buch ist ein aktueller Beitrag zur Debatte um postkoloniale Perspektiven in der Kunstwissenschaft. Im Zentrum steht die DAK'ART-Biennale, an der sich ein gangiges identitatspolitisches Dilemma zeigt: Kunstlerinnen und Kunstler vom afrikanischen Kontinent mussen oft nicht nur "zeitgenoessisch", sondern auch "afrikanisch" sein, um im internationalen, aber weiter westlich dominierten Kunstbetrieb Anerkennung zu erhalten. Aus einer postkolonialen und gendertheoretischen Perspektive argumentiert die Autorin, dass diese Problematik im Kontext des tradierten Primitivismusdiskurses zu sehen ist. In einer differenzierten Ausstellungsanalyse fragt sie nach kritischen kunstlerischen und kuratorischen Strategien der DAK'ART 2006 und entwickelt daraus Vorschlage fur zeitgemasse kuratorische Ansatze.

Die Untersuchung bestimmt diejenigen Schreibhaltungen, Topoi und asthetischen Strategien, die in der Literatur des deutschsprachigen Exils in Grossbritannien zwischen 1933 und 1945 dominant waren. Sie konzentriert sich auf ein bislang nicht systematisch bearbeitetes Phanomen, namlich die Hochkonjunktur einer sakralisierenden Metaphorik, die sich bis in die narrative Struktur der Texte fortschreibt. Der Verfasser diskutiert die historische Bedingtheit und Funktionalitat dieser Strategie und verdeutlicht ihre jeweils spezifische Ausformung am individuellen Text.

This volume addresses the manifold conjunctures, interactions and disjunctures that occur at various levels of what has come to be rubricated under the buzzword of "globalization." While this term has the merit of reperiodizing our account of the capitalist dynamics, it simultaneously points to a crisis of representation both in political and epistemological terms. The contributions collected in this volume - being reflexive representations from the social sciences and humanities - assess some of the manifold aspects of this crisis.