The last two years have been monstrously unpleasant for high-society journalist Gus Bailey. When he falls for a fake story and implicates a powerful congressman in some rather nasty business on a radio program, Gus becomes embroiled in a slander suit. The stress makes it difficult for him to focus on his next novel, which is based on the suspicious death of billionaire Konstantin Zacharias. The convicted murderer is behind bars, but Gus is not convinced that justice was served. There are too many unanswered questions, and Konstantin's hot-tempered widow will do anything to conceal the truth.
Featuring favorite characters and the affluent world Dunne first introduced in People Like Us, Too Much Money is a mischievous, compulsively readable tale by the most brilliant society chronicler of our time--the man who knew all the secrets and wasn't afraid to share them.

"Mesmerizing."-- "The New York Times."

Glamour, wealth, success, power--the Bradleys are as close to an aristocracy as America has never had. And one day soon, if patriarch Gerald Bradley has his way, his charismatic youngest some will win the highest office in the land . . .

"A triumph!"--Marie Brenner.

Constant Bradley has what it takes to go all the way: looks, breeding, wit, and style. Yet the famed congressman has one fatal flaw: Beneath his handsome face lies a hidden rage that can explode . . . in murder.

"Stunning . . . witty, juicy."-- "Liz Smith."

Once, Harrison Burns was Constant's best friend. A scholarship student drawn into the Bradley's privileged world of seaside summers and exclusive clubs, he enjoyed the family's generosity--until the night when fifteen-year-old Winfred Utley was bludgeoned to death near the Bradley the estate and Harrison became the bearer of Constant's most horrifying secret . . .

"Compelling."--" New York Daily News."

Now, twenty years later, Harrison knows he must reveal the truth of that terrible night--even if stripping away the illusions around this powerful family earns him their undying enmity; even if the strength of their fury threatens his reputation, his family, and his life. . .

For more than two decades, Vanity Fair has published Dominick Dunne’s brilliant, revelatory chronicles of the most famous crimes, trials, and punishments of our time. Here, in one volume, are Dominick Dunne’s mesmerizing tales of justice denied and justice affirmed. Whether writing of Claus von Bülow’s romp through two trials; the Los Angeles media frenzy surrounding O.J. Simpson; the death by fire of multibillionaire banker Edmond Safra; or the Greenwich, Connecticut, murder of Martha Moxley and the indictment—decades later—of Michael Skakel, Dominick Dunne tells it honestly and tells it from his unique perspective. His search for the truth is relentless.

With new essay, “Mourning In New York,” about September 11, 2001.

"A luscious novel composed of just the right measure of sex, glamour, passion, and psychological motivation . . . . This is a candy of a book."-- "Cosmopolitan."

"Smoothly written, engrossing . . . Ann is a heroine you love to hate . . . . Will be read with enormous enjoyment for the personalities, from Brenda Frazier to the Duchess of Windsor, that decorate its pages for the knowing glimpses of high living in high places."-- "Publishers Weekly."

"Dominick Dunne is the best chronicler of American Society since Truman Capote. He is the only person writing about high society from inside the aquarium"--Tina Brown, "Vanity Fair"

Before they had Too Much Money, the inhabitants of Dominick Dunne's glitzy, gossipy "New York Times" bestselling novels were People Like Us.
The way journalist Gus Bailey tells it, old money is always preferred, but occasionally new money sneaks in-even where it is most unwelcome. After moving from Cincinnati, Elias and Ruby Renthal strike it even richer in New York, turning their millions into billions. It would be impolite for high society to refuse them now. Not to mention disadvantageous. As long as the market is strong, there's absolutely nothing to worry about-except for those nasty secrets from the past. Scandal, anyone?

Gus Bailey, journalist to high society, knows the sordid secrets of the very rich. Now he turns his penetrating gaze to a courtroom in Los Angeles, witnessing the trial of the century unfold before his startled eyes. As the infamous case and characters begin to take shape, and a range of celebrities from Frank Sinatra to Heidi Fleiss share their own theories of the crime, Bailey bears witness to the ultimate perversion of principle and the most amazing gossip machine in Hollywood--all wrapped in a marvelously addictive tale of love, rage, and ruin.

Dominick Dunne has met them all--stars and slugs, criminals and victims, the innocent and the hideously guilty--and now his two provocative collections of Vanity Fair portraits are in one irresistible volume. From posh Park Avenue duplexes to the extravagant mansions of Beverly Hills, from tasteful London town houses to the wild excesses of million-dollar European retreats, here are the movers and shakers--and the people who pretend to be.

Among colorful profiles and revealing glimpses of Elizabeth Taylor, Claus von Bülow, Gloria Vanderbilt, and Aaron Spelling, discover who dumped an heiress the night before the wedding to run off with the best man . . . what happens when the ex-husband of a movie legend becomes president . . . why a beautiful singer fell in with the mob . . . and, in Dunne's most personal story, how a lying murderer and a limelight-loving judge denied justice to his family after his daughter's life was brutally destroyed.

Filled with pathos and wit, insight and sass, this candid, controversial volume gives you an extraordinary peek into the rarefied world of the rich, the royal, and the ruined. For Dunne is the man who knows all their secrets--and now those secrets are out.

Jules Mendelson is wealthy. Astronomically so. He and his wife lead the kind of charity-giving, art-filled, high-society life for which each has been carefully groomed. Until Jules falls in love with Flo March, a beautiful actress/waitress. What Flo discovers about the superrich is not a pretty sight. And in the end, she wants no more than what she was promised. But when Flo begins to share the true story of her life among the Mendelsons, not everyone is in a listening mood. And some cold shoulders have very sharp edges. . . .

"From the Paperback edition."