The volume In Need of a Master: Politics, Theology, and Radical Democracy discusses how our so-called "postmodern age" of widespread ideological critique paves the way for reactionary and conservative political movements. At center stage is the question of whether these movements can and must be - contrary to widespread beliefs among liberal elites - interpreted both as a symptom of a political awakening in the horizon of political theology in our era of immanence, as well as perhaps the perilous end of democracy as we know it. The book brings to the fore political theology as the hidden agenda of politics and presents at the same time Christian and Jewish theological traditions as an antidote to a global empire with its often unacknowledged rule of immanence.

Several debates of the last years within the research field of contemporary realism - known under titles such as "New Realism," "Continental Realism," or "Speculative Materialism" - have shown that science is not systematically the ultimate measure of truth and reality. This does not mean that we should abandon the notions of truth or objectivity all together, as has been posited repeatedly within certain currents of twentieth century philosophy. However, within the research field of contemporary realism, the concept of objectivity itself has not been adequately refined. What is objective is supposed to be true outside a subject's biases, interpretations and opinions, having truth conditions that are met by the way the world is. The volume combines articles of internationally outstanding authors who have published on either Idealism, Epistemic Relativism, or Realism and often locate themselves within one of these divergent schools of thought. As such, the volume focuses on these traditions with the aim of clarifying what the concept objectivity nowadays stands for within contemporary ontology and epistemology beyond the analytic-continental divide.

The volume In Need of a Master: Politics, Theology, and Radical Democracy discusses how our so-called "postmodern age" of widespread ideological critique paves the way for reactionary and conservative political movements. At center stage is the question of whether these movements can and must be - contrary to widespread beliefs among liberal elites - interpreted both as a symptom of a political awakening in the horizon of political theology in our era of immanence, as well as perhaps the perilous end of democracy as we know it. The book brings to the fore political theology as the hidden agenda of politics and presents at the same time Christian and Jewish theological traditions as an antidote to a global empire with its often unacknowledged rule of immanence.

Several debates of the last years within the research field of contemporary realism - known under titles such as "New Realism," "Continental Realism," or "Speculative Materialism" - have shown that science is not systematically the ultimate measure of truth and reality. This does not mean that we should abandon the notions of truth or objectivity all together, as has been posited repeatedly within certain currents of twentieth century philosophy. However, within the research field of contemporary realism, the concept of objectivity itself has not been adequately refined. What is objective is supposed to be true outside a subject's biases, interpretations and opinions, having truth conditions that are met by the way the world is. The volume combines articles of internationally outstanding authors who have published on either Idealism, Epistemic Relativism, or Realism and often locate themselves within one of these divergent schools of thought. As such, the volume focuses on these traditions with the aim of clarifying what the concept objectivity nowadays stands for within contemporary ontology and epistemology beyond the analytic-continental divide. With articles from: Jocelyn Benoist, Ray Brassier, G. Anthony Bruno, Dominik Finkelde, Markus Gabriel, Deborah Goldgaber, Iain Hamilton Grant, Graham Harman, Johannes Hubner, Andrea Kern, Anton F. Koch, Martin Kusch, Paul M. Livingston, Paul Redding, Sebastian Roedl, Dieter Sturma.

An advanced introduction to Benjamin's work and its actualization for our own times. Walter Benjamin (1892-1940) has emerged as one of the leading cultural critics of the twentieth century. His work encompasses aesthetics, metaphysical language and narrative theories, German literary history, philosophies of history, the intersection of Marxism and Messianic thought, urban topography, and the development of photography and film. Benjamin defined the task of the critic as one that blasts endangered moments of the past out of the continuum of history so that they attain new significance. This volume of new essays employs this principle of actualization as its methodological program in offering a new advanced introduction to Benjamin's own work. The essays analyze Benjamin's central texts, themes, terminologies, and genres in their original contexts while simultaneously situating them in new parameters, such as contemporary media, memory culture, constructions of gender, postcoloniality, and theories of urban topographies. The Companion brings together an international group of established and emerging scholars to explicate Benjamin's actuality from a multidisciplinary perspective. Designed for audiences interested in literary criticism, cultural studies, and neighboring disciplines, the volume serves as a stimulus for new debates about Benjamin's intellectual legacy today. Contributors: Wolfgang Bock, Willi Bolle, Dianne Chisholm, Adrian Daub, Dominik Finkelde, Eric Jarosinski, Lutz Koepnick, Vivian Liska, Karl Ivan Solibakke, Marc de Wilde, Bernd Witte Rolf J. Goebel is Distinguished Professor of German and Chair of the Department of WorldLanguages and Cultures at the University of Alabama in Huntsville.

Responses to the Slovenian philosopher Slavoj Zizek have been, like Zizek himself, extreme. Critics have accused him of charlatanism on the one hand, while others have lauded his genius, especially as a public intellectual, on the other. This makes it difficult to find any kind of nuanced or interesting critical appraisal of his work. At its best Zizek's work provides a new foundation of dialectical philosophy, beyond the glitz of stardom or oversimplified sinister disdain. Zizek Responds! combines philosophers and theorists engaging with Zizek's philosophy in order to explore its unnoticed implications, its conceptual problems, or its unrealized potential. With detailed and lively responses from Zizek himself, this book offers an unique insight into how this thinker might explain, clarify and hone some of his most controversial and misunderstood ideas. At once an introduction to Zizek's most important concepts and a rare and novel insight into his thoughts on the criticisms of his work, this is indispensible reading for both Zizekians and their critics.

How are we to conceive of acts that suddenly expose the injustice of the prevailing order? These acts challenge long-standing hidden or silently tolerated injustices, but as they are unsupported by existing ethical rules they pose a drastic challenge to dominant norms. In Excessive Subjectivity, Dominik Finkelde rereads the tradition of German idealism and finds in it the potential for transformative acts that are capable of revolutionizing the social order. Finkelde's discussion of the meaning and structure of the ethical act meticulously engages thinkers typically treated as opposed-Kant, Hegel, and Lacan-to develop the concept of excessive subjectivity, which is characterized by nonconformist acts that reshape the contours of ethical life. For Kant, the subject is defined by the ethical acts she performs. Hegel interprets Kant's categorical imperative as the ability of an individual's conscience to exceed the existing state of affairs. Lacan emphasizes the transgressive force of unconscious desire on the ethical agent. Through these thinkers Finkelde develops a radical ethics for contemporary times. Integrating perspectives from both analytical and continental philosophy, Excessive Subjectivity is a distinctive contribution to our understanding of the ethical subject.

An advanced introduction to Benjamin's work and its actualization for our own times. Walter Benjamin (1892-1940) has emerged as one of the leading cultural critics of the twentieth century. His work encompasses aesthetics, metaphysical language and narrative theories, German literary history, philosophies of history, the intersection of Marxism and Messianic thought, urban topography, and the development of photography and film. Benjamin defined the task of the critic as one that blasts endangered moments of the past out of the continuum of history so that they attain new significance. This volume of new essays employs this principle of actualization as its methodological program in offering a new advanced introduction to Benjamin's own work. The essays analyze Benjamin's central texts, themes, terminologies, and genres in their original contexts while simultaneously situating them in new parameters, such as contemporary media, memory culture, constructions of gender, postcoloniality, and theories of urban topographies. The Companion brings together an international group of established and emerging scholars to explicate Benjamin's actuality from a multidisciplinary perspective. Designed for audiences interested in literary criticism, cultural studies, and neighboring disciplines, the volume serves as a stimulus for new debates about Benjamin's intellectual legacy today. Contributors: Wolfgang Bock, Willi Bolle, Dianne Chisholm, Adrian Daub, Dominik Finkelde, Eric Jarosinski, Lutz Koepnick, Vivian Liska, Karl Ivan Solibakke, Marc de Wilde, Bernd Witte Rolf J. Goebel is Distinguished Professor of German and Chair of the Department of WorldLanguages and Cultures at the University of Alabama in Huntsville.

Responses to the Slovenian philosopher Slavoj Zizek have been, like Zizek himself, extreme. Critics have accused him of charlatanism on the one hand, while others have lauded his genius, especially as a public intellectual, on the other. This makes it difficult to find any kind of nuanced or interesting critical appraisal of his work. At its best Zizek's work provides a new foundation of dialectical philosophy, beyond the glitz of stardom or oversimplified sinister disdain. Zizek Responds! combines philosophers and theorists engaging with Zizek's philosophy in order to explore its unnoticed implications, its conceptual problems, or its unrealized potential. With detailed and lively responses from Zizek himself, this book offers an unique insight into how this thinker might explain, clarify and hone some of his most controversial and misunderstood ideas. At once an introduction to Zizek's most important concepts and a rare and novel insight into his thoughts on the criticisms of his work, this is indispensible reading for both Zizekians and their critics.

Parallax, or the change in the position of an object viewed along two different lines of sight and more precisely, the assumption that this adjustment is not only due to a change of focus, but a change in that object's ontological status has been a key philosophical concept throughout history. Building upon Slavoj Zizek's The Parallax View, this volume shows how parallax is used as a figure of thought that proves how the incompatibility between the physical and the theoretical touches not only upon the ontological, but also politics and aesthetics. With articles written by internationally renowned philosophers such as Frank Ruda, Graham Harman, Paul Livingston and Zizek himself, this book shows how modes of parallax remain in numerous modern theoretical disciplines, such as the Marxian parallax in the critique of political economy and politics; and the Hegelian parallax in the concept of the work of art, while also being important to debates surrounding speculative realism and dialectical materialism. Spanning philosophy, parallax is then a rich and fruitful concept that can illuminate the studies of those working in epistemology, ontology, German Idealism, political philosophy and critical theory.

Parallax, or the change in the position of an object viewed along two different lines of sight and more precisely, the assumption that this adjustment is not only due to a change of focus, but a change in that object's ontological status has been a key philosophical concept throughout history. Building upon Slavoj Zizek's The Parallax View, this volume shows how parallax is used as a figure of thought that proves how the incompatibility between the physical and the theoretical touches not only upon the ontological, but also politics and aesthetics. With articles written by internationally renowned philosophers such as Frank Ruda, Graham Harman, Paul Livingston and Zizek himself, this book shows how modes of parallax remain in numerous modern theoretical disciplines, such as the Marxian parallax in the critique of political economy and politics; and the Hegelian parallax in the concept of the work of art, while also being important to debates surrounding speculative realism and dialectical materialism. Spanning philosophy, parallax is then a rich and fruitful concept that can illuminate the studies of those working in epistemology, ontology, German Idealism, political philosophy and critical theory.