Falling Man is a magnificent, essential novel about the event that defines turn-of-the-century America. It begins in the smoke and ash of the burning towers and tracks the aftermath of this global tremor in the intimate lives of a few people. There is September 11 and then there are the days after, and finally the years. Falling Man is a magnificent, essential novel about the event that defines turn-of-the-century America. It begins in the smoke and ash of the burning towers and tracks the aftermath of this global tremor in the intimate lives of a few people. First there is Keith, walking out of the rubble into a life that he'd always imagined belonged to everyone but him. Then Lianne, his estranged wife, memory-haunted, trying to reconcile two versions of the same shadowy man. And their small son Justin, standing at the window, scanning the sky for more planes. These are lives choreographed by loss, grief, and the enormous force of history. Brave and brilliant, Falling Man traces the way the events of September 11 have reconfigured our emotional landscape, our memory and our perception of the world. It is cathartic, beautiful, heartbreaking.

Now a major new Netflix film from Noah Baumbach, starring Adam Driver and Greta Gerwig How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn't they paralyze us? Jack Gladney is the creator and chairman of Hitler studies at the College-on-the-Hill. This is the story of his absurd life; a life that is going well enough, until a chemical spill from a train carriage releases an 'Airborne Toxic Event' and Jack is forced to confront his biggest fear - his own mortality. White Noise is an effortless combination of social satire and metaphysical dilemma in which Don DeLillo exposes our rampant consumerism, media saturation and novelty intellectualism. It captures the particular strangeness of life lived when the fear of death cannot be denied, repressed or obscured and ponders the role of the family in a time when the very meaning of our existence is under threat. 'America's greatest living writer.' - Observer Part of the Picador Collection, a series showcasing the best of modern literature.

'An apocalyptic novel for our times' - Guardian 'Horrifyingly resonant' - Observer Superbowl Sunday, 2022. A couple wait in their Manhattan apartment for their final dinner guests to arrive. The game is about it start. The missing guests' flight from Paris should have landed by now. Suddenly, screens go blank. Phones are dead. Is this the end of civilization? All anybody can do is wait. From one of America's greatest writers, The Silence is a timely and compelling novel about what happens when an unpredictable crisis strikes. 'The Silence is Don DeLillo distilled . . . a straight shot of the good stuff' - Spectator

There is September 11 and then there are the days after, and finally the years. "Falling Man" is a magnificent, essential novel about the event that defines turn-of-the-century America. It begins in the smoke and ash of the burning towers and tracks the aftermath of this global tremor in the intimate lives of a few people. First there is Keith, walking out of the rubble into a life that he'd always imagined belonged to everyone but him. Then Lianne, his es-tranged wife, memory-haunted, trying to reconcile two versions of the same shadowy man. And their small son Justin, standing at the window, scanning the sky for more planes. These are lives choreographed by loss, grief and the enormous force of history. Brave and brilliant, "Falling Man" traces the way the events of September 11 have reconfigured our emotional landscape, our memory and our perception of the world. It is cathartic, beautiful, heartbreaking.

Eric Packer is a twenty-eight-year-old multi-billionaire asset manager. We join him on what will become a particularly eventful April day in turn-of-the-twenty-first-century Manhattan. He's on a personal odyssey, to get a haircut. Sitting in his stretch limousine as it moves across town, he finds the city at a virtual standstill because the President is visiting, a rapper's funeral is proceeding, and a violent protest is being staged in Times Square by anti-globalist groups. Most worryingly, Eric's bodyguards are concerned that he may be a target . . . An electrifying study in affectlessness, infused with deep cynicism and measured detachment; a harsh indictment of the life-denying tendencies of capitalism; as brutal a dissection of the American dream as Wolfe's Bonfire or Ellis's Psycho, Don DeLillo's Cosmopolis is a caustic prophecy all too quickly realized.

In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.

A gripping, masterful blend of fact and fiction, alive with meticulously portrayed characters both real and created, Libra is a grave, haunting, and brilliant examination of an event that has become an indelible part of the American psyche.

Bucky Wunderlick is a rock and roll star. Dissatisfied with a life that has brought fame and fortune, he suddenly decides he no longer wants to be a commodity. He leaves his band mid-tour and holes up in a dingy, unfurnished apartment in Great Jones Street. Unfortunately, his disappearing act only succeeds in inflaming interest . . . Great Jones Street, Don DeLillo's third novel, is more than a musical satire: it probes the rights of the individual, foreshadows the struggle of the artist within a capitalist world and delivers a scathing portrait of our culture's obsession with the lives of the few.

Written in hypnotic prose, Don DeLillo's Point Omega is both a metaphysical meditation and a deeply unsettling mystery, from which one thing emerges: loss, fierce and incomprehensible. Richard Elster, a retired secret war adviser, has retreated to a forlorn house in a desert, 'somewhere south of nowhere'. But his planned isolation is interrupted when he is joined by a young filmmaker intent on documenting his experience in a one-take film. The two men sit on the deck, drinking and talking. Weeks go by. And then Elster's daughter Jessie visits. When a devastating event follows, all the men's talk, the accumulated meaning of conversation and isolation, is thrown into question. Reading the fiction of Don DeLillo is an utterly original experience: powerful, prescient, perceptive. Writing in a prose that is both majestic and muscular, his unerringly accurate vision penetrates deep into the soul of America and consistently leaves readers with a fresh perspective on the world. Since the publication of his first novel, in 1971, he has been acknowledged across the world as one of the greatest writers of his generation.

"DeLillo's most affecting novel yet...A dazzling, phosphorescent work of art."--Michiko Kakutani, "The New York Times"
"The clearest vision yet of what it felt like to live through that day." --Malcolm Jones, "Newsweek"
"A metaphysical ghost story about a woman alone...intimate, spare, exquisite." --Adam Begley, "The New York Times Book Review"
"A brilliant new novel....Don DeLillo continues to think about the modern world in language and images as quizzically beautiful as any writer." -- "San Francisco Chronicle"

Risk analyst James Axton lives in Athens and works across Greece and the Middle East, part of a community of American ex-pats that includes his estranged wife and child. Their peripatetic existence is interrupted when a horrific, unexplained murder on the island of Kouros becomes the catalyst for Axton becoming embroiled in a dizzying conspiracy of ritualistic violence, cultism, and ancient languages. Evocative, complex and beguiling, The Names is another major work from one of the 20th century’s great prose stylists. Part of the Picador Collection, a series showcasing the best of modern literature.

For thirty years, since the publication of his first novel, Americana, Don DeLillo has lived in the skin of our times. He has found a voice for the forgotten souls who haunt the fringes of our culture and for its larger-than-life, real-life figures. His language is defiantly, radiantly American.

Now, to a new century, he has brought The Body Artist. In this spare, seductive novel, he inhabits the muted world of Lauren Hartke, an artist whose work defies the limits of the body. Lauren is living on a lonely coast in a rambling rented house, where she encounters a strange, ageless man, a man with uncanny knowledge of her own life. Together they begin a journey into the wilderness of time -- time, love, and human perception. The Body Artist is a haunting, beautiful, and profoundly moving novel from one of the finest writers of our time.

From one of America's greatest writers, The Silence is a timely and compelling novel about what happens when an unpredictable crisis strikes.

It is Super Bowl Sunday in the year 2022. Five people are due to have dinner in an apartment on the east side of Manhattan. The hosts are a retired physics professor and her husband; they are joined by one of her former students and await the arrival of another couple, delayed by what becomes a dramatic flight from Paris.

In the apartment, talk ranges widely. The opening kickoff is one commercial away. Then something happens and the digital connections that have transformed our lives are severed.

What follows is a dazzling and profoundly moving conversation about what makes us human. Never has the art of fiction been such an immediate guide to our navigation of a bewildering world. Never have DeLillo’s prescience, imagination and language been more illuminating and essential.

Underworld opens – famously – at the Dodgers-Giants 1951 National League final, where Bobby Thomson hits The Shot Heard Round the World and wins the pennant race for the Giants. But on the other side of the planet, another highly significant shot was fired: the USSR's first atomic detonation. And so begins a masterpiece of gloriously symphonic storytelling. Don DeLillo loosely follows the fate of the winning baseball as the book swells and rolls through time. He offers a panoramic vision of America, defined by the overarching conflict of the cold war. This is an awe-inspiring story, seen in deep, clear detail, of men and women, together and apart, as they search for meaning, survival and connection in the toughest of times. Part of the Picador Collection, a series showcasing the best of modern literature.

"One of the most intelligent, grimly funny voices to comment on life in present-day America" (The New York Times), Don DeLillo presents an extraordinary new novel about words and images, novelists and terrorists, the mass mind and the arch-individualist. At the heart of the book is Bill Gray, a famous reclusive writer who escapes the failed novel he has been working on for many years and enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms. Bill's dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott, and the strange young woman who is Scott's lover--and Bill's.

A brief, unnerving, and exceptionally hard-hitting novel about time and loss as only the bestselling and National Book Award-winning author of White Noise and Underworld can tell it.In this potent and beautiful novel, the writer The New York Times calls "prophetic about twenty-first-century America" looks into the mind and heart of a scholar who was recruited to help the military conceptualize the war. We see Richard Elster at the end of his service. He has retreated to the desert, in search of space and geologic time. There he is joined by a filmmaker and by Elster's daughter Jessica--an "otherworldly" woman from New York. The three of them build an odd, tender intimacy, something like a family. Then a devastating event turns detachment into colossal grief, and it is a human mystery that haunts the landscape of desert and mind.

During a season of unprecedented success, Gary becomes increasingly fixated on the threat of nuclear war. Both frightened and fascinated by the prospect, he listens to his team-mates discussing match tactics in much the same terms as generals might contemplate global conflict. But as the terminologies of football and nuclear war – the language of end zones – become interchanged, the polysemous nature of words emerges, and DeLillo forces us to see beyond the sterile reality of substitution. This clever and playful novel is a timeless and topical study of human beings' obsession with conflict and confrontation. Part of the Picador Collection, a series showcasing the best of modern literature.

A finalist for the PEN/Faulkner Award for Fiction and the Story Prize, the first ever collection of "dazzlingly told" (The New York Times) short stories--now available as a trade paperback. Set in Greece, the Caribbean, Manhattan, a white-collar prison and outer space, this "small masterpiece of short fiction" (USA Today) is a mesmerizing introduction to Don DeLillo's iconic voice. In "Creation," a couple at the end of a cruise somewhere in the West Indies can't get off the island--flights canceled, unconfirmed reservations, a dysfunctional economy. In "Human Moments in World War III," two men orbiting the earth, charged with gathering intelligence and reporting to Colorado Command, hear the voices of American radio, from a half century earlier. In the title story, Sisters Edgar and Grace, nuns working the violent streets of the South Bronx, confirm the neighborhood's miracle, the apparition of a dead child, Esmeralda. Nuns, astronauts, athletes, terrorists and travelers, the characters in The Angel Esmeralda propel themselves into the world and define it. These nine stories describe an extraordinary journey of one great writer whose prescience about world events and ear for American language changed the literary landscape.

Jack Gladney teaches Hitler studies at a liberal arts college in Middle America where his colleagues include New york expatriates who want to immerse themselves in "American magic and dread." Jack and his fourth wife, Babette, bound by their love, fear of death, and four ultramodern offspring, navigate the usual rocky passages of family life to the background babble of brand-name consumerism.

Then a lethal black chemical cloud floats over their lives, an "airborne toxic event" unleashed by an industrial accident. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladney family--radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmerings--pulsing with life, yet heralding the danger of death.

Jeffrey Lockhart has been summoned to The Convergence: a remote and secret compound where death is exquisitely, cryogenically controlled. He is there to say goodbye to his stepmother, Artis, who has chosen to surrender her dying body; preserving it until a future time when biomedical advances and new technologies can return her to a life of transcendent promise. And his healthy father, Ross, might join her. Hypnotic and seductive, Don DeLillo's Zero K is a visionary novel about the legacies we leave, the nobility of death, and the ultimate worth of 'the mingled astonishments of our time, here, on earth.'

The Body Artist begins with normality: breakfast between a married couple, Lauren and Rey, in their ramshackle rented house on the New England coast. Recording their delicate, intimate, half-complete thoughts and words, Don DeLillo proves himself a stunningly unsentimental observer of our idiosyncratic relationships. But after breakfast, Rey makes a decision that leaves Lauren utterly alone, or seems to. As Lauren, the body artist of the title, becomes strangely detached from herself and the temporal world, the novel becomes an exploration of a highly abnormal grieving process; a fascinating expose of 'who we are when we are not rehearsing who we are'; and a rarefied study of trauma and creativity, absence and presence, isolation and communion.

Set against the backdrop of a lush and exotic Greece, The Names is considered the book which began to drive "sharply upward the size of his readership" ("Los Angeles Times Book Review"). Among the cast of DeLillo's bizarre yet fully realized characters in The Names are Kathryn, the narrator's estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses. A thriller, a mystery, and still a moving examination of family, loss, and the amorphous and magical potential of language itself, The Names stands with any of DeLillo's more recent and highly acclaimed works.
"The Names not only accurately reflects a portion of our contemporary world but, more importantly, creates an original world of its own."--"Chicago Sun-Times"
"DeLillo sifts experience through simultaneous grids of science and poetry, analysis and clear sight, to make a high-wire prose that is voluptuously stark."--"Village Voice Literary Supplement"
"DeLillo verbally examines every state of consciousness from eroticism to tourism, from the idea of America as conceived by the rest of the world to the idea of the rest of the world as conceived by America, from mysticism to fanaticism."--"New York Times"

There is September 11 and then there are the days after, and finally the years.

"Falling Man" begins in the smoke and ash of the burning towers and traces the aftermath of this global tremor in the intimate lives of a few individuals. Theirs are lives choreographed by loss, grief and the enormous force of history.

'These are pages of magnificent force and control, DeLillo's genius at full pelt. Reading them, you have to remind yourself to keep breathing' " New Statesman"

'Searing, profoundly unsettling. An unforgettable novel' " Sunday Times"

'A revelatory piece of writing that will stand as a testament to DeLillo's genius' "Times Literary Supplement "

'As fine a thing as DeLillo has ever made. There are those who have called him a cold writer; I challenge them to read the astonishing and deeply moving closing pages of "Falling Man" without weeping' " Scotsman "

'Complex, thrilling, awesome . . . This is a tremendous novel by a genuine master' "Irish Independent"

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