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In recent decades, Wordsworth's poetry has become a point of focus
for a great many of the proliferating schools of criticism and
theoretical paradigms that dominate modern literary studies. Don
Bialostosky here addresses the problem that the multiplicity of
criticism has outrun the capacity to respond to it, often leaving
teaching practices behind in their reflection of older models of
literary study. Bialostosky's method draws on the work of Bakhtin
and his followers to create a "dialogic" critical synthesis of what
Wordsworth's readers--from Coleridge to de Man--have made of his
poetry. He reveals an understanding of Wordsworth's poetry as
itself "dialogically" responding to its various contexts, and opens
up fruitful possibilities for current criticism and teaching of
Wordsworth. This challenging book uses the case of Wordsworth
studies to make a far-reaching survey of modern literary theory and
its implications for the practice of criticism and teaching today.
In recent decades, Wordsworth's poetry has become a point of focus
for a great many of the proliferating schools of criticism and
theoretical paradigms that dominate modern literary studies. Don
Bialostosky here addresses the problem that the multiplicity of
criticism has outrun the capacity to respond to it, often leaving
teaching practices behind in their reflection of older models of
literary study. Bialostosky's method draws on the work of Bakhtin
and his followers to create a "dialogic" critical synthesis of what
Wordsworth's readers--from Coleridge to de Man--have made of his
poetry. He reveals an understanding of Wordsworth's poetry as
itself "dialogically" responding to its various contexts, and opens
up fruitful possibilities for current criticism and teaching of
Wordsworth. This challenging book uses the case of Wordsworth
studies to make a far-reaching survey of modern literary theory and
its implications for the practice of criticism and teaching today.
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