The first in the series of films featuring Lieutenant Harry Callahan (Clint Eastwood) - a right wing, bad-tempered San Francisco policeman, not averse to bending the rules to get his man. The maniacal 'Scorpio Killer' is on the loose and Callahan disregards procedure in his efforts to track him down, using his trusty Magnum .44 to dispense his own brand of justice. Somewhat surprisingly, the film was conceived as a vehicle for Frank Sinatra.

In 29 years, the seemingly impenetrable federal penitentiary, which housed Al Capone and "Birdman" Robert Stroud, was only broken out of once - by three men never heard from again.

Eastwood portrays Frank Morris, the cunning bank robber who masterminded the elaborately detailed and, as far as anyone knows, ultimately successful, escape. Patrick McGoohan is a superb counterpoint as the suspicious warden.

Filmed on location in Alcatraz, this gritty and realistic reenactment of the true story has all the power one expects of an Eastwood/Siegel movie.

Box set of eight classic Clint Eastwood films. In 'Play Misty for Me' (1971) Dave Garland (Clint Eastwood) is a Californian DJ who runs a late night call-in show, and receives regular requests from a female caller for Erroll Garner's 'Misty'. The fan, Evelyn Draper (Jessica Walter), turns out to be a maniacal stalker. In the western 'High Plains Drifter' (1973) the unwelcome arrival of a stranger (Eastwood) in the town of Lagos causes resentment and fear among the locals. However, when they come under threat from a band of escaped convicts, it is to the stranger that the townsfolk turn for salvation. In 'The Beguiled' (1970), during the American Civil War, a wounded Union soldier (Eastwood) is taken in by the all-female staff of a Confederate Louisiana girls' school as their 'prize'. However, the soldier cunningly plays the women off against each other, working on their sexual frustrations and biding his time until he can make an escape. 'Breezy' (1973) is an Eastwood-directed effort in which Breezy (Kay Lenz) is a teenage hippy hitchhiker taken advantage of by a ruthless rotter who wants to use her for sex. She escapes in a remote area and meets kindly middle-aged man Frank Harmon (William Holden) whom she hopes will take her in. Harmon is (rightfully) reluctant and his worst imaginable scenario comes true when the impressionable teen falls in love with him. In 'Joe Kidd' (1972) Eastwood plays a drunken tracker coerced by American business tycoon Robert Duvall to go in search of Mexican agitator John Saxon. The film is scripted by renowned crime writer Elmore Leonard. In 'Two Mules for Sister Sarah' (1969) a gold-digger (Eastwood) in old Mexico shows his fundamentally noble nature by saving a 'nun' (Shirley Maclaine) from being raped. She turns out in fact to be a prostitute, and the odd couple team up, facing continual confrontation with the French forces. In 'Coogan's Bluff' (1968) Eastwood is Arizona deputy Walt Coogan, sent to New York city to escort a prisoner home. The prisoner isn't ready to be transferred back to Arizona so Coogan cuts a few corners. This helps the prisoner escape and, after Coogan clashes with the Sherrif McElroy (Lee J. Cobb), he is ordered back to Arizona. In 'The Eiger Sanction' (1975) college lecturer Jonathan Hemlock (Eastwood) tops up his university paypacket by carrying out the occasional assassination. His latest assignment involves joining a climbing expedition up the Eiger, identifying the Russian killer amongst the group, and then neutralising his threat.

In The Quest for Mastery, Sam M. Intrator and Don Siegel investigate an emerging trend: the growth of out-of-school programmes dedicated to helping underserved youth develop the personal qualities and capacities that will help them succeed in school, college, and beyond. Intensive programmes from rowing to youth radio, from lacrosse to studio art, aim to create "communities of practice" that capture young people's interest and support them as they strive to excel. Through richly detailed accounts, the authors describe the unconventional ways these programmes have evolved and articulate the formidable challenges they face in operationalising their aspirations. By documenting the powerful effect out-of-school programmes like these can have in transforming lives, the authors show how young people can become engaged in meaningful and productive learning experiences and highlight the poignant contrast between what these students experience inside and outside of school.

'Hondo' (1953), 'McLintock!' (1963), 'True Grit' (1969), 'Rio Lobo' (1970), 'El Dorado' (1966), 'Big Jake' (1971), 'The Shootist' (1976), 'The Sons of Katie Elder' (1965) and 'The Man Who Shot Liberty Valance' (1962).