As Andrzej Sapkowski was fleshing out his character Geralt of Rivia for a writing contest, he did not set out to write a science textbook--or even a work of science fiction. However, the world that Sapkowski created in his series The Witcher resulted in a valuable reflection of real-world developments in science and technology. As the Witcher books have been published across decades, the sorcery in the series acts as an extension of the modern science it grows alongside. This book explores the fascinating entanglement of science and magic that lies at the heart of Sapkowski's novel series and its widely popular video game and television adaptations. This is the first English-language book-length treatment of magic and science in the Witcher universe. These are examined through the lenses of politics, religion, history and mythology. Sapkowski's richly detailed universe investigates the sociology of science and ponders some of the most pressing modern technological issues, such as genetic engineering, climate change, weapons of mass destruction, sexism, speciesism and environmentalism. Chapters explore the unsettling realization that the greatest monsters are frequently human, and their heinous acts often involve the unwitting hand of science.

Frank Herbert's Dune is one of the most well-known science fiction novels of all time, and it is often revered alongside time-honored classics like The Lord of the Rings. Unlike Tolkien's work, the Dune series has received remarkably little academic attention. This collection includes fourteen new essays from various academic disciplines-including philosophy, political science, disability studies, Islamic theology, environmental studies, and Byzantine history-that examine all six of Herbert's Dune books. As a compendium, it asserts that a multidisciplinary approach to the texts can lead to fresh discoveries. Also included in this collection are an introduction by Tim O'Reilly, who authored one of the first critical appraisals of Herbert's writings in 1981, and a comprehensive bibliography of essential primary and secondary sources.

While all fiction uses words to construct models of the world for readers, nowhere is this more obvious than in fantasy fiction. Epic fantasy novels create elaborate secondary worlds entirely out of language, yet the writing style used to construct those worlds has rarely been studied in depth. This book builds the foundations for a study of style in epic fantasy. Close readings of selected novels by such writers as Steven Erikson, Ursula Le Guin, N. K. Jemisin and Brandon Sanderson offer insights into the significant implications of fantasy's use of syntax, perspective, paratexts, frame narratives and more. Re-examining critical assumptions about the reading experience of epic fantasy, this work explores the genre's reputation for flowery, archaic language and its ability to create a sense of wonder. Ultimately, it argues that epic fantasy shapes the way people think, examining how literary representation and style influence perception.

Regency England was a pivotal time, remembered for its political uncertainty with a changing monarchy, the Napoleonic Wars, and a population explosion in London. In Susanna Clarke's fantasy novel Jonathan Strange and Mr. Norrell, the era is also witness to the unexpected return of magic. Locating the consequences of this eruption of magical unreason within the context of England's imperial history, this study examines Merlin and his legacy, the roles of magicians throughout history, the mythology of disenchantment, the racism at work in the character of Stephen Black, the meaning behind the fantasy of magic's return, and the Englishness of English magic itself. Looking at the larger historical context of magic and its links to colonialism, this inaugural treatment offers both a fuller understanding of the ethical visions underlying Clarke's groundbreaking novel of madness intertwined with magic, while challenging readers to rethink connections among national identity, rationality, and power.

Just over two hundred years ago on a stormy night, a young woman conceived of what would become one of the most iconic images of science gone wrong, the story of Victor Frankenstein and his Creature. For a long period, Mary Shelley languished in the shadow of her luminary husband, Percy Bysshe Shelley, but was rescued from obscurity by the feminist scholars of the 1970s and 1980s. This book offers a new perspective on Shelley and on science fiction, arguing that Shelley both established a new discursive space for moral thinking and laid the groundwork for the genre of science fiction. Adopting a contextual biographical approach to understand the factors that enabled Shelley to create Frankenstein, and undertaking a close reading of the 1818 and 1831 editions of the text, gives readers insight into how this famous story synthesizes many of the concerns about new science that were prevalent in Shelley's time. Using Michel Foucault's concept of discourse, this work argues that Shelley should be credited with not only the foundation of a genre but recognized as a figure who created a new cultural space for readers to explore their fears and negotiate the moral landscape of new science.

Charles Fort was an American researcher from the early twentieth century who cataloged reports of unexplained phenomena he found in newspapers and science journals. A minor bestseller with a cult appeal, Fort's work was posthumously republished in the pulp science fiction magazine Astounding Stories in 1934. His idiosyncratic books fascinated, scared, and entertained readers, many of them authors and editors of science fiction. Fort's work prophesied the paranormal mainstays of SF literature to come: UFOs, poltergeists, strange disappearances, cryptids, ancient mysteries, unexplained natural phenomena, and everything in between. Science fiction authors latched on to Fort's topics and hypotheses as perfect fodder for SF stories. Writers like Arthur C. Clarke, Philip K. Dick, Robert Heinlein, H.P. Lovecraft, and others are examined in this exploration of Fortean science fiction-a genre that borrows from the reports and ideas of Fort and others who saw the possible science-fictional nature of our reality.

Since they began appearing in the 1970s, Michael Bishop's science fiction and fantasy stories have been recognized for their polished prose and their depth of thought and feeling. His award-winning fiction includes No Enemy but Time (1982), Unicorn Mountain (1988), Brittle Innings (1994) and the outstanding short story "The Pile" (2008). After the 2017 publication of his collection Other Arms Reach Out to Me, Bishop was inducted into the Georgia Writers' Hall of Fame. Revision and republication of much of Bishop's fiction in recent years have renewed interest in Bishop's explorations of religion, belief and the pursuit of human truth. This book is the first comprehensive study of Michael Bishop's literary body, examining his work in full. Featured are close readings of all his novels and studies of short stories, poetry and essays that Bishop himself identified for special attention.

Caitlin R. Kiernan is at the forefront of contemporary gothic, weird and science fiction literature. She has written more than a dozen novels, over 250 short stories, many chapbooks, along with a large number of graphic works. For these Kiernan has won numerous awards. This first full-length look at Kiernan's body of work explores her fictional universe through critical literary lenses to show the depth of her contributions to modern genre literature. A prolific and creative writer, Kiernan's fictions bring to life our fears about the other, the unknown, and the future through stories that range widely across time and space. A sense of dark terror pervades her novels and stories. Yet Kiernan's fictional universe is not disengaged from reality. That is because she works within the long tradition of gothic fiction speaking to the gravest ethical, social and cultural issues. In her dark fiction, Kiernan illustrates the terror of the tyranny of the normal, the oppression of marginalized people, and the pervasive violence of our time. Her dystopian sf propels today's dangerous economic, social, political and environmental tendencies into the future. Kiernan's fiction portrays troubling truths about the current human condition.

One of the major figures in science fiction for over sixty years, James Gunn has been instrumental in the development of science fiction teaching and in making science fiction one of the most vibrant and engaging areas of scholarly study. His genre history Alternate Worlds and his monumental The Road to Science Fiction anthologies introduced countless readers to the genre. While a professor of English at the University of Kansas, Gunn founded the Gunn Center for the Study of Science Fiction in 1982. But Gunn has also been one of the genre's leading writers, whose classic novels Star Bridge (with Jack Williamson), The Joy Makers, The Immortals, and The Listeners, helped shape the field. Now in his nineties, Gunn remains a major voice in science fiction. His latest novel, Transformation (the conclusion of the Transcendental trilogy), will be published in 2017. Michael Page's study is the first to examine the life, career, and writing of this science fiction grandmaster. Drawing on materials from Gunn's archives and from personal interviews with Gunn and providing detailed analysis and commentary on Gunn's fiction, in The Science Fiction, Scholarship, and Teaching of James Gunn Page provides a much-needed exploration of one of science fiction's important figures.

Do you find yourself contemplating the imminent end of the world? Do you wonder how society might reorganize itself to cope with global cataclysm? Have you begun hoarding canned goods and ammunition against possible alien invasion? Visions of the apocalypse and its aftermath began to dominate mass media well before the turn of the millennium. Yet narratives since the year 2000 present decidedly different spins on cultural anxieties, founded in real-world experiences of terrorism, disease, environmental collapse, worldwide conflict and millennial technologies. Many of these concerns have been made metaphorical: zombie hordes embody fear of out-of-control appetites and encroaching disorder. Other fears, like the prospect of human technology turning on its creators, seem more based in reality. This collection of new essays explores apocalyptic themes and narratives in a variety of post-millennial media, including film, television, video games, webisodes and smartphone apps.

A prolific author, Isaac Asimov is most admired for his science fiction, including his collection of short stories I, Robot and his Robot, Empire and Foundation series novels. While each of these narratives takes place in a different fictional universe, Asimov asserted at the end of his career that he had, with his last Robot and Foundation novels, unified them into one coherent metaseries. The Encyclopedia Galactica, a compendium of all human knowledge, is prominent in the Foundation series as a key plot element but is also widely cited in the text itself. Palumbo and Sullivan's major new reference work book contains 1,000 selected excerpts from the Encyclopedia, identifying and describing all of the characters, locales, artifacts, concepts and institutions in Asimov's metaseries. The authors argue that Asimov successfully integrates the three series through the retroactive use of chaos theory, the underlying principle behind both psychohistory and Three Laws of Robotics-respectively the crucial concepts in the Foundation and Robot stories.

Prolific, popular and critically acclaimed, Michael Moorcock is the most important British fantasy author of his generation. His Elric of Melnibone is an iconic figure for millions of fans but Moorcock has also been a pioneer in science fiction and historical fiction. He was hailed as the central figure of the ""New Wave"" in science fiction, and has won numerous awards for his fantasy and science fiction, as well as his ""mainstream"" writing. This first full-length critical look at Moorcock's career, from the early 1960s to the present, explores the author's fictional multiverse: his fantasy tales of the ""Eternal Champion""; his experimental Jerry Cornelius novels; his hilarious science-fiction satire of his ""End of Time"" books; and his complex meditations on 20th-century history of Mother London and the Colonel Pyat tetralogy.

Speculative science fiction, with its underlying socio-political dialogue, represents an important intersection of popular culture and public discourse. As a pop culture text, the animated series Star Wars: The Clone Wars offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically examines the series as a voice in the political dialogs concerning human cloning, torture, just war theory, peace and drone warfare.

This volume analyzes the use of Joseph Campbell's monomyth in twenty-six films and two SciFi Channel miniseries released and aired in the fifty year period between 1960 and 2009. In addition to serving as the underlying plot structure in the initial Star Wars trilogy - Star Wars Episode IV: A New Hope (1977), Star Wars Episode V: The Empire Strikes Back (1980), and Star Wars Episode VI: Return of the Jedi (1983) - these films include The Time Machine (1960), Logan's Run (1976), Time After Time (1979), Escape from New York (1981), Tron (1982), Dreamscape (1984), The Last Starfighter (1984), Dune (1984), The Terminator (1984), Back to the Future (1985), Total Recall (1990), The Matrix (1999), and each of the first eleven Star Trek Films: Star Trek: The Motion Picture (1979), Star Trek II: The Wrath of Khan (1982), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), Star Trek V: The Final Frontier (1989), Star Trek VI: The Undiscovered Country (1991), Star Trek: Generations (1994), Star Trek: First Contact (1996), Star Trek: Insurrection (1998), Star Trek: Nemesis (2002), and Star Trek (2009). The two Sci Fi miniseries discussed are Frank Herbert's Dune (2000) and Frank Herbert's Children of Dune (2003). Organized into an Introduction and nine chapters, this study examines the monomyth in the context of Campbell's The Hero with a Thousand Faces (1949) and then discusses the use of this versatile plot structure in these twenty-six films and two miniseries.

This book makes connections between mythopoeic fantasy - works which engage the numinous - and the critical apparatuses of ecocriticism and posthumanism. Drawing from the ideas of Rudolf Otto in The Idea of the Holy, mythopoeic fantasy is a means of subverting normative modes of perception to both encounter the numinous and to challenge the perceptions of the natural world. Beginning with S.T. Coleridge’s theories of the imagination as embodied in The Rime of the Ancient Mariner, the book moves on to explore standard mythopoeic fantasists such as George MacDonald, C.S. Lewis, and J.R.R. Tolkien. Taking a step outside these mythopoeic fantasists, who are particularly influenced by Christianity, the concluding chapters discuss Algernon Blackwood and Ursula Le Guin, two authors whose work evokes the numinous without a specifically Christian worldview.

Many believe that Robert A. Heinlein was the most important American science fiction writer of the 20th century. This is the first detailed critical examination of his entire career. It is not a biography that is being done in a two-volume work by William Patterson. Instead, this book looks at each piece of fiction (and a few pieces of sf-related nonfiction) that Heinlein wrote, chronologically by publication, in order to consider what each contributes to his overall accomplishment. The aim is to be fair, to look clearly at the strengths and weaknesses of the writings that have inspired generations of readers and writers.

The all-new essays in this book respond to the question, How do spaces in science fiction, both built and unbuilt, help shape the relationships among humans, other animals and their shared environments? Spaces, as well as a sense of place or belonging, play major roles in many science fiction works. This book focuses especially on science fiction that includes depictions of the future that include, but move beyond, dystopias and offer us ways to imagine reinventing ourselves and our perspectives; especially our links to and views of new environments. There are ecocritical texts that deal with space/place and science fiction criticism that deals with dystopias but there is no other collection that focuses on the intersection of the two. The essays in this volume treat Shelley's Frankenstein, Capek's War with the Newts, William Morris's News from Nowhere, Le Guin's The Word for World Is Forest, Delany's Stars in My Pocket Like Grains of Sand, Philip K. Dick's Do Androids Dream of Electric Sheep?, Marge Piercy's He, She, It, Neal Stephenson's Anathem, Amitav Ghosh's Calcutta Chromosome and Cormac McCarthy's The Road.

Reversing a common science fiction cliche, Farscape follows the adventures of the human astronaut John Crichton after he is shot through a wormhole into another part of the universe. Here Crichton is the only human being, going from being a member of the most intelligent species on our planet to being frequently considered mentally deficient by the beings he encounters in his new environment. Crichton befriends a group of beings from various species attempting to escape from imprisonment aboard a living spaceship. The series, which broke many of the so-called ""rules"" of science fiction, follows Crichton's attempts to survive in worlds that are often hostile to him and his friends. Their adventures centre on each being's attempt to find a way home. The essays in this volume explore themes running throughout the series, such as good and evil, love and sex, and what it means to be a hero, as well as the various characters populating the series, including the villains and even the ship itself.

This essay collection explores the life and work of scifi doyen Ray Bradbury from a variety of perspectives. Noting the impact of the Southwest on Bradbury, some of the essays analyse Bradbury's southwest metaphors: colonial pollution of a pristine ecology, the impacts of a colonial invasion upon an indigenous population, the meeting of cultures with different values and physical aspects. Other essays view Bradbury via the lens of post-colonialism, drawing parallels between such works as The Martian Chronicles and real-life colonialism and its effects. Others view Bradbury sociologically, analysing border issues in his 1947 New Yorker story I See You Never, written long before the issue of Mexican deportees appeared on the American literary horizon. From the scientific side, four essays by astronomers document how Bradbury formed the minds of many budding scientists with his vision. On August 22, 2012, the Martian landing site of the ""Curiosity"" rover in the Gale Crater was named ""Bradbury"". This honour shows that Bradbury forms a significant link between the worlds of fiction and planetary science.

Lois McMaster Bujold has won a shelf full of awards--Hugos, Nebulas, and others--for both her science fiction and fantasy writing. She is one of the most respected names in the field, always delivering polished, thoughtful, and well-crafted writing. She consistently addresses great issues and problems on a human level, where they are faced by quirky, prickly, and very real characters, and her exploration of the theory of reader-response is an important critical contribution. Yet there has been a surprising dearth of serious critical writing about her output--in part because she resists neat and easy classification by genre, politics, or subject matter. This collection of fresh essays aims to correct that situation by presenting a variety of critical perspectives addressing many aspects of her writing. Attention is given to both her Miles Vorkosigan science fiction series and her Chalion and Sharing Knife fantasy series, as well as the books that fall outside these series.

This book is a collection of new essays, with the general objective of filling a gap in the literature about sex and science fiction. Although some work has been published, none of it is recent. The essays herein explore the myriad ways in which authors writing in the genre, regardless of format (e.g., print, film, television, etc.), envision very different beings expressing this most fundamental of human behaviors. ""Science fiction"" can be translated into ""real unreality."" More than a genre like fantasy, which creates entirely new realms of possibility, science fiction constructs its possibilities from what is real, from what is, indeed, possible, or conceivably so. This collection, then, looks to understand and explore the ""unreal reality,"" to note ways in which our culture's continually changing and evolving mores of sex and sexuality are reflected in, dissected by, and deconstructed through the genre of science fiction.

From Doctor Who in the 1960s, to the more recent Heroes and Lost a select group of television series with strong elements of fantasy has achieved cult status. Focusing on eight such series, this work analyzes what makes these programs unique, and what they have in common. Examination of the interaction between the series' creators, studios and fans provides further insight into the series' lasting impact. Included are assessments of the strategies used to promote the series' appeal; an explanation of "transmedia" storytelling and its influence on the television fantasy genre; evaluations of how viewers have shaped cult texts and how greater audience acceptance encouraged creators to develop challengingly complex long-form dramas; and descriptions of changes within broadcasting that have enabled "telefantasy" to transcend niche status and enjoy prominence and popularity.

Robert A. Heinlein was one of the most revered science fiction writers in America during the twentieth century. He published his early, juvenile science fiction novels between 1947 and 1958, just as America was emerging from World War II and entering the space age. This comprehensive work explores Heinlein's juvenile novels, providing pertinent definitions and explanations to aid the reader. Of particular interest is the way in which Heinlein used science fiction to parallel the exploration of outer space with the settlement of the North American continent. Both Rocket Ship Galileo and Have Spacesuit--Will Travel are discussed. Appendices provide a precis of the plot of each book, and speculate on some of the names and terms for which no specific reference could be found.

Following the Second World War, the Fleuve Noir publishing house published popular American genre fiction in translation for a French audience. Anticipation was an imprint of Fleuve Noir, specializing in science fiction. This critical text examines in ideological terms eleven writers who published under the Anticipation imprint. Anticipation eschewed English-translation science fiction, preferring instead French work and thus making the imprint an important outlet for native French post-war ideas and aesthetics. Careful analysis reveals the way these writers criticized mid-century notions of progress while adapting and reworking American genre formats.

Since the early rise of the novel, utopian stories have held the public imagination. This critical text argues that though these books may appear to be social statements or ideological propaganda, they should be treated as literary texts, not as blueprints for a human community. Thomas More's ""Utopia"", H.G. Well's ""A Modern Utopia"", Aldous Huxley's ""Brave New World"", and Arthur C. Clarke's ""The City and the Stars"" are examined as texts representative of utopianism during specific historical periods. Part of McFarland's ""Critical Explorations in Science Fiction and Fantasy"" series, this is a vital addition to critical discussion of utopian literature.