Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

THE CREATION OF THE COURT OF JUSTICE OF THE EUROPEAN COAL AND STEEL COMMUNITY On 9th May, 1950, M. Robert Schuman, the then Foreign Minister of France, speaking at a Press Conference in Paris, outlined the idea of establishing a Community within Europe to control the production of coal and steel. "The French Govern ment", he stated, "propose to place the whole of the Franco German production of coal and steel under a common high authority! within an organisation open to the participatio~ of other countries of Europe ... This will form the first concrete step towards a European Federation, which is indispensable for peace" 2. This statement, apart from the specific mention of a high authority, does not mention any proposed organs of such a Community, and, as will appear, no firm idea of the Community's structure existed at all at that date. Six weeks after this announcement in Paris, a Conference composed of the six States that were to form the Coal and Steel 4 Community3 met under the presidency of M. Monnet * This Conference continued its work "consciencieux et discret, rue 5 Martignac" until March, 1951 * The first reference that one finds to a judicial organ to control the activity of the Community is contained in the document sub mitted by the Commissariat general au Plan 6. When compared with 1 The term is given in small letters as a description rather than as a title. 2 Bulletin Q.uotidien, 11th May, 1950.

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This title offers printed book plus Pageburst access - you will receive a printed book and access to the complete book content electronically. Pageburst enhances learning by not only bringing world class content to your fingertips but also letting you add to it, annotate it, and categorize it all in a way that suits you. Pageburst frees you to spend more time learning and less time searching. "Principles and Application of Radiological Physics, 6/e" provides comprehensive and easy-to-follow coverage of the principles and application of physics for both diagnostic and therapeutic radiography students. Regardless of changes in technology and clinical grading, the most important role of the radiographer remains unchanged - ensuring the production of high quality images and optimal treatment. These should be performed with the minimum of radiation hazard to patients, staff and others. An understanding of physics and the basics of radiographic technology is essential to do this effectively. The book covers all the physics and mathematics required by undergraduate diagnostic and therapeutic radiography students, catering for those who do not have a mathematics qualification as well as for those who do. In this edition, there is a focus upon application of physics to reflect current teaching approaches. It has completely revised structure, leading from science principles to applications. It features new chapters on CT, MRI, ultrasound, PET, RNI, mammography and digital imaging, as well as electronic learning resources for students, hosted on Evolve.

Authenticity, honesty, and character: Donald Graham's portraits are not simply photographic recordings. Looking at them is like looking at human beings themselves, brought forth by the photographer with his virtuoso technique and sensibilities. These brilliant, strongly contrasting black-and-white photos are evidence of attitude, rather than studied gestures. Eyes and faces are not model-like masks; instead, they express the unique nature of those portrayed. Inevitably, viewers find themselves in a dialogue with them. You wonder about the stories behind these faces; though unfamiliar, they are nevertheless an emotional experience. This magnificent volume of pictures is the first extensive publication of Graham's haunting work. Reproduced in an elaborate triplex process, the printed photographs also possess great brilliance. On paper they seem almost tangible, fully revealing this outstanding oeuvre.