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Exciting intellectual frontiers are open for exploration as
agenda-setting theory moves beyond its 25th anniversary. This
volume offers an intriguing set of maps to guide this exploration
over the near future. It is intended for those who are already
reasonably well read in the research literature that has
accumulated since the publication of McCombs and Shaw's original
1972 "Public Opinion Quarterly" article. This piece of literature
documented the influence of the news media agenda on the public
agenda in a wide variety of geographic and social settings,
elaborated the characteristics of audiences and media that enhance
or diminish those agenda-setting effects, and cataloged those
exogenous factors explaining who sets the media's agenda. In the
current volume, a provocative set of maps for explicating new
levels of agenda-setting theory have been sketched by a new
generation of young scholars, launching an enterprise that has
significant implications for theoretical research and for the
day-to-day role of mass communication in democratic societies.
Exciting intellectual frontiers are open for exploration as
agenda-setting theory moves beyond its 25th anniversary. This
volume offers an intriguing set of maps to guide this exploration
over the near future. It is intended for those who are already
reasonably well read in the research literature that has
accumulated since the publication of McCombs and Shaw's original
1972 "Public Opinion Quarterly" article. This piece of literature
documented the influence of the news media agenda on the public
agenda in a wide variety of geographic and social settings,
elaborated the characteristics of audiences and media that enhance
or diminish those agenda-setting effects, and cataloged those
exogenous factors explaining who sets the media's agenda. In the
current volume, a provocative set of maps for explicating new
levels of agenda-setting theory have been sketched by a new
generation of young scholars, launching an enterprise that has
significant implications for theoretical research and for the
day-to-day role of mass communication in democratic societies.
A refreshing new interdisciplinary slant on magical realism as an international literary phenomenon emerging from the trauma of colonial dispossession. Companion to Magical Realism provides an assessment of the world-wide impact of a movement which was incubated in Germany, flourished in Latin America and then spread to the rest of the world. It provides a set of up-to-date assessments of the work of writers traditionally associated with magical realism such as Gabriel Garcia Marquez [in particular his recently published memoirs], Alejo Carpentier, Miguel ngel Asturias, Juan Rulfo, Isabel Allende,Laura Esquivel and Salman Rushdie, as well as bringing into the fold new authors such as W.B. Yeats, Seamus Heaney, Jose Saramago, Dorit Rabinyan, Ovid, Maria Luisa Bombal, Ibrahim al-Kawni, Mayra Montero, Nakagami Kenji, Jose Eustasio Rivera and Elias Khoury, discussed for the first time in the context of magical realism. Written in a jargon-free style, and with all quotations translated into English, this book offers a refreshing new interdisciplinary slant on magical realism as an international literary phenomenon emerging from the trauma of colonial dispossession. The companion also has a Guide to Further Reading. Stephen Hart is Professor of Hispanic Studies, University College London and Doctor Honoris Causa of the Universidad Nacional Mayor de San Marcos, Lima, Peru. Wen-chin Ouyang lectures in Arabic Literature and Comparative Literature at the School of Oriental and African Studies,London.
Agendamelding: News, Social Media, Audiences, and Civic Community builds on the premise that people construct civic community from the information that they seek-as well as the information that seeks them-to trace the processes by which we mix, or meld, agendas from various sources into a coherent picture of the civic community in which we live. Using the presidential elections of 2008, 2012, and 2016, this book tests a formula that allows us to predict how potential voters lean towards communities in which they feel comfortable-for example, Republican, Democratic, or Independent. These analyses take into account differences in the use of traditional news media vs. social media among media consumers, as well as varying levels of press freedom across national populations.
Agendamelding: News, Social Media, Audiences, and Civic Community builds on the premise that people construct civic community from the information that they seek-as well as the information that seeks them-to trace the processes by which we mix, or meld, agendas from various sources into a coherent picture of the civic community in which we live. Using the presidential elections of 2008, 2012, and 2016, this book tests a formula that allows us to predict how potential voters lean towards communities in which they feel comfortable-for example, Republican, Democratic, or Independent. These analyses take into account differences in the use of traditional news media vs. social media among media consumers, as well as varying levels of press freedom across national populations.
A comprehensive survey of Spanish American fiction as it has eveolved through successive phases. With such figures as Jorge Luis Borges, Miguel Angel Asturias and Gabriel Garcia Marquez (both the latter Nobel Prizewinners) Spanish American fiction is now unquestionably an integral part of the mainstream of Western literature.This book draws on the most recent research in describing the origins and development of narrative in Spanish America during the nineteenth and twentieth centuries, tracing the pattern from Romanticism and Realism, through Modernismo, Naturalism and Regionalism to the Boom and beyond. It shows how, while seldom moving completely away from satire, social criticism and protest, Spanish American fiction has evolved through successive phases in which both the conceptions of the writer's task and presumptions about narrative and reality have undergone radical alterations. DONALD SHAW holds the Brown Forman Chair of Spanish American literature in the University of Virginia.
The principal developments in Spanish American poetry in the second half of the twentieth century. Providing a basis for understanding the main lines of development of poetry in Spanish America after Vanguardism, this volume begins with an overview of the situation at the mid-century: the later work of Neruda and Borges, the emergence of Paz. Consideration is then given to the decisive impact of Parra and the rise of colloquial poetry, politico-social poetry [Dalton, Cardenal] and representative figures such as Orozco, Pacheco and Cisneros. Theaim is to establish a few paths through the largely unmapped jungle of Spanish American poetry in the time period. The author emphasises the persistence of a generally negative view of the human condition and the poets' exploration of different ways of responding to it. These vary from outright scepticism to the ideological, the religious or those derived from some degree of confidence in the creative imagination as cognitive. At the same time there is analysis of the evolving outlook on poetry of the writers in question, both in regard to its possible social role and in regard to diction. DONALD SHAW holds the Brown Forman Chair of Spanish American literature in the University of Virginia.
What happened in Spanish American fiction after the Boom? Can we define the Post-Boom? What are its characteristics? How does it relate to the Boom itself? Is Post-Boom the same as Postmodernism or something quite different? Shaw traces the emergence of a different kind of writing which began to displace the Boom in the mid-1970s and has flourished ever since. More reader-friendly, more concerned with the here and now of Latin America, the writers of the Post-Boom have explored new areas of Spanish American life and incorporated characters from new social groups, especially young working-class and lower middle-class figures with their distinctive "pop" culture and freewheeling life-style. Shaw suggests that, while some Boom writers have moved toward the Post-Boom, Post-Boom narrative is distinctively different from that of the older movement and cannot be readily assimilated into Postmodernism.
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