Nanobiotechnology of Biomimetic Membranes describes the current state of research and development in biomimetic membranes for nanobiotechnology applications. The application areas in nanobiotechnology range from novel nanosensors, to novel methods for sorting and delivering bio-active molecules, to novel drug-delivery systems. The success of these applications relies on a good understanding of the interaction and incorporation of macromolecules in membranes and the fundamental properties of the membrane itself.

First published in 1996, "Remove Not the Ancient Landmark" explores the ways that public monuments symbolize and convey moral values. It analyzes the roles that monuments have always played and the influence they continue to exert on societies around the world. The book also explores the origins and nature of humanity in light of the monuments.

Nanobiotechnology of Biomimetic Membranes describes the current state of research and development in biomimetic membranes for nanobiotechnology applications. The application areas in nanobiotechnology range from novel nanosensors, to novel methods for sorting and delivering bio-active moleculres, to novel drug-delivery systems. The success of these applications relies on a good understanding of the interaction and incorporation of macromoleculres in membranes and the funamental properties of the membrane itself.

Catherine Steadman and Jacqueline Bisset star in this drama directed by Don McBrearty. Aspiring writer Tilly (Steadman) has been travelling around Europe with her grandmother Isabella (Bisset) being shown what it is like to live in modern 1870's society. As they arrive in Dublin Isabella plans to teach Tilly the value of letters and the written word and she sets up a meeting with Ireland's poet laureate the Earl of Shannon (Robert O'Mahoney). What Isabella fails to tell Tilly, however, is that the Earl of Shannon is a past love and she hopes that he will pull some strings to get Tilly's work published.

Investigating how the fraught political economy of migration impacts people around the world, Donald Martin Carter raises important issues about contemporary African diasporic movements. Developing the notion of the anthropology of invisibility, he explores the trope of navigation in social theory intent on understanding the lived experiences of transnational migrants. Carter examines invisibility in its various forms, from social rejection and residential segregation to war memorials and the inability of some groups to represent themselves through popular culture, scholarship, or art. The pervasiveness of invisibility is not limited to symbolic actions, Carter shows, but may have dramatic and at times catastrophic consequences for people subjected to its force. The geographic span of his analysis is global, encompassing Senegalese Muslims in Italy and the United States and concluding with practical questions about the future of European societies. Carter also considers both contemporary and historical constellations of displacement, from Darfurian refugees to French West African colonial soldiers. Whether focusing on historical photographs, television, print media, and graffiti scrawled across urban walls or identifying the critique of colonialism implicit in African films and literature, Carter reveals a protean and peopled world in motion.

"States of Grace "was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Leaving their depleted fields for better prospects, Senegalese immigrants have made their way to Italy in significant numbers. What this migration means, in the context of both the migratory traditions and conditions of Africa and the history and future of the European nation-state, is the subject of this timely and ambitious book.

Focusing on Turin, the northern Italian point of entry for so many Senegalese, States of Grace chronicles the arrival and formation of a transnational African Islamic community in a largely Catholic Western European country, one that did not have immigrant legislation until 1991. With no colonial relation to Italy, the Senegalese represent the vanguard of population movements expanding outside of the arch of former colonial powers.

Donald Martin Carter locates the Senegalese migration in the context of past African internal and international migration and of present crises in West African agriculture. He also shows how the Senegalese migration, constituting a "phenomenon" and catalyzing new immigration restrictions among European states, calls into question the European interstate system, the future of the nation-state, and the nature of its relationship with non-European states.

Throughout Europe, protectionist immigration policies are often crafted in chauvinist and racist tones in which "migrants" is a euphemism for blacks, Arabs, and Asians. States of Grace uses Senegalese migration to demonstrate that racial conceptions are crucial to understanding the classifications of non-national "outside" and internal "other." The book is a bracing encounter with the ever-increasing cultural and ethnic heterogeneity that is the new and pressing reality of European society.

Donald Martin Carter is visiting assistant professor of anthropology at Johns Hopkins University.