Portraits of Medieval Eastern Europe provides imagined biographies of twenty different figures from all walks of life living in Eastern Europe from 900 to 1400. Moving beyond the usual boundaries of speculative history, the book presents innovative and creative interpretations of the people, places, and events of medieval Eastern Europe and provides an insight into medieval life from Scandinavia to Byzantium. Each chapter explores a different figure and together they present snapshots of life across a wide range of different social backgrounds. Among the figures are both imagined and historical characters, including the Byzantine Princess Anna Porphyrogenita, a Jewish traveller, a slave, the Mongol general Subodei, a woman from Novgorod, and a Rus' pilgrim. A range of different narrative styles are also used throughout the book, from omniscient third-person narrators to diary entries, letters, and travel accounts. By using primary sources to construct the lives of, and give a voice to, the types of people who existed within medieval European history, Portraits of Medieval Eastern Europe provides a highly accessible introduction to the period. Accompanied by a new and interactive companion website, it is the perfect teaching aid to support and excite students of medieval Eastern Europe.

This book introduces readers to a little-known place and time in world history - early modern Russia, from its beginnings as Muscovy, in the fourteenth century, through the reign of Peter I (1689-1725) - by portraying the lives of representative individuals from the major levels of the society of that era. The portraits, written by professional historians, are imaginative reconstructions or composites of individual lives, rather than biographies. The portraits are arranged into socio-political categories, and include members of ruling families, government servitors, clerks, military personnel, church prelates, monks, provincial landowners, townspeople and artisans, Siberian explorers and traders, free peasants, serfs, slaves and holy fools. Using these portraits, the book brings old Russian society to life in an interesting way.

Portraits of Medieval Eastern Europe provides imagined biographies of twenty different figures from all walks of life living in Eastern Europe from 900 to 1400. Moving beyond the usual boundaries of speculative history, the book presents innovative and creative interpretations of the people, places, and events of medieval Eastern Europe and provides an insight into medieval life from Scandinavia to Byzantium. Each chapter explores a different figure and together they present snapshots of life across a wide range of different social backgrounds. Among the figures are both imagined and historical characters, including the Byzantine Princess Anna Porphyrogenita, a Jewish traveller, a slave, the Mongol general Subodei, a woman from Novgorod, and a Rus' pilgrim. A range of different narrative styles are also used throughout the book, from omniscient third-person narrators to diary entries, letters, and travel accounts. By using primary sources to construct the lives of, and give a voice to, the types of people who existed within medieval European history, Portraits of Medieval Eastern Europe provides a highly accessible introduction to the period. Accompanied by a new and interactive companion website, it is the perfect teaching aid to support and excite students of medieval Eastern Europe.

In this innovative and challenging study, Donald Ostrowski adds fresh and important insights to a pivotally important yet poorly understood subject--Mongol influence on Muscovy. Ostrowski considers here the outside origins and influences, as well as the indigenous origins and development, and shows that during the early period of Muscovy the dominant outside influences came through both Byzantium and the Qipchaq Khanate with its capital at Sarai. In considering these outside influences, Ostrowski has set out to study Muscovy as an integral and important part of world history.

The importance of the Mongols' impact on the Rus lands has been recognised by many scholars, but its precise nature and extent is very contentious. While diverse opinions exist on the origins and development of Muscovy, the author argues that no society arises ex nihilo and that Muscovy is no exception. In this 1998 book, Donald Ostrowski considers the outside origins and influences, as well as indigenous origins and development, in order that the reader may gain a clearer understanding of Muscovy as a political entity, its political institutions and political culture. He shows that during the early period of Muscovy (1304-1448) the ecclesiastical and secular institutions were affected by two different outside influences, Byzantium and the Qipchaq Khanate, respectively. In considering these outside influences, he has set out to study Muscovy as an integral and important part of world history.

This is a new history of the region known as Kyivan Rus', a state in eastern and northern Europe from the late ninth to the mid-sixteenth century that encompassed a variety of polities and peoples, including Lithuanian, Polish, Ottoman and others. This account for the first time focuses on the history of the region via families, which allows the discussion of a wider region and a larger group of people than has been possible before. The book examines the development of Rus, Lithuania, Muscovy and Tver, and their relations and interconnections with the Mongols, Byzantines and many other peoples. This readable yet thoroughly scholarly book will appeal to anyone with an interest in the history of eastern Europe, a region that is crucial in world politics today.

This book introduces readers to a little-known place and time in world history - early modern Russia, from its beginnings as Muscovy, in the fourteenth century, through the reign of Peter I (1689-1725) - by portraying the lives of representative individuals from the major levels of the society of that era. The portraits, written by professional historians, are imaginative reconstructions or composites of individual lives, rather than biographies. The portraits are arranged into socio-political categories, and include members of ruling families, government servitors, clerks, military personnel, church prelates, monks, provincial landowners, townspeople and artisans, Siberian explorers and traders, free peasants, serfs, slaves and holy fools. Using these portraits, the book brings old Russian society to life in an interesting way.

Who Wrote That? examines nine authorship controversies, providing an introduction to particular disputes and teaching students how to assess historical documents, archival materials, and apocryphal stories, as well as internet sources and news. Donald Ostrowski does not argue in favor of one side over another but focuses on the principles of attribution used to make each case. While furthering the field of authorship studies, Who Wrote That? provides an essential resource for instructors at all levels in various subjects. It is ultimately about historical detective work. Using Moses, Analects, the Secret Gospel of Mark, Abelard and Heloise, the Compendium of Chronicles, Rashid al-Din, Shakespeare, Prince Andrei Kurbskii, James MacPherson, and Mikhail Sholokov, Ostrowski builds concrete examples that instructors can use to help students uncover the legitimacy of authorship and to spark the desire to turn over the hidden layers of history so necessary to the craft.

Who Wrote That? examines nine authorship controversies, providing an introduction to particular disputes and teaching students how to assess historical documents, archival materials, and apocryphal stories, as well as internet sources and news. Donald Ostrowski does not argue in favor of one side over another but focuses on the principles of attribution used to make each case. While furthering the field of authorship studies, Who Wrote That? provides an essential resource for instructors at all levels in various subjects. It is ultimately about historical detective work. Using Moses, Analects, the Secret Gospel of Mark, Abelard and Heloise, the Compendium of Chronicles, Rashid al-Din, Shakespeare, Prince Andrei Kurbskii, James MacPherson, and Mikhail Sholokov, Ostrowski builds concrete examples that instructors can use to help students uncover the legitimacy of authorship and to spark the desire to turn over the hidden layers of history so necessary to the craft.

This book sets out to answer the question of why Eastern Church writers showed no interest in analytical reasoning - the so-called "intellectual silence" of Rus' culture - while Western Church writers, by the time of the Scholastics, routinely incorporated analytical reasoning into their defences of the faith. Donald Ostrowski suggests that Western, post-Enlightenment- trained, analytical scholars miss the point, not because of an inability to comprehend cultural ideas which seem abstract and ineffable, but because the agenda is different. For the Eastern Church, faith was superior to reason. Eastern Church thinkers did not see any worth in disputation. If God is a mystery, and this world is an emanation from God, then this world is a mystery too. In the Eastern Church, they did not ask "Why" because, for them, any answer, any explanation, was merely a begging of the question. Why divide into categories what is whole and seamless? Why try to articulate what is ineffable?

"The Tale of Bygone Years (Povest' vremennykh let)" is the most important source for the history of early Rus'. Full of stories of grand princes and saints, monks, and knightly retinues, this chronicle compilation has been the bedrock of modern interpretations of the history, ethos, and religious traditions of Ukrainians, Russians, and Belarusians alike. It also has been a source of controversy, with competing redactions and interpretations of the Old East Slavic language in which it was written. This massive undertaking provides scholars and general readers with the first fully legible text that includes all of the known redactions of the "Povest'." The text consists of an intercollation of the five oldest redactions, three more modern redactions, three later interpolations, and Ostrowski's own final interpretation. The intercollated texts are nested line-by-line. This three-part set will be of fundamental importance to Slavic philologists and historians of early Rus'.

A fundamental problem in studying early modern Russian history is determining Russia's historical development in relationship to the rest of the world. The focus throughout this book is on the continuity of Russian policies during the early modern period (1450-1800) and that those policies coincided with those of other successful contemporary Eurasian polities. The continuities occurred in the midst of constant change, but neither one nor the other, continuities or changes alone, can account for Russia's success. Instead, Russian rulers from Ivan III to Catherine II with their hub advisors managed to sustain a balance between the two. During the early modern period, these Russian rulers invited into the country foreign experts to facilitate the transfer of technology and know-how, mostly from Europe but also from Asia. In this respect, they were willing to look abroad for solutions to domestic problems. Russia looked westward for military weaponry and techniques at the same time it was expanding eastward into the Eurasian heartland. The ruling elite and by extension the entire ruling class worked in cooperation with the ruler to implement policies. The Church played an active role in supporting the government and in seeking to eliminate opposition to the government.