"The Japanese people are more mysterious than I imagined through Hearn's books." --Albert Einstein Lafcadio Hearn is the most significant early interpreter of Japan and Japanese culture for the West--a man who traveled to Japan when he was thirty-nine, and never left. Lafcadio Hearn's Japan presents Hearn's most famous stories and essays about his adopted land--recounting his love for its striking natural beauty and the rich character and customs of its people. The 18 fascinating essays in this book include: "In a Japanese Garden" Hearn's classic description of the meditative calm and serenity he experienced when visiting a traditional Zen garden just outside his back door "Strangeness and Charm" Expressing his deep love for the richness and beauty of traditional Japanese culture "In the Cave of the Children's Ghosts" An account of a journey to an isolated sea cave where the souls of dead children are said to congregate Lafcadio Hearn's Japan provides an unforgettable look at traditional Japan through the eyes of a sensitive and eloquent foreigner. This new edition features a foreword by Steve Kemme, a leading expert on Hearn and president of the Lafcadio Hearn Society (USA). It also includes 21 color photos showcasing the people and places which Hearn so lovingly describes.

This is a freaking great book and I highly recommend it... if you are passionate about the history of 'the world's greatest city,' this book is something you must have in your collection. JapanThis.com. Edward Seidensticker's A History of Tokyo 1867-1989 tells the fascinating story of Tokyo's transformation from the Shogun's capital in an isolated Japan to the largest and the most modern city in the world. With the same scholarship and sparkling style that won him admiration as the foremost translator of great works of Japanese literature, Seidensticker offers the reader his brilliant vision of an entire society suddenly wrenched from an ancient feudal past into the modern world in a few short decades, and the enormous stresses and strains that this brought with it. Originally published as two volumes, Seidensticker's masterful work is now available in a handy, single paperback volume. Whether you're a history buff or Tokyo-bound traveller looking to learn more, this insightful book offers a fascinating look at how the Tokyo that we know came to be. This edition contains an introduction by Donald Richie, the acknowledged expert on Japanese culture who was a close personal friend of the author, and a preface by geographer Paul Waley that puts the book into perspective for modern readers.

Glimpses of Unfamiliar Japan is a complete, two-volume set of one of the most outstanding books on 19th century Japanese history and culture. Though Lafcadio Hearn went on to write a dozen more books on Japan, this collection of first impressions remains his most popular. Among the reasons is that here, more than anywhere else, the author most vividly captured a place that so affected him that he stayed for the rest of his life. The modern reader can still, through these pages, experience that "first charm of Japan, intangible and volatile as a perfume." Glimpses of Unfamiliar Japan combines two volumes of a work that first appeared in 1894. In the pages of this book are the customs, the superstitions, the charming scenery, the revelations of Japanese character, and all the other elements that Lafcadio Hearn found so bewitching. Here, for example, are essays on such subjects as the Japanese garden, the household shrine, the festivals, and the bewildering Japanese smile--all aspects of Japanese life that have endured in spite of the changes that have taken place during the modernization of Japan. The Japanese character and the Japanese tradition are still fundamentally the same as Hearn found them to be, and for this reason, his writing is still extremely revealing to modern readers. This edition also contains a new foreword by noted writer and examiner of Japanese culture Donnie Richie that puts Lafcadio Hearn and his classic works into perspective for readers just discovering Hearn's writing for the first time.

This study examines the history of the Japanese period film and proposes that a powerful relationship exists between the past and present in Japan's narrative tradition. The first section of the book analyzes the form and function of the Japanese period film, describing the unique iconography and characteristics of films set in the past. The author also examines the ways in which the period film has allowed Japanese filmmakers to circumvent government censorship by serving as a rhetorical device with which they can explore contemporary concerns through a criticism of the past. Although the book is primarily focused on the Japanese period film, the final section of the book contains several stand-alone essays which focus on the narrative in Japanese epic, religion, theater, and modern popular literature.

A masterfully written collection of short essays by the recognized Western expert on Japanese culture and film and the man Time magazine calls "the dean of art critics in Japan." Spanning more than thirty years, Richie interprets his adopted home's creative accomplishments during its rise to economic and cultural power.

This provocative book is a tractate--a treatise--on beauty in Japanese art, written in the manner of a "zuihitsu, " a free-ranging assortment of ideas that "follow the brush" wherever it leads. Donald Richie looks at how perceptual values in Japan were drawn from raw nature and then modified by elegant expressions of class and taste. He explains aesthetic concepts like "wabi, sabi, aware, " and "yugen, " and ponders their relevance in art and cinema today.

Donald Richie is the foremost explorer of Japanese culture in English, and this work is the culmination of sixty years of observing and writing from his home in Tokyo.

In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called "The Ocean Was Watching,"
Kurosawa remains unchallenged as one of the century's greatest film directors. Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. His "Rashomon"--one of the best-remembered and most talked-of films in any language--was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world's attention. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of "Rashomon" to the moral dedication of "Ikiru," from the naked violence of "Seven Samurai" to the savage comedy of "Yojimbo," from the terror-filled feudalism of "Throne of Blood" to the piercing wit of "Sanjuro,"

"Substantially the book that devotees of the director have been waiting for: a full-length critical work about Ozu's life, career and working methods, buttressed with reproductions of pages from his notebooks and shooting scripts, numerous quotes from co-workers and Japanese critics, a great many stills and an unusually detailed filmography." (Sight and Sound). Yasujiro Ozu, the man whom his kinsmen consider the most Japanese for all film directors, had but one major subject, the Japanese family, and but one major theme, its dissolution. The Japanese family in dissolution figures in every one of his fifty-three films. In his later pictures, the whole world exists in one family, the characters are family members rather than members of a society, and the ends of the earth seem no more distant than the outside of the house.

This important work fills the need for a reasonably priced yet comprehensive volume on major directors in the history of Japanese film. With clear insight and without academic jargon, Jacoby examines the works of over 150 filmmakers to uncover what makes their films worth watching.

Included are artistic profiles of everyone from Yutaka Abe to Isao Yukisada, including masters like Kinji Fukasaku, Juzo Itami, Akira Kurosawa, Takashi Miike, Kenji Mizoguchi, Yasujiro Ozu, and Yoji Yamada. Each entry includes a critical summary and filmography, making this book an essential reference and guide.

UK-based Alexander Jacoby is a writer and researcher on Japanese film.

Tracing the development of the Japanese cinema from 1896 (when the first Kinetoscope was imported) through the golden ages of film in Japan up to today, this work reveals the once flourishing film industry and the continuing unique art of the Japanese film. Now back in print with updated sections, major revaluations, a comprehensive international bibliography, and an exceptional collection of 168 stills ranging over eight decades, this book remains the unchallenged reference for all who seek a broad understanding of the aesthetic, historical, and economic elements of motion pictures from Japan.

No one has written more, or more artfully, about Japan and Japanese culture than Donald Richie. Richie moved to Tokyo just after World War II. And he is still there, still writing. This book is the first compilation of the best of Richie's writings on Japan, with excerpts from his critical work on film (Richie helped introduce Japanese film to the West in the late 1950s) and his unpublished private journal, plus fiction, Zen musings, and masterful essays on culture, travel, people, and style. With a critical introduction and full bibliography. Donald Richie's many books include The Films of Akira Kurosawa, The Japanese Tattoo, and the PBS favorite The Inland Sea. Vienna resident Arturo Silva lived in Japan for 18 years. "To read [The Donald Richie Reader and The Japan Journals] is like diving for pearls. Dip into any part of them and you will surely find treasures about the cinema, literature, traveling, writing. The passages are evocative, erotic, playful, and often profound." - Japanese Language and Literature

Yoshiyuki Junnosuke was a sensual writer, whose style is reminiscent of that of novelists such as Tanizaki Jun'ichiro and Nagai Kafu. His works deal with the possibility of emotional purity in the relationships between men and women. Often, the relationship is examined through the agency of the protagonist's association with prostitutes. This collection brings together a selection of many of his finest stories, examining human relationships to reveal new aspects of ourselves.

In the preface to New Writing in Japan, Mishima Yukio says of Yoshiyuki: "The delicacy of Yoshiyuki's language and sensibility is probably more subtle and sophisticated than that of any Japanese writer since the war...The idee fixe of Japanese youth today--that love is impossible and impracticable--lies deep at the root of Yoshiyuki's thinking."

His elegant prose style is often likened to that of Albert Camus. Howard Hibbett said of Yoshiyuki (in Contemporary Japanese Literature: an Anthology of Fiction, Film and Other Writing Since 1945): "The cool, polished surface of his fiction faithfully reflects a world of mingled frivolity and futility...The urbane refinement of his astringent prose style is much admired."

"An elegiac prose celebration ...a classic in its genre."-Publishers Weekly In this acclaimed travel memoir, Donald Richie paints a memorable portrait of the island-studded Inland Sea. His existential ruminations on food, culture, and love and his brilliant descriptions of life and landscape are a window into an Old Japan that has now nearly vanished. Included are the twenty black and white photographs by Yoichi Midorikawa that accompanied the original 1971 edition. Donald Richie (1924-2013) was an internationally recognized expert on Japanese culture and film. Yoichi Midorikawa (1915-2001) was one of Japan's foremost nature photographers.

This collection guides the reader through the complexity that is Japan. Although frequently misunderstood as a homogenous nation, Japan is a land of tremendous linguistic, geographical and cultural diversity. Hino Keizo leads the reader through Tokyo's mazes in "Jacob's Tokyo Ladder". Nakagami Kenji explores the ghostly, mythology-laden backwoods of Kumano. Atoda Takashi takes us to Kyoto to follow the mystery of a pair of shoes and discover the death of a stranger. The stories, like the country and the people, are beautiful and compelling. Let these literary masters be your guide - from the beauty of northern Honshu through the hustle and bustle of Tokyo, to the many temples in Kyoto, through Osaka and the coastline of the Sea of Japan, and down to southern Kyushu - to a Japan that only the finest stories can reveal.

Rashomon is one of the greatest of Japanese director Akira Kurosawa's films, the winner of the 1951 Venice Festival prize and the Academy Award for best foreign film in 1952. It features Toshiru Mifune, the best-known Japanese actor in the West, as the bandit, and accused rapist and murderer. At the beginning of the film, a woodcutter, priest, and commoner happen to meet at the ruined gate--Rashomon--outside the city of Kyoto. This tale of rape and murder is first seen through the eyes of the woodcutter and priest, both of whom have been touched by the events. The cynical, detached commoner, "everyman," listens to and comments upon their stories. The central section of the film, a series of flashbacks and tales within tales, consists of the same events retold by the husband (speaking through a medium, from the grave), the wife, the bandit, and the woodcutter. Each tells what happened--or possibly, what should have happened. The film deals with multiple truths; Richie summarized the director's point of view in the introduction: "the world is illusion, you yourself make reality, but this reality undoes you if you submit to being limited by what you have made." The sixth title in the Rutgers Films in Print Series and the first Japanese film, this volume brings together for the first time the full continuity script of Rashomon; an introductory essay by Donald Richie; the Akutagawa stories upon which the film is based; critical review and commentaries of the film; a filmography; and a bibliography. Donald Richie is the author of the definitive books in English on Kurosawa and Ozu. In addition, he is coauthor of the standard English-language history of the Japanese film and author or editor of several other books on the subject. He has also served as film critic for the Japan Times and as curator of film at the Museum of Modern Art in New York.