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Social Complexity in the Making is a highly accessible ethnography which explains the history and evolution of Ilahita, an Arapesh-speaking village in the interior Sepik region of northeastern New Guinea. This village, unlike others in the region, expanded at an uncharacteristically fast rate more than a century ago and has maintained its large size (more than 1500) and importance until the present day. The fascinating story of how Ilahita became this size and how organizational innovations evolved there to absorb internal pressures for disintegration, bears on a question debated ever since Plato raised it: what does it take for people to live together in harmony? Anthropologist Donald Tuzin, drawing on more than two years fieldwork in the village, studies the reasons behind this unusual population growth. He discovers the behaviour and policies of the Tambaran, the all-male society which was the back bone of Ilahitan society, and examines the effect of the outside influences such as World War II on the village. This work is a unique example of an anthropological case study which will be widely used amongst undergraduates and academics. It provides an excellent insight into techniques of ethnography and contributes to a deeper understanding of what makes a society evolve (and/or collapse).
Donald Tuzin first studied the New Guinea village of Ilahita in
1972. When he returned many years later, he arrived in the
aftermath of a startling event: the village's men voluntarily
destroyed their secret cult that had allowed them to dominate women
for generations. The cult's collapse indicated nothing less than
the death of masculinity, and Tuzin examines the labyrinth of
motives behind this improbable, self-devastating act. The
villagers' mythic tradition provided a basis for this revenge of
Woman upon the dominion of Man, and, remarkably, Tuzin himself
became a principal figure in its narratives. The return of the
magic-bearing "youngest brother" from America had been prophesied,
and the villagers believed that Tuzin's return "from the dead"
signified a further need to destroy masculine traditions.
"The Cassowary's Revenge" is an intimate account of how Ilahita's
men and women think, emote, dream, and explain themselves. Tuzin
also explores how the death of masculinity in a remote society
raises disturbing implications for gender relations in our own
society. In this light Tuzin's book is about men and women in
search of how to value one another, and in today's world there is
no theme more universal or timely.
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