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First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
"Classic American Popular Song: The Second Half-Century, 1950-2000"
addresses the question: "What happened to American popular song
after 1950?" There are numerous books available on the so-called
"Golden Age" of popular song, but none that follow the development
of popular song styles in the second half of the 20th century.
While 1950 is seen as the "end of an era," the tap of popular song
creation hardly ran dry after that date. Many of the classic
songwriters continued to work through the following decades: Porter
was active until 1958; Rodgers until the later 1970s; Arlen until
1976. Some of the greatest lyricists of the classic era continued
to do outstanding and successful work: Johnny Mercer and Dorothy
Fields, for example, continued to produce lyrics through the early
'70s. These works could be explained as simply the Golden Age's
"last stand," a refusal of major figures to give in to a new
reality. But then, how can we explain the outstanding careers of
Frank Loesser, Cy Coleman, Jerry Herman, Jerry Bock and Sheldon
Harnick, Fred Kander and John Ebb, Jule Styne, Alan Jay Lerner and
Frederick Loewe, and several other major figures? Where did Stephen
Sondheim come from?
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